Showing posts with label Peter Finch. Show all posts
Showing posts with label Peter Finch. Show all posts

The Sheriff and his Bow

The Sheriff of Nottingham (Peter Finch) 

We have often discussed on this blog, our hopes that one day we might get the chance to see scenes that were edited out of our favourite movie. The image above is a good example. It was kindly sent in by an avid collector of memorabilia from Disney’s Story of Robin Hood (and a regular visitor to this blog) - Christian Roy.

The movie still shows the Sheriff of Nottingham, played by Peter Finch, about to shoot an arrow. This was probably during the scene in which Robin Hood (Richard Todd) and Friar Tuck (James Hayter) are intercepted by the sheriff and his soldiers. But Robin’s band of outlaws appear and soon begin to rain down arrows on the Sheriff’s men.

In this dramatic scene in the movie, we never see the Sheriff pick up a long bow. It was probably one of many clips that eventually found there way onto the cutting room floor. But, a similar image (below) was used later in ‘Walt Disney's Robin Hood Stamp Book’    published in New York in 1955 by Simon and Schuster. 


The image used in the stamp album

Lets hope that one day we will get a chance to see some of the edited scenes from this wonderful movie.

The Sheriff Shoots an Arrow !


Peter Finch as the Sheriff shooting an Arrow

John Nelson has been in touch recently and sent this fascinating close-up image of Peter Finch in his role as the Sheriff of Nottingham shooting and arrow. A scene that doesn't appear in the movie, Walt Disney's Story of Robin Hood and his Merrie Men (1952).

It is a coincidence, because we have recently looked at some pages of the original script and seen how some scenes were altered or even cut completely.

Another version of that image of the Sheriff of Nottingham shooting an arrow, appeared in Vanessa and Christian's stamp books that were featured on this blog three years ago. So this gives me an excuse to re-post that article :





This is Christian's copy of Walt Disney's Robin Hood Stamp Book  (above and below) which was published in New York in 1955 by Simon and Schuster. The story inside was adapted from Lawrence E. Watkin's screenplay by Willis Lindquist with illustrations (that could be coloured) by Hamilton Greene.


But what makes this book a 'must have' for all fans of Walt Disney's Story of Robin Hood and his Merrie Men (1952) is the four pages of coloured stamps that were each titled and numbered. The owner had to stick these sixty stamps in the correct places on each page of the book.

Christian's copy has the stamp's still intact and his book is nearly in mint condition.


Readers of the blog will be familiar with most of these images on the stamps, but seeing them in colour like this shows why this wonderful movie was described as the best Technicolor film ever made in England. 


It also is another example of Walt Disney's phenomenal amount of promotion and advertising behind his movie production. 

"BRING HIM DOWN," SHOUTS DE LACY

Included among the stamps is an image (shown above) of the Sheriff of Nottingham (Peter Finch) using a bow and arrow with a dead soldier in the foreground. It is stamp number '32' and has the title, "BRING HIM DOWN"  SHOUTS DE LACY." This is very interesting as the scene must have ended up on the cutting room floor, because it was never used in the movie.

Vanessa has also very kindly sent me a picture of the Spanish version of the stamp book that is in her collection.


I would like to thank John,Vanessa and Christian for sharing with us their memorabilia of this wonderful movie.

The Sheriff of Nottingham pelted with vegetables!

Peter Finch as the Sheriff of Nottingham

After all these years, I still occasionally discover fabulous unseen stills from Walt Disney's Story of Robin Hood and his Merrie Men (1952). Above is a fine example. It shows Peter Finch as the Sheriff of Nottingham being pelted with vegetables by the townsfolk in the market square. This was after Scathelock is rescued by Robin Hood and his men.





Above and below are some enlarged sections from the same image, showing the detail of art director Carmen Dillon's fabulous set at Denham Studios in Buckinghamshire, England.



To see a lot more images and stills from this wonderful movie please click here.

Final Resting Places Continued

Two years ago Christian sent me images of the final resting places of some of the people responsible for creating our favourite film, 'The Story of Robin Hood and his Merrie Men' (1952). To see that original post, please click here.

Recently Christian has kindly shared more information and pictures regarding the graves and tombs of those much-loved people.


Peter Finch as the Sheriff of Nottingham



Peter Finch is buried at the Hollywood Forever cemetery in Los Angeles, California in the U.S.A.


James Robertson Justice

James Robertson Justice (1907-1975) played an irascible Little John. He was cremated and his ashes were taken by a party of friends to Scotland. On a moor where Justice had often hawked, and along with the accompaniment of a lone piper, they created  a cairn and his ashes were interred there.


Ken Annakin




Ken Annakin, the director of 'The Story of Robin Hood' (1952) is buried in Westwood Memorial Park, Los Angeles in the U.S.A.



Walt Disney

Walt Disney (1901-1966) although uncredited, was the executive producer on his second live-action movie. He was buried at Forest Lawn Cemetery (Glendale), Glendale, Los Angeles County, California, U.S.A.



Many thanks to Christian for getting in touch.

Peter Finch, Walt Disney and Errol Flynn


Laurence has recently returned from a trip to the United States of America, touring film locations and some of the Hollywood studios. While he was there he also visited some of the cemeteries, Forest Lawn, Glendale and also the Hollywood Memorial Cemetery where Peter Finch is interred. Above is a picture of Laurence taken at the last resting place of whom he describes as the screen’s greatest Sheriff of Nottingham, and I agree with him.




He has also very kindly sent in some other interesting pictures that will interest regular blog readers. At the Forest Lawn cemetery in Glendale, Walt Disney’s ashes are scattered in a corner garden to the left of the Freedom Mausoleum entrance. The great man sadly died of cancer aged 65 in 1966.

Walt Disney's Memorial


Just around the corner under a little brown statue is buried probably the most famous Robin Hood of them all, Errol Flynn who died aged 50 of a heart attack in 1959. I was stunned to read that Flynn lay in a unmarked grave until twenty years later. It is rumoured that he was buried with six bottles of whisky, placed there by his drinking buddies.



Peter Finch as the Sheriff of Nottingham




This excerpt is taken from the excellent book, Peter Finch –A Biography by Trader Faulkner….

“As soon as Peter had finished his six week contract in Point of Departure he went straight on to the Story of Robin Hood and his Merrie Men at Denham Studios. The Americans were very anxious to make an authentic, accurate film on the Robin Hood legend and Carmen Dillon, who had done memorable artistic work on Olivier’s film of Henry V and who subsequently designed Richard III, was sent to Nottingham to do detailed research. They were also very keen, says director Ken Annakin now, to get ‘what we’d now call National Theatre actors, which surprised everybody, because they never did manage to get any.’

Richard Todd, a contract artist, had already been cast as Robin Hood and Disney were determined to test everybody for the Sheriff of Nottingham. All the best available actors were tested. Peter had only done Train of Events, for Ealing and he didn’t regard himself as a costume actor. But ‘Peter’s test,’ says Annakin, ‘was simply great and everyone agreed he should play the Sheriff. He brought sincerity to the part with a lot of bite and I would say it was rather like the casting of Guinness in Star Wars. He gave the whole of Robin Hood a lift with consummate acting. He had some marvelous scenes with Hubert Gregg as Prince John, another very good English actor. Of course he had to do a lot of action stuff as well.

‘I remember one Saturday afternoon we had him on one of the typically untrained horses that England produced at the time. We had to do seventeen takes to get a close-up of him on the horse and it took us the whole afternoon. Every time we turned over, the horse seemed to understand at once and played up. Peter showed great patience. In fact, he was one of the most professional actors I’ve ever worked with. He was a sympathetic person and very responsive to direction. In his later life we all know he had a period when he started hitting the bottle. I never saw a sign of this when we were making Robin Hood, but clearly his life was not satisfying him entirely.

‘He was a marvelous actor, but if one has asked him in the old days whether being an actor was the sort of thing he really should be doing, I suspect his answer would have been that he needed more out of life than just that. I think he found himself forced into a shoe, a shape, which for a long time he didn’t accept.

‘He had the intelligence to be a director. I don’t know whether he had the patience to apply himself constantly. I always feel that direction is about forty per cent obstinacy and forty per cent patience.’

With the Sheriff of Nottingham, Peter began to be accepted in England as an important actor in terms of screen potential. Ken Annakin maintains that what Peter Finch did with his role was the best that an actor had done in that kind of film until that time and that people in the film industry began to take serious notice of him because of this. It gave a tremendous boost to his confidence and the possibility of a substantial film career really fired his enthusiasm.”


Peter Finch-A Biography by Trader Faulkner p.166-167


For more information on Peter Finch, please click on the Peter Finch Label.





Roll Of High Sheriff's of Nottinghamshire And Derbyshire






Nottinghamshire ran under the same Shrievalty with Derbyshire until the 10th year of the reign of Queen Elizabeth I. Below is a tentative list of those early Sheriff’s compiled from existing medieval documents.



1157: Sir Robert Fitz Ranulph

1170: William Fitz Ranulph

1189: Ralph Murdoc

1195: William Brewer

1204-8: Robert de Vieuxpont

1208-9: Gerard De Athee

1209: Philip Marc

1224: Ralph Fitz Nicholas

1233: (April) Eustace of Lowdham

1233: (October) Simon De Hedon

1235: Robert De Vavasour

1236: Hugh Fitz Ralph

1240: Robert De Vavasour

1255: Sir Walter De Eastwood

1255: (May) Roger De Lovetot

1258: Simon De Hedon

1260: Simon De Asselacton
(Aslockton)

1264: John De Grey

1265: Reginald De Grey

1266: Hugh De Stapleford

1267: Simon De Hedon

1267: (Michaelmas) Gerard De Hedon/Hugh De Stapleford

1268: Hugh De Stapelford

1270: Walter Archbishop of York

1271: Hugh De Babinton
(Under Sheriff to Walter, Archbishop of York)

1271: (Michaelmass) Walter Archbishop of York

1274: Walter De Stirkelegh

1278: Reginald De Grey

1278: (Michaelmass) Gervasse De Willesford

1285: John De Anesle

1290: Gervase De Clifton

1290: (Michaelmas) William De Chaddewich

1318: Henry De Faucumberg

1319: John Darcy

1323: Henry De Faucumberg

1327: Robert De Ingram

1329: Henry Faucumberg/ Edmund De Cressy

1330: John Bret


© Clement of the Glen 2006-2007

Rupert Evans

Ex-Royal Marine Physical Training Instructor, Rupert Evans puts Peter Finch, as the Sheriff of Nottingham, through his paces. Evans was a member of ‘Mickey Wood’s Tough Guys’ and had been brought in to see that all the actors were trained in the use of swords and quarterstaffs, before using such weapons in Disney’s ‘Story of Robin Hood.’

© Clement of the Glen 2006-2007

Peter Finch





















The Sheriff of Nottingham was played by Peter Finch, in one of his first major film roles. ‘Finchie’ was a protégé of Laurence Olivier and became a good friend of film producer Ken Annakin.

Born in South Kensington, London, on 28th September 1916, Frederick George Peter Ingle Finch was the natural son of Major Jock Campbell, a Highlander in the Black Watch and Alicia Ingle-Finch, during her marriage to George Ingle-Finch a notable mountaineer from New South Wales.

After his parents divorced in 1926 he went to live with his grandmother in Paris and later they moved to India. Aged ten he arrived in Sydney, Australia, where during the Depression he took on several dead end jobs, before working as a comedians stooge in vaudeville. In 1935 he made his stage acting debut, touring New South Wales with his travelling theatre company 'Mercury’ performing the classics in little theatres. A year later he debuted onscreen in ‘Dad and Dave Come to Town’.

‘Finchie’ served with the Australian First Army in the anti-tank battalion in the Middle East during WWII. But later on ‘civvie-street’ in 1948 his artistic ability gained his first film credit as assistant director and casting director for ‘Eureka Stockade’. He was now Australia’s top radio actor and his talents were soon noticed by Laurence Olivier who invited him to London to join the Old Vic and signed him to a personal contract. His impressive stage debut was alongside Edith Evans in ‘Daphne Laureda.’

At this time Finch started his long affair with Olivier’s wife, Vivian Leigh. But although personally humiliated, Olivier kept Finch under contract and his acting career continued to flourish. During his life he was also to have well-publicised affairs with Kay Kendall and Mai Zetterling.

Although he was now becoming an experienced performer, 'Finchie’ began suffering with severe stage fright (he also had a fear of flying). So much so, that he decided to put all his creative energy into acting on film and he made his Hollywood debut with ‘The Miniver Story’ and ‘The Wooden Horse’ in 1950.

In 1951 Finch took on the role of the Sheriff of Nottingham for Disney.

“Peter brought a freshness and a snide threat to the villainous character, without the histrionics of his predecessors in the role," said his friend and ‘Robin Hood’ producer Ken Annakin. “We became close friends and over the years I was sad to see how the strain of show business made Peter hit the bottle. He drank in order to cope with theatrical challenges he had never dreamed of in the outback or truly prepared for. But I don’t think he was ever as happy as his days in Denham, strutting around the stages as the Sheriff of Nottingham.”

As the Sheriff, ‘Finchie’ had to ride a horse, something, although he was brought up in Australia, he had never done. So the majority of riding shots were completed by a double. But for some of his spoken lines he had to film on horseback. These caused particular problems because, Peter’s horse, although supposedly a trained animal, seemed to have a dislike for actors and directors!

Every time ‘Finchie’ tried to mount his horse, it moved away from its mark, causing all sorts of problems for the film crew. This was an example, according to Annakin, of how amateurish the supply of trained horses and wranglers were for film companies in Britain, compared to the States.

Eventually the wrangler had to climb under the camera and hold down the horses hooves, while Peter Finch as the Sheriff spoke his lines. Even then as soon as ‘Finchie’ opened his mouth, the animal started snorting. This scene was used and appears in the early part of ‘Robin Hood’ when the Sheriff arrests William Scathelok for not paying his taxes.

As Peter Finch approached middle age his film career took off, with movies like the romantic comedy ‘Simon and Laura’ in 1965, the sombre war drama, ‘A Town like Alice’ in 1956, ‘Nuns Story’ in 1959 and back with Disney as Alan Breck Stewart in ‘Kidnapped’ in 1960.

Between 1956-71 he won five BAFTA awards, one of these for an exceptional performance in ‘The Trials of Oscar Wilde’ in 1960 . His debut as a film director, writer and producer came with his short, ‘Antonito’ and he went on to acclaimed roles in 'No Love for Johnnie’ in 1961, 'The Pumpkin Eater’ in 1964 and 'Far from the Madding Crowd’ in 1967. During his career he received two Oscar nominations, one for his portrayal as a gay doctor in ‘Sunday Bloody Sunday’ in 1971 and as the crazed television anchor man in ‘Network’ in 1976.

Sadly 64 year old Peter Finch collapsed and died in the lobby of the Beverley Wiltshire Hotel during a promotional campaign for ‘Network,’ on January 14th 1977. He was interred in the Hollywood Forever Cemetery, in California. His part in ‘Network’ had received rave reviews and he was nominated for an Oscar. He went on to win the award, which was accepted by his widow, Eletha. ‘Finchie’ remains the only actor to have received a nomination and Oscar posthumously.

Peter Finch was married three times. He had a daughter by his first wife Tamara Tchinarova, two children by his second, Yolande Turner and one child by Eletha Finch.


© Clement of the Glen 2006-2007