Showing posts with label Cast. Show all posts
Showing posts with label Cast. Show all posts
Martitia Hunt
"Hold! I am Eleanor, by the wrath of God, Queen of England. Down on your knees, you traitorous dogs!”
With these haughty lines, Martitia Hunt as Eleanor of Aquitaine, attempts to stop an attack, by the Sheriff’s soldiers, on the royal entourage in Walt Disney’s Story of Robin Hood. A regal role she played with her usual scene stealing ability.
In the Oxford Dictionary of National Biography, Donald Roy describes Martitia thus:
"With an arresting appearance and a dominant stage presence, she proved most effective as strong, tragic characters, her Gertrude in Hamlet being accounted by some critics the finest they had seen."
Martitia was born on a ranch in Buenos Aires, Argentina, to Alfred and Marta Hunt on 30th January 1900. When she was ten, the family returned to England, where Martitia attended Queenwood boarding-school in Eastbourne. She trained as an actress under Dame Genevieve Ward and Lady Benson. And by 1920 she had appeared in her first movie, an obscure 2 reel, silent film, produced by Walter West called The Rank Outsider.
After joining the Liverpool Repertory Theatre, Martitia moved, in September 1929, to London and later, on John Gielgud’s insistence, she joined Harcourt Williams’s Old Vic Company for a season. It was there that she established herself as a stage actress and went on to make notable performances, particularly in Shakespearian plays, such as, Gertrude in Hamlet, Lady Macbeth in Macbeth, the Queen in Richard II and Rosalind in As You Like It, alongside Gielgud.
Like many actors and actresses of her time, Martitia divided her career between stage and film production. In 1932 she made her first ‘talking’ picture debut as Aline, in Alexander Korda’s Service For Ladies. Many supporting, or cameo roles followed, including Aunt Esther in When Knights Were Bold (1936), Lady Francis Brandon Grey in Tudor Rose (1936) (alongside Cedric Hardwick and John Mills) and Lady Bogshott in Good Morning Boys (1937).
With middle age, Martitia finally achieved her greatest success. Firstly with her role as cousin Agatha in the 17th century costume drama, The Wicked Lady (1945) alongside Margaret Lockwood and James Mason. Then with a reprisal of a character she had performed in 1939.
David Lean had seen Martitia as Miss Havesham, along with Alec Guinness as Herbert Pocket, in a stage production of Dickens’s novel, after being taken to the Rudolf Steiner Hall by his wife Kay Walsh. This inspired him to film his later award winning classic, Great Expectations (1946) in which both Martitia and Alec Guinness recreated their roles. This masterpiece proved to be a benchmark in movie production and went on to win two Oscars. One for its art direction and also for Guy Green’s (later director of photography on Disney’s Robin Hood (1952)) black and white cinematography.
Martitia’s brilliant, unforgettable performance, as the mad recluse, Miss Havesham, in the atmospheric setting of ‘Statis House,’ brought her world wide recognition. Three years later she made her Broadway debut in The Madwoman of Chaillot and won a Tony Award for Best Actress (Dramatic) for her 'Countess Aurelia'.
But her success, firmly began to typecast her in roles, as an ‘eccentric grand dame’ or ‘evil aristocrat.’ Gradually she reduced her stage work and in May 1956, played in her last theatre production, as Angelique Boniface in Feydeau’s farce, Hotel Paradiso. This was at the Winter Gardens, with Irene Worth and Alec Guinness, whom she had given voice lessons, at the beginning of his acting career.
More regal roles followed in her film career, including Princess Betty Tversky in Anna Karenina (1948) and the Duchess of Berwick in The Fan (1949).
The tall, stately, velvet voiced, Martitia Hunt, was of course, the perfect choice to play the part of Queen Eleanor of Aquitaine in Walt Disney’s Story of Robin Hood (1952). As the mother of the crusading King Richard I and his scheming brother Prince John, she found herself the linchpin of a divided kingdom, a part, the elegant Martitia, was made for.
Her later, notable films, included Anastasia (1956) as Baroness Elena von Livenbaum with Ingrid Bergman, The Admirable Crichton (1957) as Lady Brocklehurst and as Anna Richter, the story teller, in The Wonderful World of the Brothers Grimm (1962).
In the final years of her career, Martitia once again found herself with regal roles like the Empress Matilda in Beckett(1964) and the Grand Duchess Lupavinova in The Unsinkable Molly Brown, (1964). Her last two films were the mystery thriller, Bunny Lake is Missing (1965) in which she played the part of Ada Ford and the sex comedy, The Best House in London (1969) as the headmistress.
Martitia Hunt died of bronchial asthma at 7 Primrose Hill Studios, Fitzroy Road, Hampstead, London, on 13th June 1969. She was 69.
James Hayter
James Hayter was personally chosen for the part of Friar Tuck by the director of Disney’s Story of Robin Hood, Ken Annakin. Hayter had just played the role of a verger in Annakin’s last production, Trio (1950) based on three stories by Somerset Maugham. During the early days of filming in March 1951, Annakin began screen testing Hayter for the part of the merry priest, exploring the character’s various possibilities. But as they fooled around and generally went ‘over the top’, Annakin was stunned to turn around and see Walt Disney and the producer of the film, Perce Pearce standing behind him.
Disney was not impressed and took Annakin to one side.
“You seem to have a very-laid back relationship with your actor, Annakin", he said.
The embarrassed director tried to explain that they had just finished a film together and were exploring how much joviality they could get away with, in the role of Friar Tuck.
“He can be played in several ways ,” Disney interrupted, “I’ve always seen him quite clearly in one way. I’d like to see the stuff you have shot.”
As they turned to walk away, he said, “I hope your not going to be cynical about these fine old English characters Annakin, they’re classics, you know and I don’t want them spoofed. I see the character something like this.......”
Then Walt Disney sat on a ‘prop rock’ by the river and began to sing Friar Tuck’s song from the film, Come Sing Hi , including a conversation with an imaginary Robin Hood. He knew all the lines by heart and earned himself a round of applause from the film crew. James Hayter went on, of course, to become for many the archetype, Friar Tuck.
‘Jimmy’ Hayter was born in Lonuvla, India on 23rd April 1907, the son of a police superintendant. He began his education in Scotland and it was his school headmaster who spotted his obvious talent and encouraged him into becoming an actor. Hayter later graduated to the Royal Academy of Dramatic Arts (RADA).
Disney was not impressed and took Annakin to one side.
“You seem to have a very-laid back relationship with your actor, Annakin", he said.
The embarrassed director tried to explain that they had just finished a film together and were exploring how much joviality they could get away with, in the role of Friar Tuck.
“He can be played in several ways ,” Disney interrupted, “I’ve always seen him quite clearly in one way. I’d like to see the stuff you have shot.”
As they turned to walk away, he said, “I hope your not going to be cynical about these fine old English characters Annakin, they’re classics, you know and I don’t want them spoofed. I see the character something like this.......”
Then Walt Disney sat on a ‘prop rock’ by the river and began to sing Friar Tuck’s song from the film, Come Sing Hi , including a conversation with an imaginary Robin Hood. He knew all the lines by heart and earned himself a round of applause from the film crew. James Hayter went on, of course, to become for many the archetype, Friar Tuck.
‘Jimmy’ Hayter was born in Lonuvla, India on 23rd April 1907, the son of a police superintendant. He began his education in Scotland and it was his school headmaster who spotted his obvious talent and encouraged him into becoming an actor. Hayter later graduated to the Royal Academy of Dramatic Arts (RADA).
He made his stage debut in My Fair Lady as Alfred Dolittle in 1925, a part he played for five years in the West End and later on tour. Jimmy also went on to tread the boards in London in notable productions such as 1066 And All That and French Without Tears. After managing theatre companies in Perth and Dundee and appearing in various repertory theatre productions, his first film appearance came as the character Jock, in the mediocre Brian Desmond version of the play Sensation, in 1936. Hayter then went on to make five more movies before the outbreak of war.
After serving in the Royal Armoured Corps during the dark days of World War II, Jimmy made television history, when he was chosen to play the part of Mr Pinwright, the owner of a small multiple-store, in the BBC’s first recognised half-hour situation comedy series, Pinwright’s Progress in 1947.
His cherubic comedy style soon established him with a whole host of regular film parts and James Hayter became one of the busiest character actors in British film history. Notable early roles include, Nicholas Nickleby (1947) in which he played the twins Ned and Charles Cheeryble, The Blue Lagoon (1949) as Dr Murdoch, Morning Departure (1950) Tom Brown’s Schooldays (1951) as Old Thomas, The Story of Robin Hood and his Merrie Men, (1952) and The Crimson Pirate (1952) as Professor Prudence.
Apart from his memorable portrayal of Friar Tuck in 1952 (a part he would re-create in the 1967 Challenge For Robin Hood) James Hayter is probably best remembered, in that very same year, for his ‘perfect’ role as Samuel Pickwick in the adaption of the classic Charles Dickens novel, The Pickwick Papers. The success of the movie prompted a BAFTA nomination for him as Best British Actor in 1953. Alexander Gauge, who played Friar Tuck in 89 episodes of the hugely successful TV series The Adventures of Robin Hood, also appeared in the film, as Tupman.
After serving in the Royal Armoured Corps during the dark days of World War II, Jimmy made television history, when he was chosen to play the part of Mr Pinwright, the owner of a small multiple-store, in the BBC’s first recognised half-hour situation comedy series, Pinwright’s Progress in 1947.
His cherubic comedy style soon established him with a whole host of regular film parts and James Hayter became one of the busiest character actors in British film history. Notable early roles include, Nicholas Nickleby (1947) in which he played the twins Ned and Charles Cheeryble, The Blue Lagoon (1949) as Dr Murdoch, Morning Departure (1950) Tom Brown’s Schooldays (1951) as Old Thomas, The Story of Robin Hood and his Merrie Men, (1952) and The Crimson Pirate (1952) as Professor Prudence.
Apart from his memorable portrayal of Friar Tuck in 1952 (a part he would re-create in the 1967 Challenge For Robin Hood) James Hayter is probably best remembered, in that very same year, for his ‘perfect’ role as Samuel Pickwick in the adaption of the classic Charles Dickens novel, The Pickwick Papers. The success of the movie prompted a BAFTA nomination for him as Best British Actor in 1953. Alexander Gauge, who played Friar Tuck in 89 episodes of the hugely successful TV series The Adventures of Robin Hood, also appeared in the film, as Tupman.
Hayter later joined Alexander Gauge and the rest of the television crew of The Adventures of Robin Hood, when he played the part of Tom the Miller in 2 episodes of that classic series.
Jimmy remained just as busy in the television studio as on the film set and appeared in a whole host of early productions. Including, Douglas Fairbanks Jr. Presents, Fair Game, The Moonstone, The Avengers, Man From Interpol, The Flaxton Boys, Wicked Women and Dr Finlay's Casebook.
With seven children to support, James Hayter continued to work phenomenally hard in the film industry and went on to appear in over 90 movies, some classics such as: Calling Bulldog Drummond (1951), The Big Money (1958), I Was Monty’s Double (1958), The 39 Steps (1959) and Oliver (1968).
It was in 1970 that Jimmy re-joined Geoffrey Lumsden and Joan Rice; colleagues from Disney’s Story of Robin Hood, in The Horror of Frankenstein. This was the fifth in the series of Frankenstein films made by Hammer, but it is best described as a dreary and disappointing movie. Hayter’s television career was, on the other hand, far from dull, with continuing work in many popular productions of the time, including Doctor at Large, Hunter’s Walk and The Onedin Line.
Towards the end of his long and illustrious acting career, Hayter was chosen by comedy writer and producer, David Croft, to appear as a new assistant in his successful TV series Are You Being Served. Croft said:
"James Hayter had not worked for me before, but he was a well known featured player in movies over here,” Croft remembers, “ and as far as I was concerned was the only candidate providing he was available and willing to play the part."
So as the mischievous Percival Tibbs, Hayter appeared in 6 episodes of Are You Being Served. Unfortunately for many years, Mr Kipling Cakes had used his distinctly fruity voice, for their advertisements on British television and the company did not like the character he now portrayed in this series.
Jimmy remained just as busy in the television studio as on the film set and appeared in a whole host of early productions. Including, Douglas Fairbanks Jr. Presents, Fair Game, The Moonstone, The Avengers, Man From Interpol, The Flaxton Boys, Wicked Women and Dr Finlay's Casebook.
With seven children to support, James Hayter continued to work phenomenally hard in the film industry and went on to appear in over 90 movies, some classics such as: Calling Bulldog Drummond (1951), The Big Money (1958), I Was Monty’s Double (1958), The 39 Steps (1959) and Oliver (1968).
It was in 1970 that Jimmy re-joined Geoffrey Lumsden and Joan Rice; colleagues from Disney’s Story of Robin Hood, in The Horror of Frankenstein. This was the fifth in the series of Frankenstein films made by Hammer, but it is best described as a dreary and disappointing movie. Hayter’s television career was, on the other hand, far from dull, with continuing work in many popular productions of the time, including Doctor at Large, Hunter’s Walk and The Onedin Line.
Towards the end of his long and illustrious acting career, Hayter was chosen by comedy writer and producer, David Croft, to appear as a new assistant in his successful TV series Are You Being Served. Croft said:
"James Hayter had not worked for me before, but he was a well known featured player in movies over here,” Croft remembers, “ and as far as I was concerned was the only candidate providing he was available and willing to play the part."
So as the mischievous Percival Tibbs, Hayter appeared in 6 episodes of Are You Being Served. Unfortunately for many years, Mr Kipling Cakes had used his distinctly fruity voice, for their advertisements on British television and the company did not like the character he now portrayed in this series.
They thought the personality of the character he portrayed was unpleasant and had an air of indignity that might put the viewing public off buying their “exceedingly good cakes”!
Hayter at first argued that he was free-lance and could chose to play any character he desired, but when Mr Kipling Cakes finally offered him three times his BBC salary for the next series, not to do it and terminate his contract, he accepted.
The cast of Are You Being Served were very disappointed to see such a successful comedy talent leave, but he confessed, “if they are prepared to pay me three times as much not to it, then I wont do it– at my time of life, I have no more ambition.”
James Hayter died in Spain aged 75 on 27th March 1985.
Hayter at first argued that he was free-lance and could chose to play any character he desired, but when Mr Kipling Cakes finally offered him three times his BBC salary for the next series, not to do it and terminate his contract, he accepted.
The cast of Are You Being Served were very disappointed to see such a successful comedy talent leave, but he confessed, “if they are prepared to pay me three times as much not to it, then I wont do it– at my time of life, I have no more ambition.”
James Hayter died in Spain aged 75 on 27th March 1985.
© Clement of the Glen 2006-2007
(To see all posts about James Hayter please click on the label 'James Hayter' marked in the right-hand panel or below).
Joan Rice
Information on Joan Rice is very scarce. But over the last few years, I have managed to piece together some fragmentary facts about her life, from a wide range of sources. In particular I am indebted to Maria Steyn on The Adventures of Robin Hood Message Board, who met Joan in Maidenhead in 1978 and became a friend. Maria has very kindly passed on some details of Joan’s later life. So if you are aware of any more information on this beautiful actress, or see any errors, please contact me on this site.Dorothy Joan Rice was born in Derby, in England on the 3rd February 1930. The early years of her life were apparently spent in Abbey Street, Derby and at a school/convent in Nottingham, where according to Life magazine, she might have been training for her role as Maid Marian, playing in Sherwood Forest.
After finishing her education, the beautiful green-eyed brunette, took various jobs in London and eventually began working as a waitress in the smart uniform of a ‘corner house girl’ or Nippie, in a Lyon’s Corner House in London (possibly Marble Arch). It was while working there, that she entered a Beach Beauty competition and won the title Miss Lyons in 1949. This led to her being introduced, by a film extra, to actor and director, Harold Huth, and eventually a seven year film contract with J. Arthur Rank.
Joan’s first film role was as the character Alma, in Huth’s own production, Blackmailed (1951) alongside Dirk Bogarde, James Robertson Justice and Mai Zetterling. She then went on to play a maid called Annie, in the clever farce, One Wild Oat (1951) which also included the first screen appearance of Audrey Hepburn, another future Maid Marian.
According to Ken Annakin, Walt Disney’s only Achilles heel, during the making of Robin Hood was the casting of Joan Rice as Maid Marian. Annakin described her as an attractive brunette with a determined face and good figure, but no acting experience. Her acting ability was also criticised by the star of the film, Richard Todd in a recent radio interview. But although six other young actresses had also been screen tested, Walt Disney, would not change his mind, he said that he saw Joan as a great little ‘emoter’.
The other girls may be easier to work with, Disney said, but Joan has a quality. The camera loves her. She gets my vote. With your documentary experience it shouldn’t be beyond your skill to get a performance out of her. Treat her like a child. Spend time with her. So for Ken Annakin, the choice was made and Joan Rice was a cross, he said, he had to bear.
In April 1951 shooting began on Disney’s Story of Robin Hood (1952) and soon things became fraught between Joan Rice and Ken Annakin. In his book, So You Wanna Be A Director, Annakin describes how accident prone she was. During filming she used to ride to and from the local hotel at Denham on a bicycle and fall off nearly every single day. One evening, Annakin saw her standing forlornly by the studio door. He stopped and asked her what was wrong. Joan had smashed up her bike yet again. He offered her a lift, so she climbed in his MG Midget but during the journey she accidently dropped some ash from her cigarette and burnt a hole in one of the red leather rumble seats. The car was Annakin’s pride of his life and this incident reduced poor Joan to tears!
If there was a batten lying on the floor, she’d trip over it, and the funny thing is that nobody on the crew fancied her! Annakin said.
I had to go over dialogue with her word by word and guide her with chalk numbers on the floor, for her moves. The crew would often, shake their head and sigh audibly. One day an electrician sidled past while, while Joan was struggling with her lines and said to Ken Annakin, she’s nowt but a big, soft milk tart, Governor! Big tits and no drawers! This sent Joan off crying again and informing Annakin’s assistant, that that if he didn’t want her, she could always go back to being a waitress! But Disney had chosen her, so Ken Annakin and Joan Rice were chained irrevocably together for the rest of the show!
Despite this cruel criticism, the film, and Joan’s role as a spirited Maid Marian was a success. In fact for many, including myself, she was certainly one of the best, if not the best Maid Marian that ever graced the silver screen. So perhaps Uncle Walt was right!
Her film career took-off, and from story-book history, Joan Rice moved on to a WWII Navy drama, in her next movie, Gift Horse (1952) with Trevor Howard and Richard Attenborough, as June Mallory a Wren cipher clerk. Christmas 1952 saw Joan’s first television appearance as a guest on the BBC’s Current Release: Party Edition, transmitted on the 17th December with a whole host of top celebrities of the time, including Richard Todd, Dirk Bogarde, Trevor Howard, Jack Hawkins, Joan Collins and Petula Clark.
Joan then teamed up again with James Hayter and Bill Owen, from those Disney days, in the rather poor B movie, A Day To Remember released on 29th March 1953. Her next role was as Avis in the typical British farce Curtain Up (1953) alongside such great British talents as Margaret Rutherford and Robert Morley. The movie about a megalomaniac producer, who has to have a new play, ‘Tarnished Gold,’ ready in one week, was directed by Ralph Smart, who later worked on 18 episodes of TV’s hugely successful The Adventures of Robin Hood between 1955-1956.
It was in 1953 that Joan married film producer David Green, son of Harry Green who owned a top London club, frequented by film celebrities in the 1950’s, called Kiss Corner. Joan and Harry later had a son, Michael, but their marriage only lasted up until 1964.
Her last film of 1953 was The Steel Key, a melodrama which has Joan as the love interest, Doreen Wilson, alongside Terence Morgan as attractive rogue, Johnny O’Flynn. Between them they investigate the theft of a secret formula for hardened steel and get involved in international espionage. The movie is often described as a prototype for The Saint and was directed by Robert Baker, who later worked on that successful television series.
It was in the first movie to be filmed in Fiji, His Majesty O’Keefe, released in America on the 16th January 1954, that Joan Rice reached the pinnacle of her brief movie career. This lavish Technicolor adventure in the South Seas, featured Joan as a beautiful island girl who eventually marries Irish American, Captain David O’Keefe, a fortune hunter, played by Burt Lancaster.
After being washed up on the tiny island of Yap in the Solomon Islands, O’Keefe teaches the local islanders modern agriculture and eventually manages to establish a group of trading posts selling Copra, an oil yielding coconut pulp, across the South Seas. But not before he takes as his bride, a dusky Polynesian maiden, Dalabo aki Dali, played by Joan Rice and has a series of battles, not only with local superstitions, but with the native farmers, pirates and white Europeans.
In October 1954 Joan’s ninth movie was released, a comedy drama, The Crowded Day. In this she played Peggy Woman alongside John Gregson, Freda Jackson, and Rachael Roberts, in the five individual stories of a group of salesgirls and their boyfriends at a department store during Christmas week. A colleague from Disney’s Robin Hood, Hal Osmond, also appeared.
Sadly, Joan’s movie career was starting to fade, when she appeared as Iris, alongside much loved funny man Norman Wisdom’s second film appearance, One Good Turn(1955). Following this, Joan worked once again with Harold Huth in his ‘B Film’ as Pat Lewis in Police Dog. In 1956 she appeared in her first Hammer production, Women Without Men also known as Blonde Bait. A prison drama about three women who for various reasons decide to arrange an escape to settle things on the outside, then give themselves back up to the authorities. Joan played Cleo Thompson.
After a couple of years, Joan moved into the world of television with appearances in The New Adventures of Charlie Chan as Sybil Adams. Meanwhile in August 1958 The Long Knife was released. A melodrama about a nurse, Jill Holden, played by Joan, working in a convalescent home wrongly accused of killing several of her patients. As the story unravels, she begins her own investigation to prove her innocence and discovers that the victims were all being blackmailed. But the movie failed to have much of an impact and by November 1958 Joan moved back to the small screen, appearing alongside debonair Roger Moore in an episode of the series Ivanhoe.
June 1959 saw Joan’s appearance in the comedy film Operation Bullshine as Private Finch, with Donald Sinden and Barbara Murray. Set along the English coast at an anti aircraft station, the movie follows the mayhem caused at the base by a group of new female recruits.
After a role in an episode of the TV series The Pursuers in 1961 Joan made her last major screen appearance before her retirement from the film industry. This was in the highly rated heist movie, Payroll released in 1961. With a particularly good performances from Billie Whitelaw and Kenneth Griffith, the gritty story involves a gang of working class criminals in Newcastle, whose payroll robbery ends up with an unplanned fatality. The deceased's wife then decides to set off and track down the villains.
Joan appeared in one more television series, Zero One, aired on British television on the 9th January 1963. Then she retired from acting for nine years. She came out of retirement for a brief character role, as a grave robbers wife, in her second Hammer film, The Horror of Frankenstein in 1970.
She then set up The Joan Rice Bureau in Maidenhead, Berkshire, during the 1970’s and it was here that her office dealt with real estate and property. Joan was being cared for financially at this time by David Green and she lived in a local apartment with her much loved golden retriever called ‘Jessy’. It was in Maidenhead during 1978 that Maria Steyn met Joan Rice and Maria and has kindly informed me of Joan’s later years. They became close friends after Maria had arranged to rent an apartment through Joan’s bureau and they later met several times at Joan’s apartment. Sadly both Joan’s mother and her golden retriever passed away in 1979.
In 1984 Joan married Ken McKenzie a Salesman from Stornaway on the Isle of Lewis and they both moved to Cookham near Maidenhead. But by the start of the 1980’s Joan had been suffering with depression, which led to her drinking and smoking heavily. During this period, Maria describes Joan as looking very pale and unhealthy, with regular severe coughing fits. As time went on, Maria began to find it hard to communicate with her. Soon they lost touch.
Joan died aged 67on January 1st 1997 in Maidenhead, Berkshire.
We all have our favourite characters in the world of television and film. For me Joan Rice will always be Maid Marian.
© Clement of the Glen 2006-2007
(To read more about Joan Rice please click on the label 'Joan Rice' in the panel opposite or below).
If there was a batten lying on the floor, she’d trip over it, and the funny thing is that nobody on the crew fancied her! Annakin said.
I had to go over dialogue with her word by word and guide her with chalk numbers on the floor, for her moves. The crew would often, shake their head and sigh audibly. One day an electrician sidled past while, while Joan was struggling with her lines and said to Ken Annakin, she’s nowt but a big, soft milk tart, Governor! Big tits and no drawers! This sent Joan off crying again and informing Annakin’s assistant, that that if he didn’t want her, she could always go back to being a waitress! But Disney had chosen her, so Ken Annakin and Joan Rice were chained irrevocably together for the rest of the show!
Despite this cruel criticism, the film, and Joan’s role as a spirited Maid Marian was a success. In fact for many, including myself, she was certainly one of the best, if not the best Maid Marian that ever graced the silver screen. So perhaps Uncle Walt was right!
Her film career took-off, and from story-book history, Joan Rice moved on to a WWII Navy drama, in her next movie, Gift Horse (1952) with Trevor Howard and Richard Attenborough, as June Mallory a Wren cipher clerk. Christmas 1952 saw Joan’s first television appearance as a guest on the BBC’s Current Release: Party Edition, transmitted on the 17th December with a whole host of top celebrities of the time, including Richard Todd, Dirk Bogarde, Trevor Howard, Jack Hawkins, Joan Collins and Petula Clark.
Joan then teamed up again with James Hayter and Bill Owen, from those Disney days, in the rather poor B movie, A Day To Remember released on 29th March 1953. Her next role was as Avis in the typical British farce Curtain Up (1953) alongside such great British talents as Margaret Rutherford and Robert Morley. The movie about a megalomaniac producer, who has to have a new play, ‘Tarnished Gold,’ ready in one week, was directed by Ralph Smart, who later worked on 18 episodes of TV’s hugely successful The Adventures of Robin Hood between 1955-1956.
It was in 1953 that Joan married film producer David Green, son of Harry Green who owned a top London club, frequented by film celebrities in the 1950’s, called Kiss Corner. Joan and Harry later had a son, Michael, but their marriage only lasted up until 1964.
Her last film of 1953 was The Steel Key, a melodrama which has Joan as the love interest, Doreen Wilson, alongside Terence Morgan as attractive rogue, Johnny O’Flynn. Between them they investigate the theft of a secret formula for hardened steel and get involved in international espionage. The movie is often described as a prototype for The Saint and was directed by Robert Baker, who later worked on that successful television series.
It was in the first movie to be filmed in Fiji, His Majesty O’Keefe, released in America on the 16th January 1954, that Joan Rice reached the pinnacle of her brief movie career. This lavish Technicolor adventure in the South Seas, featured Joan as a beautiful island girl who eventually marries Irish American, Captain David O’Keefe, a fortune hunter, played by Burt Lancaster.
After being washed up on the tiny island of Yap in the Solomon Islands, O’Keefe teaches the local islanders modern agriculture and eventually manages to establish a group of trading posts selling Copra, an oil yielding coconut pulp, across the South Seas. But not before he takes as his bride, a dusky Polynesian maiden, Dalabo aki Dali, played by Joan Rice and has a series of battles, not only with local superstitions, but with the native farmers, pirates and white Europeans.
In October 1954 Joan’s ninth movie was released, a comedy drama, The Crowded Day. In this she played Peggy Woman alongside John Gregson, Freda Jackson, and Rachael Roberts, in the five individual stories of a group of salesgirls and their boyfriends at a department store during Christmas week. A colleague from Disney’s Robin Hood, Hal Osmond, also appeared.
Sadly, Joan’s movie career was starting to fade, when she appeared as Iris, alongside much loved funny man Norman Wisdom’s second film appearance, One Good Turn(1955). Following this, Joan worked once again with Harold Huth in his ‘B Film’ as Pat Lewis in Police Dog. In 1956 she appeared in her first Hammer production, Women Without Men also known as Blonde Bait. A prison drama about three women who for various reasons decide to arrange an escape to settle things on the outside, then give themselves back up to the authorities. Joan played Cleo Thompson.
After a couple of years, Joan moved into the world of television with appearances in The New Adventures of Charlie Chan as Sybil Adams. Meanwhile in August 1958 The Long Knife was released. A melodrama about a nurse, Jill Holden, played by Joan, working in a convalescent home wrongly accused of killing several of her patients. As the story unravels, she begins her own investigation to prove her innocence and discovers that the victims were all being blackmailed. But the movie failed to have much of an impact and by November 1958 Joan moved back to the small screen, appearing alongside debonair Roger Moore in an episode of the series Ivanhoe.
June 1959 saw Joan’s appearance in the comedy film Operation Bullshine as Private Finch, with Donald Sinden and Barbara Murray. Set along the English coast at an anti aircraft station, the movie follows the mayhem caused at the base by a group of new female recruits.
After a role in an episode of the TV series The Pursuers in 1961 Joan made her last major screen appearance before her retirement from the film industry. This was in the highly rated heist movie, Payroll released in 1961. With a particularly good performances from Billie Whitelaw and Kenneth Griffith, the gritty story involves a gang of working class criminals in Newcastle, whose payroll robbery ends up with an unplanned fatality. The deceased's wife then decides to set off and track down the villains.
Joan appeared in one more television series, Zero One, aired on British television on the 9th January 1963. Then she retired from acting for nine years. She came out of retirement for a brief character role, as a grave robbers wife, in her second Hammer film, The Horror of Frankenstein in 1970.
She then set up The Joan Rice Bureau in Maidenhead, Berkshire, during the 1970’s and it was here that her office dealt with real estate and property. Joan was being cared for financially at this time by David Green and she lived in a local apartment with her much loved golden retriever called ‘Jessy’. It was in Maidenhead during 1978 that Maria Steyn met Joan Rice and Maria and has kindly informed me of Joan’s later years. They became close friends after Maria had arranged to rent an apartment through Joan’s bureau and they later met several times at Joan’s apartment. Sadly both Joan’s mother and her golden retriever passed away in 1979.
In 1984 Joan married Ken McKenzie a Salesman from Stornaway on the Isle of Lewis and they both moved to Cookham near Maidenhead. But by the start of the 1980’s Joan had been suffering with depression, which led to her drinking and smoking heavily. During this period, Maria describes Joan as looking very pale and unhealthy, with regular severe coughing fits. As time went on, Maria began to find it hard to communicate with her. Soon they lost touch.
Joan died aged 67on January 1st 1997 in Maidenhead, Berkshire.
We all have our favourite characters in the world of television and film. For me Joan Rice will always be Maid Marian.
© Clement of the Glen 2006-2007
(To read more about Joan Rice please click on the label 'Joan Rice' in the panel opposite or below).
An Interview With Richard Todd
In October 2006 the BBC broadcast a new series of Robin Hood. Filmed in Budapest, with a Hungarian crew, these 13 part episodes were yet another evolution of the legend. With a fairly young, mostly unknown cast, it was aimed at the early Saturday evening, family viewing slot, left vacant by the hugely successful Dr Who series. It was written by Dominic Minghella and starred Jonas Armstrong as Robin Hood, Lucy Griffiths as Maid Marian and Keith Allen as the Sheriff of Nottingham. It received mixed reviews but was successful enough to be granted a second series, which is currently in production (although filming has been held up due to Jonas Armstrong having fractured a metatarsal in his foot during a fight scene).One of the special guests invited along by the BBC in Lincolnshire to see the pilot episode of their new series, was the man who had played Robin Hood for Walt Disney 54 years earlier, the veteran British actor Richard Todd.
This is the interview Richard Todd gave with Rod Whiting of BBC Radio Lincolnshire about making Walt Disney’s ‘The Story of Robin Hood and his Merrie Men.’
Richard Todd: This went much against my instincts because I was an actor and you see I thought, Robin Hood, No! No! No! I don’t want to do that, hanging by my tail from trees and all that sought of thing. And Walt Disney came over to England and we had lunch together and he told me that he wanted a quick witted, quick thinking, quick moving, welter-weight. I really had a ball on that film. It was nothing like what you are able to do today. It doesn’t hold a candle to this in many ways.
Rod Whiting: What do you think about the new programme?
Richard Todd: From what I have seen it’s excellent. I told you. We couldn’t hold a candle to it. In the days when I made Robin Hood. Yeah! I think it’s extremely good. It’s very intelligent, its bright, its beautifully photographed, it has tremendous production values. Whether it will be intriguing for audiences, I wouldn’t know. As I said just now, I’m a bit old fashioned and I think I’m still a child at heart. I want to see Robin Hood! You know the Robin Hood that I have been nurturing in my mind for the odd ninety years. Or whatever it is I’ve been alive.
Rod Whiting: Not some chap with a beard then?
Richard Todd: (laughs) No! No! No! What happened to Friar Tuck? Does he come in sometime?
Rod Whiting: I think he will. I think he will at some stage.
Richard Todd: And Little John?
Rod Whiting: Yes. I think he’s about to make his appearance.
Richard Todd: Oh Good! Good!
Rod Whiting: Joan Rice was Maid Marian in your film.
Richard Todd: Yes.
Rod Whiting: And you know I was horrified to read that the biography of Joan Rice is nothing more than ‘A pert English actress....’
Richard Todd: She wasn't an actress.
Rod Whiting: Right.
Richard Todd: Poor little girl. I mean goodness knows why Walt and the others chose her. She was a waitress in a Lyons Corner House in London. She had never acted. She was a pretty little thing. She was a nice little thing. She tried her best. She did her best. It wasn’t there.
Rod Whiting: But you did have a chap called Bill Owen in the film.
Richard Todd: Oh a lot of other people that would be remembered today.
Rod Whiting: Peter Finch?
Richard Todd: Peter Finch, James Robertson Justice, James Hayter.
Richard Todd: Oh Good! Good!
Rod Whiting: Joan Rice was Maid Marian in your film.
Richard Todd: Yes.
Rod Whiting: And you know I was horrified to read that the biography of Joan Rice is nothing more than ‘A pert English actress....’
Richard Todd: She wasn't an actress.
Rod Whiting: Right.
Richard Todd: Poor little girl. I mean goodness knows why Walt and the others chose her. She was a waitress in a Lyons Corner House in London. She had never acted. She was a pretty little thing. She was a nice little thing. She tried her best. She did her best. It wasn’t there.
Rod Whiting: But you did have a chap called Bill Owen in the film.
Richard Todd: Oh a lot of other people that would be remembered today.
Rod Whiting: Peter Finch?
Richard Todd: Peter Finch, James Robertson Justice, James Hayter.
Anthony Forwood
Anthony Forwood played the part of Will Scarlet in Disney’s Story of Robin Hood and his Merrie Men. ‘Tony’ was born in the seaside town of Weymouth in Dorset on 3rd October 1915and in 1939 he started courting the husky-voiced Welsh actress Glynis Johns, whom he later married. Their only child, Gareth was born in London in 1945. (Gareth Forwood was later to appear in films such as Ghandi in 1982). But it was during the filming of Robin Hood in 1952 that their marriage began to break up. Glynis was to appear, the following year, as a young Mary Tudor in the Walt Disney production of The Sword and the Rose.
Anthony Forwood’s early films included :
Man in Black (1949)
Traveller’s Joy (1949)
Meet Simon Cherry (1949)
The Black Widow (1951)
Colonel March Investigates (1952)
Appointment in London (1952)
The Story of Robin Hood and his Merrie Men (1952)
In 1939 Tony had met Dirk Bogarde who was later to become one of the biggest British matinee idols of the 1950’s. They struck up a relationship that would last over fifty years, but they both kept their personal lives very private. Bogarde was said to guard his intimate life like a Rottweiler! John Coldstream sums up in his authorised biography on Bogarde:
The truth is that no one will ever know what the precise relationship between the two men was.
Anthony Forwood’s later films included:
The Gambler and the Lady (1952)
Knights of the Round Table (1953)
Mantrap (1953)
Five Days (1954)
Tony started off by chauffeuring for Bogarde, who often simply referred to him at that time as Forwood! They later lived in a mansion together, near Pinewood Studios, in Beaconsfield, Buckinghamshire. But Bogarde repeatedly denied that their relationship was anything other than friendship. He described Tony Forwood as a tremendously intelligent, controlling influence. This became more apparent when his former chauffeur now started being referred to as his ‘personal manager.’ Tony also kept a unique record of their life together on 16mm film (recently shown in a documentary about Bogarde’s life) which included the pair of them entertaining film stars like Elizabeth Taylor, Gregory Peck and Jean Simmons.
Together Dirk Bogarde and Tony Forwood moved during the 1970’s to a 15th century farmhouse in Provence, in the South of France. Bogarde began writing some successful books, but he also began witnessing Tony’s terrible protracted fight with Parkinson's disease and bowel cancer. When Tony’s health became critical, they moved back to London in 1987. But sadly Tony passed away on the 18th May 1988.
After witnessing his partners slow tragic death, Dirk Bogarde became active in promoting voluntary euthanasia for terminally patients in Britain. Dirk died in 1999 and in the year 2000 his ashes were taken back to the farm in Provence, where he had spent some of the happiest days of his life-with Anthony Forwood.
We had a terrific fifty years together and nothing can take any part of that away.(Dirk Bogarde)
© Clement of the Glen 2006-2007
(To see all posts about Anthony Forwood please click on the label marked Anthony Forwood in the right-hand panel or below).
James Robertson Justice
With his booming laugh, full blonde beard, giant carcass and cavernous chest, James Robertson Justice was a perfect Little John. He was a natural extrovert with great energy and a treble ration of humour. ‘Jimmie’ was one of British cinemas most recognised screen personalities. Some references incorrectly give his birthplace as Scotland, but in fact, although a proud Scot ( he enjoyed practising his bagpipes) James Norval Harold Justice was born at 39 Baring Road, Lee, South London on 15th June 1907 to a distinguished Scottish legal family.
His father wanted him to work in the Foreign Service. He was educated at Marlborough College (he hated it) and also attended Bonn University in Germany for three years and came back speaking the language perfectly. (Later he could speak eight languages). He loved athletics, dancing, politics and gained two medical degrees. His love of sport led him to becoming a net minder for the London Lions in the British Ice Hockey Association. Working as a journalist for Reuters he then emigrated to Canada to teach, before joining the International Brigade in a spell of fighting against General Franco (where he grew his beard) in the Spanish Civil War.
Justice joined up at the outbreak of World War II and served in the Royal Navy reaching the rank of officer, but after being invalided out the service in 1943 his performing talents became noticed by director Harry Watt, who gave him some small parts in films at Ealing. A year later he made his first film, ‘Fiddlers Three’ a comedy about time-travellers in Rome. He played the part of a centurion.
One of his earliest films was his only ‘clean-shaven’ performance as Petty Officer Oats, alongside John Mills in ‘Scott of the Antarctic.’ But it had been Peter Ustinov, as a young film director, that had helped this unknown actor (with very little training) gain a two year Rank contract by casting him in the role of ‘thrash happy’ Dr Grimstone, alongside Anthony Newly in ‘Vice Versa’. He was later to play one of his best loved roles as the doctor in the Ealing Comedy ‘Whisky Galore’, where according to the script he had input in the dialogue and casting locations.
This larger than life, snuff taking, charismatic character, soon began to appear in a steady flow of films as a major supporting player, with many roles set in historical times:
The Black Rose (1950)
David and Bathsheba (1951)
Captain Horatio Hornblower (1951)
Les Miserables (1952)
The Story of Robin Hood (1952)
Rob Roy (1953)
The Sword and the Rose (1953)
Land of the Pharaohs (1955)
Moby Dick (1956)
Ken Annakin recalled working with James Robertson Justice during the making of ‘The Story of Robin Hood’ . Justice he said could, with careful direction always be relied upon to ‘add verisimilitude’ (as he used to say) to any larger than life character. For three weeks he and Richard Todd rehearsed the famous quarter-staff fight scene on a wooden bridge built over the studio tank at Denham Studios. They rehearsed with Rupert Evans the most expert sword master and ‘period’ fight arranger in England at the time.
After a lot of lively exchanges of blows, Richard Todd was knocked into the water as scripted and Justice jumped in after him. Without a break they continued to parry and thrust, as choreographed, until Richard trod on a nail which penetrated his thin deer skin boot.
“Shit!” he yelled, and losing his balance, swiped James a mighty blow across the head.
Justice cried out “Foul, not fair!” and disappeared under the water only to reappear, spluttering “varlet!” still in character. “Have you no respect for the pate of a philosopher! If you’ve damaged the old brain box, Edinburgh University is going to lose its most distinguished Rector!”
It was true, Justice had just received a phone call in his dressing room, offering him the honour-something unheard of in the acting profession.
Ken Annakin made a number of films with James Robertson Justice and often looked forward to lunchtime breaks from filming, when the big man would tell stories of his exploits. Including the time he fled Arabia on a camel after penetrating a sheik’s harem and dropping his rifle in front of Hitler when the Germans marched into the Rhine.
It was during the 1950 General Election that he unsuccessfully fought a constituency for the Labour Party and became co-founder of the Severn Wildfowl Trust, ( now known as The National Birds Of Prey Centre) with his close friend Peter Scott, only son of Arctic explorer, Robert Falcon Scott.
With the money earned from his movie success, Justice bought ‘The Bungalow’ on the Dornoch Firth, on the east coast of Scotland. Here he could enjoy his passion for nature, fly fishing, ornithology, hunting and particularly the ancient art of falconry. ‘Jimmie’ kept a live falcon in his dressing room at Pinewood!
He later taught ‘plants, beasts and royal falconry’ to a young Prince Charles.
Back home after his successful stint in Hollywood , Justice was to play a role that he will be forever remembered, the bombastic surgeon, Sir Lancelot Spratt. It was said that he basically played himself! The film, ‘Doctor in the House’, broke all box office records for a British film and made Dirk Bogarde a top Rank Organisation star in 1954. Five more 'Doctor’ films followed over the next sixteen years.
This type cast Justice and all his later roles would be in the ‘mould’ of Sir Lancelot, such as the character Lord Scrumptious in ‘Chitty Chitty Bang Bang’.
His father wanted him to work in the Foreign Service. He was educated at Marlborough College (he hated it) and also attended Bonn University in Germany for three years and came back speaking the language perfectly. (Later he could speak eight languages). He loved athletics, dancing, politics and gained two medical degrees. His love of sport led him to becoming a net minder for the London Lions in the British Ice Hockey Association. Working as a journalist for Reuters he then emigrated to Canada to teach, before joining the International Brigade in a spell of fighting against General Franco (where he grew his beard) in the Spanish Civil War.
Justice joined up at the outbreak of World War II and served in the Royal Navy reaching the rank of officer, but after being invalided out the service in 1943 his performing talents became noticed by director Harry Watt, who gave him some small parts in films at Ealing. A year later he made his first film, ‘Fiddlers Three’ a comedy about time-travellers in Rome. He played the part of a centurion.
One of his earliest films was his only ‘clean-shaven’ performance as Petty Officer Oats, alongside John Mills in ‘Scott of the Antarctic.’ But it had been Peter Ustinov, as a young film director, that had helped this unknown actor (with very little training) gain a two year Rank contract by casting him in the role of ‘thrash happy’ Dr Grimstone, alongside Anthony Newly in ‘Vice Versa’. He was later to play one of his best loved roles as the doctor in the Ealing Comedy ‘Whisky Galore’, where according to the script he had input in the dialogue and casting locations.
This larger than life, snuff taking, charismatic character, soon began to appear in a steady flow of films as a major supporting player, with many roles set in historical times:
The Black Rose (1950)
David and Bathsheba (1951)
Captain Horatio Hornblower (1951)
Les Miserables (1952)
The Story of Robin Hood (1952)
Rob Roy (1953)
The Sword and the Rose (1953)
Land of the Pharaohs (1955)
Moby Dick (1956)
Ken Annakin recalled working with James Robertson Justice during the making of ‘The Story of Robin Hood’ . Justice he said could, with careful direction always be relied upon to ‘add verisimilitude’ (as he used to say) to any larger than life character. For three weeks he and Richard Todd rehearsed the famous quarter-staff fight scene on a wooden bridge built over the studio tank at Denham Studios. They rehearsed with Rupert Evans the most expert sword master and ‘period’ fight arranger in England at the time.
After a lot of lively exchanges of blows, Richard Todd was knocked into the water as scripted and Justice jumped in after him. Without a break they continued to parry and thrust, as choreographed, until Richard trod on a nail which penetrated his thin deer skin boot.
“Shit!” he yelled, and losing his balance, swiped James a mighty blow across the head.
Justice cried out “Foul, not fair!” and disappeared under the water only to reappear, spluttering “varlet!” still in character. “Have you no respect for the pate of a philosopher! If you’ve damaged the old brain box, Edinburgh University is going to lose its most distinguished Rector!”
It was true, Justice had just received a phone call in his dressing room, offering him the honour-something unheard of in the acting profession.
Ken Annakin made a number of films with James Robertson Justice and often looked forward to lunchtime breaks from filming, when the big man would tell stories of his exploits. Including the time he fled Arabia on a camel after penetrating a sheik’s harem and dropping his rifle in front of Hitler when the Germans marched into the Rhine.
It was during the 1950 General Election that he unsuccessfully fought a constituency for the Labour Party and became co-founder of the Severn Wildfowl Trust, ( now known as The National Birds Of Prey Centre) with his close friend Peter Scott, only son of Arctic explorer, Robert Falcon Scott.
With the money earned from his movie success, Justice bought ‘The Bungalow’ on the Dornoch Firth, on the east coast of Scotland. Here he could enjoy his passion for nature, fly fishing, ornithology, hunting and particularly the ancient art of falconry. ‘Jimmie’ kept a live falcon in his dressing room at Pinewood!
He later taught ‘plants, beasts and royal falconry’ to a young Prince Charles.
Back home after his successful stint in Hollywood , Justice was to play a role that he will be forever remembered, the bombastic surgeon, Sir Lancelot Spratt. It was said that he basically played himself! The film, ‘Doctor in the House’, broke all box office records for a British film and made Dirk Bogarde a top Rank Organisation star in 1954. Five more 'Doctor’ films followed over the next sixteen years.
This type cast Justice and all his later roles would be in the ‘mould’ of Sir Lancelot, such as the character Lord Scrumptious in ‘Chitty Chitty Bang Bang’.
As the British film industry started to fade in the 1970’s, so did Justice’s health. After a series of strokes he died on 2nd July 1975 at King’s Somborne in Hampshire. He was bankrupt. A very sad end to a wonderfully, multi talented man. His ashes were interred at the ‘Bungalow’ in Spinningdale, at Dornoch Firth, in Scotland. But he left behind a legacy of over 85 movies.
A memorial service for him was later held at Winchester Cathedral.
They don’t make ‘em like that anymore!
© Clement of the Glen
Patrick Barr
Patrick Barr, like Archie Duncan, transferred over from starring in Disney’s film version, The Story of Robin Hood in 1952 to television’s Adventures of Robin Hood in 1956. As we shall see, Disney’s Story and the much loved Adventures of Robin Hood have many connections. In this case, Patrick resurrected the role of King Richard the Lionhearted, in two episodes of the classic series.
Patrick (or Pat, as he was sometimes called) was born in Akola, India on 13th February 1908 and had his first brush with the legendry outlaw when he first appeared on the silver screen in 1932 as a torturer in the black and white short, The Merry Men of Sherwood.
During the 1930’s Patrick was very often cast as dependable, trustworthy characters and after six years of military service during WWII he continued to bring those qualities to his roles in a very long career in film and television. His early notable movies included The Case of the Frightened Lady (1940), The Blue Lagoon (1949), The Lavender Hill Mob (1951) and The Story of Robin Hood and his Merrie Men (1952).
In 1950 Patrick had appeared as the Earl of Northumberland in a television production of Richard II and it was in this medium that his popularity was mainly to grow, although he did continue to perform in some celebrated films. He appeared once again alongside Richard Todd in the classic war film, The Dambusters (1955), Saint Joan (1957), Next To Time (1960), The Longest Day (1962), Billy Liar (1963) The First Great Train Robbery (1979) and Octopussy in (1983).
His later television appearances included four episodes of Dr Who, three performances as Lord Boyne in The Secret of Boyne Castle for the Wonderful World of Disney in 1969 and three episodes of Telford’s Change in 1979.
Pat died aged 77 in London on 29th August 1985.
© Clement of the Glen 2006-2007
Archie Duncan
Archie Duncan has the unique distinction in the world of Robin Hood, of playing a villain and a hero. He played Red Gill, the murderer of Robin’s father, in The Story of Robin Hood, and Little John in 105 episodes of TV’s The Adventures of Robin Hood between 1955-1960.
Archibald Duncan was born in Glasgow on 26th May 1914 and was educated at Govern High School. The Scottish actor Russell Hunter, remembers ‘big Archie’ at a Communist Party Rally in support of the Soviet Union and the opening of a second front in 1941. Duncan was then working as a welder at John Brown’s Shipyard.
“I was looking for acting work,” Hunter said. “Duncan came up to me and asked if I he had a big voice? I replied yes! So he invited me through to a back room, where I was asked to read the part of the fascist in the Saturday night production at the Partick Borough Halls. As the original actor had been called up.”
Archie Duncan later introduced Russell Hunter to the Glasgow Unity.
It was at the Citizens Theatre Company that Duncan joined the training ground of many Scottish actors including, Molly Urquart, Duncan Macrae, Gordon Jackson and Eileen Herlie. He then made his Scottish acting debut in Juno and the Paycock, playing all three gunmen, at Glasgow's Alhambra in May 1944.
His London debut came at the Phoenix Theatre in 1947 when he appeared with Alistair Sim and George Cole as Inspector Mc Iver in Dr Angelus.
Film roles started to follow with: Operation Bullshine (1948) Counter Blast (1948), The Bad Lord Byron (1949), Floodtide (1949), The Gorballs Story (1950), The Elusive Pimpernel (1950), Green Grow the Rushes (1951), Flesh and Flood (1951), Circle of Danger (1951) Henry V (1951), The Lavender Hill Mob (1951) You're Only Young Twice (1952), Hot Ice (1952), Home At Seven (1952) and The Story Of Robin Hood and his Merrie Men(1952).
Two years later Duncan teamed up again with Richard Todd and James Robertson Justice, in Disney’s Rob Roy, the Highland Rogue as Dugal Mac Gregor.
In-between these various film roles, came the first of his long running TV appearances in the early U.S. series Sherlock Holmes as Inspector Lestrade. But just as he was finishing the final recording of Sherlock Holmes in 1955, he was preparing for a role that he will always be fondly remembered.
6ft. 2inch Archie was to play the part of Little John for Sapphire Films in The Adventures of Robin Hood, at Nettlefold Studios, the first production of the newly formed ITP company (later ITC). It was commissioned by Lew Grade and was shown in the first weekend of Independent television in 1955 and became a massive success, running to 143 episodes. It was during the filming this unforgettable series that Duncan proved to be a true hero and managed to prevent a runaway horse from hurtling towards a group of spectators, consisting of mainly children, watching close by. For this brave feat, he was awarded the Queen’s Commendation for Bravery and £1,360 in damages But it also resulted in him missing the recording of eleven episodes of Robin Hood. So between times, a replacement was found in fellow Scotsman, Rufus Cruickshank.
After TV’s The Adventures of Robin Hood, Duncan’s most notable film roles were in Saint Joan (1957) and Ring of Bright Water (1969). His career in television production carried on with parts in programmes like Z Cars, Hereward the Wake, Orlando, Black Beauty and Bootsie and Snudge. Sadly he passed away in London aged 65 on 24th July 1979.
© Clement of the Glen 2006-2007
Michael Hordern
Michael Murrey Hordern is one of the many delightfully talented actors that appeared in Walt Disney’s Story of Robin Hood and his Merrie Men. He was born on 3rd October 1911 at Berkhampstead, Hertfordshire in England, the son of Captain Edward Joseph Calverly Hordern of the Royal Indian Navy, and his wife Margaret Emily Murray. It was during his education at Brighton College that he developed a passion for acting, but his early years were spent as a schoolteacher and later as a travelling salesman, acting only in his spare time.
His first professional engagement on the stage came with the part of Ludovico in a production of Othello in 1937 at the Peoples Palace in East London. He later joined the repertory company of the Little Theatre in Bristol, where he met his future wife Grace Evelyn Mortimer. They were married in 1943 and later had one daughter, Joanna.
Hordern soon began to get bit parts in films, including a small part in The Adventures of Robin Hood in 1938 with Errol Flynn, his first official movie debut came in Carol Reed’s Girl in the News a year later.
With the outbreak of WWII, his acting career was suspended as he served in the Royal Navy reaching the rank of Lieutenant Commander RNVR. But it soon resumed after the war as he continued to find work in all media. His remarkably smooth resonant voice and rather mournful face was utilized in in nearly twenty productions of the Royal Shakespeare Company in London, Stratford, at the Old Vic and West End. Two of his Shakespearean roles in particular, King Lear and Prospero, it is said, could have been written for him!
His extensive movie career ( he appeared in over a hundred films and nearly as many TV performances) include playing Marley’s Ghost with Alistair Sim in A Christmas Carol in 1951, Scathelok in Disney’s Story of Robin Hood in 1952 and Desmosthenes in Alexander the Great in 1956, Cicero in Cleopatra in 1963 and Baptista in Taming of the Shrew in 1967. His debut on American television came when his part in the Disney movie Dr Syn: The Scarecrow of Romney Marsh was shown on Walt Disney’s Wonderful World of Colour in 1964 on NBC.
In the 1967 movie ,The Spy Who Came In From The Cold, Hordern played the role of a pathetic Kim Philby type and a year later he took the part of Thomas Boleyn in Ann Of A Thousand Days.
His distinctive, mellow voice was often used in narration, such as in the animated film Watership Down in 1978 and his work in radio resulted in his performance as Gandalf, in the BBC’s Lord of the Ring’s with Ian Holm and John Le Mesurier, becoming arguably the definitive version.
His finest film performance came in 1983 when he took on the role of a disillusioned journalist in England Made Me and this prolific, much loved character actor was finally rewarded with a knighthood for his services to theatre, that same year by Queen Elizabeth. Brighton College later named a room in his honour and had a bronze bust commissioned.
His versatility remained right up to his later years, appearing in movies, radio, theatre productions, television films and mini series and even an appearance in a pop video with Barry Gibb of the Bee Gees in 1984!
In the final years of his remarkable life he moved to Dartmoor to enjoy his favourite hobby, fly fishing and became the narrator of the popular Children’s Television series Paddington Bear.
In 1993 he published his autobiography A World Elsewhere. He died in Oxford on May 2nd 1995 of kidney disease.
© Clement of the Glen 2006-2007
A Hold-Up At Robin's Camp
(Walt Disney with Ken Annakin on the set of Robin Hood)
After ten weeks of shooting The Story of Robin Hood, the film crew were sitting around, one day, waiting for the Special Effects men to fix four whistling arrows onto wires ( to make them fly into Robin’s camp) and disgruntled at the fact that the pay cheques had been delayed. When all of a sudden, the lowest assistant camera man, John Alcott (who later won an Oscar for his photography on Greystoke) began to parody a phrase that had just been used in a scene by Anthony Forwood as Will Scarlet:
Off with your kirtles, and on with your rags
Robin’s gone up to the office to sort out a breach,
And teach those Yankee bags
They must pay up or get out of reach!
The whole crew roared with laughter and began to chant the verse in unison. At that very moment Walt Disney, who had been holidaying in England with his family, walked into the studio completely unannounced with a very puzzled look on his face. He headed straight for the director, Ken Annakin and asked, “Something wrong? Why aren’t you shooting?”
Completely stunned, Annakin rather nervously explained the situation and held his breath while Disney turned away and thought carefully. Then suddenly he broke into a wide grin, put his hand to his mouth and yelled out, “Okay, fellas, I’ll go rob the rich and pay the poor. But for Pete’s sake, keep this show rolling. I’d like to come back to the UK with another one next year!”
To Annakin’s relief, Disney then moved on to see the latest rushes with his favourite art director, Carmen Dillon.
© Clement of the Glen 2006-2007
Bill Owen
Will Stutely is played memorably in Disney’s Story of Robin Hood and his Merrie Men by the great multi-talented British character actor Bill Owen. This is a brief look at his fascinating career.
Born William Rowbotham in Acton Green, London on March 14th 1914, Bill knew from an early age what he wanted to do, he wanted to go on the stage. His father was a train driver and his mother a laundress and could not afford to send their talented son to drama school. So young William Rowbotham left school and became a printers apprentice, a job he hated.
His ambition to perform drove him into becoming a vocalist and he even started playing the drums for a local dance band. He toured the local music halls with a cabaret act, which later led to summer seasons at Butlins Holiday Camps.
Born William Rowbotham in Acton Green, London on March 14th 1914, Bill knew from an early age what he wanted to do, he wanted to go on the stage. His father was a train driver and his mother a laundress and could not afford to send their talented son to drama school. So young William Rowbotham left school and became a printers apprentice, a job he hated.
His ambition to perform drove him into becoming a vocalist and he even started playing the drums for a local dance band. He toured the local music halls with a cabaret act, which later led to summer seasons at Butlins Holiday Camps.
With the money from this, he saved enough to start an acting course. His talents shone through and he soon gained respect as a talented stage producer at the Unity Theatre.
With the outbreak of World War II, Bill enlisted in the Royal Army Corps, where he reached the rank of lieutenant. But one day during battle training he was injured in an explosion and was forced back out into civilian life.
His acting skills now began to get noticed and his film career took off with.
‘The Way To The Stars’ (1945)
‘Daybreak’(1946)
‘School of Secrets’ (1946)
In 1947 Bill signed for J. Arthur Rank Organisation and it was then that he was persuaded to change his name from Rowbotham to Owen. With this new name he took on the role of Bill Collins in his first film for Rank called When the Bough Breaks. This part established him in British cinema and a career of 46 film parts continued, including:
Once A Jolly Swagman (1948)
The Weaker Sex (1948)
The Gay Lady (1949)
The Story of Robin Hood (1952)
The Square Ring (1953)
The Ship That Died Of Shame (1955)
But Bill’s first love was the stage and he continued to perform in the theatre, with a memorable moment in his career playing Touchstone alongside Katherine Hepburn, in ‘As You Like It’ in New York.
His musical talents were called upon once again in a stint with Sadlers Wells in ‘The Mikado’ and in ‘Mac the Knife’ in ‘The Threepenny Opera.’ But his talent didn’t stop there. He enjoyed writing plays, songs, musicals and political revues. Bill was a active supporter of the Labour party and penned What’s Left? and Babes in the Wood.
Meanwhile, Bill was getting a semi-regular in the Carry On comedies usually playing cockneys.
Carry On Sergeant (1959)
Carry On Nurse (1959)
Carry On Regardless (1960)
Carry On Cabby (1963)
In the 1960’s Bill produced the stage musical The Matchgirl on the West End in London. He also became musically linked with Mike Sammes and together they wrote songs for Pat Boone, Harry Secombe and Engelbert Humperdinck.
Together with Mike Sammes, Bill’s biggest song writing success was ‘Marianne’ recorded by Sir Cliff Richard in 1968.
His early TV appearances included the BBC comedy ‘Taxi,’ starring Sid James, ‘Coppers End’ and ‘Whatever Happened to the Likely Lads.’ But he will forever be remembered as the scruffy, welly-wearing Compo. A role he played for twenty years and over 200 episodes in the BBC’s record breaking Last of the Summer Wine.
He continued working up to his death from Pancreatic Cancer on July 12 1999. He was buried at St. John’s Church, Holmfirth in Yorkshire. A place used for filming ‘Last of the Summer Wine’ and an area Bill had grown to love over the years.
In 1976 Bill had been awarded an MBE for his tireless work for the National Association of Boys Clubs and his role as Chairman of the Performing Arts Advisory Panel. He was also awarded an Honoury Degree in 1998.
© Clement of the Glen 2006-2007
Rupert Evans
Ex-Royal Marine Physical Training Instructor, Rupert Evans puts Peter Finch, as the Sheriff of Nottingham, through his paces. Evans was a member of ‘Mickey Wood’s Tough Guys’ and had been brought in to see that all the actors were trained in the use of swords and quarterstaffs, before using such weapons in Disney’s ‘Story of Robin Hood.’
© Clement of the Glen 2006-2007
Peter Finch
The Sheriff of Nottingham was played by Peter Finch, in one of his first major film roles. ‘Finchie’ was a protégé of Laurence Olivier and became a good friend of film producer Ken Annakin.
Born in South Kensington, London, on 28th September 1916, Frederick George Peter Ingle Finch was the natural son of Major Jock Campbell, a Highlander in the Black Watch and Alicia Ingle-Finch, during her marriage to George Ingle-Finch a notable mountaineer from New South Wales.
After his parents divorced in 1926 he went to live with his grandmother in Paris and later they moved to India. Aged ten he arrived in Sydney, Australia, where during the Depression he took on several dead end jobs, before working as a comedians stooge in vaudeville. In 1935 he made his stage acting debut, touring New South Wales with his travelling theatre company 'Mercury’ performing the classics in little theatres. A year later he debuted onscreen in ‘Dad and Dave Come to Town’.
‘Finchie’ served with the Australian First Army in the anti-tank battalion in the Middle East during WWII. But later on ‘civvie-street’ in 1948 his artistic ability gained his first film credit as assistant director and casting director for ‘Eureka Stockade’. He was now Australia’s top radio actor and his talents were soon noticed by Laurence Olivier who invited him to London to join the Old Vic and signed him to a personal contract. His impressive stage debut was alongside Edith Evans in ‘Daphne Laureda.’
At this time Finch started his long affair with Olivier’s wife, Vivian Leigh. But although personally humiliated, Olivier kept Finch under contract and his acting career continued to flourish. During his life he was also to have well-publicised affairs with Kay Kendall and Mai Zetterling.
Although he was now becoming an experienced performer, 'Finchie’ began suffering with severe stage fright (he also had a fear of flying). So much so, that he decided to put all his creative energy into acting on film and he made his Hollywood debut with ‘The Miniver Story’ and ‘The Wooden Horse’ in 1950.
In 1951 Finch took on the role of the Sheriff of Nottingham for Disney.
“Peter brought a freshness and a snide threat to the villainous character, without the histrionics of his predecessors in the role," said his friend and ‘Robin Hood’ producer Ken Annakin. “We became close friends and over the years I was sad to see how the strain of show business made Peter hit the bottle. He drank in order to cope with theatrical challenges he had never dreamed of in the outback or truly prepared for. But I don’t think he was ever as happy as his days in Denham, strutting around the stages as the Sheriff of Nottingham.”
As the Sheriff, ‘Finchie’ had to ride a horse, something, although he was brought up in Australia, he had never done. So the majority of riding shots were completed by a double. But for some of his spoken lines he had to film on horseback. These caused particular problems because, Peter’s horse, although supposedly a trained animal, seemed to have a dislike for actors and directors!
Every time ‘Finchie’ tried to mount his horse, it moved away from its mark, causing all sorts of problems for the film crew. This was an example, according to Annakin, of how amateurish the supply of trained horses and wranglers were for film companies in Britain, compared to the States.
Eventually the wrangler had to climb under the camera and hold down the horses hooves, while Peter Finch as the Sheriff spoke his lines. Even then as soon as ‘Finchie’ opened his mouth, the animal started snorting. This scene was used and appears in the early part of ‘Robin Hood’ when the Sheriff arrests William Scathelok for not paying his taxes.
As Peter Finch approached middle age his film career took off, with movies like the romantic comedy ‘Simon and Laura’ in 1965, the sombre war drama, ‘A Town like Alice’ in 1956, ‘Nuns Story’ in 1959 and back with Disney as Alan Breck Stewart in ‘Kidnapped’ in 1960.
Between 1956-71 he won five BAFTA awards, one of these for an exceptional performance in ‘The Trials of Oscar Wilde’ in 1960 . His debut as a film director, writer and producer came with his short, ‘Antonito’ and he went on to acclaimed roles in 'No Love for Johnnie’ in 1961, 'The Pumpkin Eater’ in 1964 and 'Far from the Madding Crowd’ in 1967. During his career he received two Oscar nominations, one for his portrayal as a gay doctor in ‘Sunday Bloody Sunday’ in 1971 and as the crazed television anchor man in ‘Network’ in 1976.
Sadly 64 year old Peter Finch collapsed and died in the lobby of the Beverley Wiltshire Hotel during a promotional campaign for ‘Network,’ on January 14th 1977. He was interred in the Hollywood Forever Cemetery, in California. His part in ‘Network’ had received rave reviews and he was nominated for an Oscar. He went on to win the award, which was accepted by his widow, Eletha. ‘Finchie’ remains the only actor to have received a nomination and Oscar posthumously.
Peter Finch was married three times. He had a daughter by his first wife Tamara Tchinarova, two children by his second, Yolande Turner and one child by Eletha Finch.
© Clement of the Glen 2006-2007
Reginald Tate
Reginald Tate played the part of Hugh Fitzooth, gamekeeper to the Earl of Huntingdon, in this movie. He was born on December 13th 1896 in Garforth near Leeds in Yorkshire, England. His grandfather had been manager at the local colliery in Garforth and his father worked on the North Eastern Railway.
After attending various private schools, young Reginald Tate eventually became a pupil at St. Martin’s School in York. At the end of his schooling, he joined his father on the local railway, but soon, with the outbreak of the First World War he joined the army
With the end of the WWI, he began acting in mainly theatrical performances, but soon offers of major film parts started to appear.
1934
Tangled Evidence
1934
Whispering Tongues
1935
The Riverside Murder
1935
The Phantom Light
1936
The Man Behind The Mask
1937
Dark Journey
1937
For Valor
1939
Poison Pen
1939
Too Dangerous to Live
1941
It Happened to One Man
1942
Next of Kin
1943
The Life and Death of Colonel Blimp
1944
The Way Ahead
1945
Madonna of the Seven Moons
1946
Journey Together
1946
The Man from Morocco
1947
So Well Remembered
1947
The Inheritance
1948
The Silk Noose
1949
Diamond City
1951
Midnight Episode
1952
Secret People
1952
The Story of Robin Hood
1953
The Malta Story
1953
I'll Get You
1955
King's Rhapsody
Reginald Tate was a regular actor on BBC Television, including a notable performance as Stanhope in ‘Journey’s End’ in 1937.
When television production resumed after the Second World War he continued his work in this relatively new media, which led to him taking a BBC Production Coarse and producing a play, ‘Night Was Out Friend’ , broadcast only sixteen days before his death.
His pinnacle role was in the groundbreaking science fiction series of 1953, The Quatermass Experiment.
As Professor Bernard Quatermass, Tate was a big success and two years later he was asked to reprise this role in Quatermass II, but sadly, shortly before transmission on 23rd August 1955, he died of a heart attack, aged only fifty nine.
© Clement of the Glen 2006-2007
Full Cast
In credits order:
Richard Todd :- Robin Hood
Joan Rice:- Maid Marian
Peter Finch:- Sheriff of Nottingham
James Hayter:- Friar Tuck
James Robertson Justice:- Little John
Martita Hunt:- Queen Eleanor
Hubert Gregg:- Prince John
Bill Owen:- Stutely
Reginald Tate:- Hugh Fitzooth
Elton Hayes:- Alan A Dale
Anthony Eustrel:- Archbishop of Canterbury
Patrick Barr:- King Richard
Anthony Forwood:- Will Scarlet
Hal Osmond:- Midge the Miller
Michael Hordern:- Scathelok
Clement McCallin:- Earl of Huntingdon
Louise Hampton:- Tyb
Archie Duncan:- Red Gill
Rest of cast in alphabetical order:
John Brooking:- Merrie Man
Ivan Craig:- Merrie Man
David Davies:- Forester
John French:- Merrie Man
Richard Graydon:- Merrie Man
Geoffrey Lumsden:- Merrie Man
John Martin:- Merrie Man
Larry Mooney:- Merrie Man
Nigel Neilson:- Merrie Man
Charles Perry:- Merrie Man
Ewen Solon:- Merrie Man
Julian Somers:- Posse Leader
John Stamp:- Merrie Man
Jack Taylor:- Merrie Man
Bill Travers:- Posse Man
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