Walt Disney’s Story of Robin Hood and his Merrie Men has many scenes that still leave me in awe. One that I haven’t mentioned before is when Maid Marian (Joan Rice) decides to escape from Nottingham Castle disguised as a pageboy.
Giles the pageboy, is walking down the castle steps when he notices Marian looking gloomily out from an upper corridor window. He asks why she is looking so glum? She explains that the Queen has forbidden her to leave the castle. Giles wishes that Prince John would forbid him as he feels he has had to walk as far as Jerusalem and back making trips to Nottingham. He sighs and says he is on their way now to fetch the Sheriff.
This gives Marian the idea to borrow Giles's cloak and escape from the castle to find Robin.
The images above demonstrate how art director Carmen Dillon (1908-2000) and matte artist Peter Ellenshaw (1913-2007) managed to create a sense of isolation and imprisonment amidst the castle's towering stone walls and pillars.
The secret of Carmen Dillon's Oscar-winning success was her meticulous pre-planning and prefabrication. The grey ‘stone’ walls of Nottingham Castle were really plaster, cast in giant moulds and rigged onto movable steel scaffolding, while the forbidding curtain walls and towers, which looked as if they would defy an army, were in fact perspective cutouts. This was just one of twenty-five interior sets designed by her.
The four images in this article also demonstrate the visual beauty of this film. A lot of credit must go to legendary matte artist Peter Ellenshaw- another Disney legend, working many decades before the invention of computer-generated imagery.
Ellenshaw's artistic skill, together with Carmen Dillon's art department created that storybook quality to the film. It is not surprising it was voted one of the best Technicolor movies ever made in Britain. Disney Magic!
