Domesday Nottingham


Robin Hood is often described as a Saxon, competing against his oppressive Norman overlords in various films and novels. So what was Nottingham, the place most associated with the outlaw like, when the Normans began to rule England after the Battle of Hastings in 1066. The best way to find out, is to look in the Domesday Book, an incredibly unique snapshot of life in late eleventh century England.

Great Domesday was commissioned by William I (the Conqueror) at his Christmas Court in 1085 and the whole enormous work of collecting the information and turning it into the book that survives today, took under two years to complete. A fantastic achievement and a tribute to the political power and formidable will of William the Conqueror. This book is today preserved at the Public Record Office at Kew, but for many centuries it was held at Winchester the ancient Saxon capital of Wessex. It is not only written in Latin, but in a highly abbreviated form of Latin. It took approximately nine hundred sheepskins, soaked in lime and stretched over wooden frames, to make the parchment for the clerk, to give us a snapshot of a world, far different to the one we know today.

The Domesday survey was a detailed statement of lands held by the king and by his tenants and of the resources which went with those lands. It recorded which manors rightfully belonged to which estates, reducing the years of confusion between the Anglo-Saxons and their Norman conquerors . It also gave him the extant to which he could raise taxes! This illuminates a crucial time in our history, the settlement in England of William and his Norman and northern French followers. Local people likened this irreversible gathering of comprehensive information, to the Last Judgement, and by the late twelfth century this remarkable survey became known as Doomsday. Before that it was known as the Winchester Roll or King’s Roll.

Nottingham at this time, is recorded as:


Snoting(e)ham/quin: King’s land. The main landholders are listed as Hugh FitzBaldric; the Sheriff; Roger de Bully; William Peverel; Ralph Fitzhurbert; Geoffrey Alselin; Richard Frail.

A church is also listed, the original Saxon church of St Mary’s, later destroyed in the mid twelfth century. The number of burgesses given is 120 and the amount of families in Nottingham at this time can not have been more than 500.

Roger de Busli or Bully and William Peverel were William the Conqueror’s two great tenants-in-chief. Some believe that Peverel was an illegitimate son of the Conquror. The Domesday Book shows that after the Conquest, Peverel was rewarded for his invovement in the Battle of Hastings with 162 lordships.

After stopping at Nottingham on his way north, William I had given Peverel instructions for a motte and bailey type ‘royal’ castle to be built on the 130 ft. high rock overlooking the town, in the king’s name. Over the following centuries the wooden fortress would be re-built in stone. The castle would be a strategic key to the midlands. Peverel was later made constable of Nottingham Castle and rewarded with a ‘fief’, known as the Honour of Nottingham, which included Sherwood Forest, the High Peak and lands in six shires, to support him. During the reign of King John, the sheriff’s of Nottinghamshire and Derbyshire became custodians of land that became known as the Honour of Peverel.


The ‘Peverel Court’ was held in Nottingham up until 1321. It was a Court of Pleas for the recovery of small debts and for damages of trespass and had jurisdiction over 127 towns and villages around the shire. In Basford stood Peverel’s Gaol, founded in 1113 and used for the imprisonment of debtors by the successive sheriffs of Nottinghamshire and Derbyshire.

Roger de Busli was rewarded by King William I, like William Peverel for his assistance at the Battle of Hastings and was granted holdings in six English counties, including 174 estates in Nottinghamshire. Very little is known about him and he is described by some as famous in Domesday but nowhere else. His seat of power, became his manor house at Blyth in Nottinghamshire, described in the Domesday Book as:

Blyth (Blide) land of Roger de Busli 1 Bovate of land and the fourth part of 1 bovate taxable. Land for 1 plough. 4 villagers and 4 smallholders have 1 plough. Meadow 1 acre.

Blyth became one of only five designated sites in England, licensed by Richard I to hold tournaments. The area has been recently re-discovered in a field known locally as Terminings (tourneyings) Meadow on a tract of land between Blyth and Stirrup. The Pope had denounced these exhibitions of skill in arms, but Richard refused to be denied the ability to train his English knights to the level of skill of their counterparts on the continent.

Roger Busli also built Tickhill Castle an earthwork motte and bailey fortressfor the king, where he bestowed many great gifts to his followers, to the disadvantage and animosity of the original Saxon landowners.

If we look in the Domesday Book at some of the local villages that later become known as part of Sherwood Forest, we can see how the land was parcelled up between the new powerful Norman lords.

Edwinstowe, now the main modern tourist centre for Sherwood, was land owned by the king, Edenestou 1c. Of land taxable. Land for 2 ploughs. A church and a priest and 4 smallholders have 1 plough. Woodland pasture 1/2 league long and 1/2 wide. Clipstone (Clipestune) was land owned by Roger de Busli as was Cuckney (Chuchenai). Linby (Lidebi) belonged to William Peverel. Mansfield (Mamesfeld/Memmesfed was King’s land with, mill, fishery, 2 churches.

Nottinghamshire was originally included in the diocese and province of York up until 1836 and we see Blidworth (Blidworde) a village in Sherwood Forest, described as owned by the Archbishop of York before and after 1066. Oxton (Ostone/tune) was also land held by the Archbishop of York and the under tenant was Roger de Busli. Papplewick (Papleuuic) was held by William Peverel and Thoresby (Turesbi) was
King’s land.

Sherwood Forest is first mentioned 68 years after the Domesday survey when it was controlled for the king by Peverel’s grandson (also called William). But this sandy infertile part of Nottinghamshire was probably afforested by William the Conquror, or his immediate successors, at a far earlier date.

© Clement of the Glen 2006-2007


20. The Fight At The Ford

Thoroughly surprised, Robin had no choice but to obey.

The portly friar clambered onto Robin’s back and he staggered across the stream. Then as they almost reached the shore, Robin swung his hands up and grabbed the friar by the back of the neck, sending him flying over his head. Before Friar Tuck could pull himself together, Robin said, “Now Jack Priest, the game has turned my way.”

So once again Friar Tuck waded through the water with the outlaw on his back. But the fingers of the hermit were busy unfastening the cord at the neck of his cloak. Suddenly he pulled the string of his brown habit and the cloak together with the outlaw slid off his stout shoulders.

By the time Robin had disentangled himself, the friar had picked up his sword and they were soon testing each others skills.

But suddenly a force of mounted men appeared riding upstream. It was the Sheriff of Nottingham and his men.

“Take him alive!” Called De Lacy brandishing his sword.
“You shall not interfere,” shouted Friar Tuck, “Until I have finished with him!”
“Throw this prating priest in the stream,” said the Sheriff curtly to his forester.
“Come lad,” called the friar to Robin, “Back to back.”

De Lacy waited on his horse for an opening, as the foresters swarmed around Robin and the priest. Then the Sheriff rode in close and with the flat of his sword, struck Friar Tuck to the ground.
Robin quickly felled one opponent but De Lacy managed to knock the outlaws weapon from his hand. Robin dashed to a tree where he came face to face with a forester, sword in hand. He reached up, grabbed an overhanging branch and swung towards the forester and kicked him flat.
The Sheriff pulled his horse around and charged at the outlaw, still hanging from the tree. At the right moment, Robin let himself go and knocked the Sheriff clean off the horse’s back. Robin seized the reins and turned the animal towards the far fork of the river.
“Bring him down!” Shouted the fuming Sheriff.

[To return to previous chapters, click on Story in the righthand column].

Robin Hood and the Green Goddess



Robin Hood at sea? Well almost. Above is a timetable from the RMS Caronia dated July 1 1952 during her North Cape Cruise. The list of events shows that at 4.30 pm and at 9.30 pm on that day, Walt Disney’s Story of Robin Hood was to be shown in the ship’s theatre on the prom deck.

The RMS Caronia was the post war pride of the British Merchant Navy and the first all first-class ship launched by Cunard after WW2. She was also the first vessel owned by Cunard White Star to have an outside swimming pool and air conditioning in every public room. These cruises for the rich soon earned her the nickname ‘The Millionaires Yacht’.

Launched on the 30th October 1947 in the presence of Princess Elizabeth, shortly before her marriage to Prince Philip, Caronia's first maiden voyage from Southampton to New York took place in January 1949.

During her annual refitting at Liverpool Docks in December 1952, the Caronia caught fire. The local fire brigade soon managed to quickly get things under control and she was repaired and ready in 1953 to bring American visitors across the Atlantic to see the Coronation of Queen Elizabeth II at Westminster Abbey in London.

Purpose built for transatlantic crossings, with her art deco interiors, open air lido and her attention to luxurious detail, the ‘green goddess’, as Caronia became known, due to her four shades of green, is remembered today with great affection.

Hmm! Green? Wasn't that Robin Hood’s favourite colour?


© Clement of the Glen 2006-2007

Robin Hood of Sherwood Forest on Super 8mm


Before the days of video and dvd, the only chance of seeing your favourite film again, other than waiting hopefully for a second release at the local cinema, or a rare showing on television, was to see it as a home movie. This would mean purchasing a film projector and screen and showing an edited version of your chosen movie in a darkened room, to friends and family. Initially, this could be a very expensive form of home entertainment, but in the past it was the only way to re-live the magic of your favourite film.

Home movies date back to those far off pioneering days of the motion picture industry during the nineteenth century. But as the years passed, it soon became apparent that most families found it far cheaper to hire or buy commercially made films, rather than make their own. So although amateur film making continued, local film libraries were created. It was Eastman Kodak who introduced the first standard film gauge in 1923. This was the 16mm size that is still used today, but in an attempt to bring down the cost of film during the American Depression, the Standard 8 film was developed by Kodak in 1932. This was 25 feet of 16mm film that ran through the cine camera twice and was exposed on alternate sides. During its processing, the laboratory would then split the film lengthwise down the centre, then splice one end to another, forming 50 feet of 8mm film allowing approximately 3 minutes of film time.

It was as early as 1932 that Walt Disney licensed Hollywood Film Enterprises to produce 16mm and 8mm shortened versions of his very popular cartoon films and in December 1934 Bell and Howell produced their first 8mm film projectors. In the same year, Disney began selling 25ft. (one minute) 16mm films for hand cranked toy projectors for children. But by the early 1940’s Disney had switched to the now popular 8mm size and continued to release various titles up until 1950.

So in the 1950’s middle class families were able to record memorable moments in their lives on celluloid or watch shortened versions of some of their favourite classic movies, ordered specially through glossy catalogues, in the comfort of their own home.

Often these home movies were silent and in black and white. This made versions of the early slapstick comedies of Charlie Chaplin, Buster Keaton and Laurel and Hardy very popular. But major companies like Universal Pictures soon allowed manufacturers like Castle Films to release in two versions, a 50ft. Reel (3-4 minutes) or 200ft. Reel (12-16 minutes) excerpts of popular cartoons like Woody Woodpecker or the classic horror features like Dracula, Frankenstein and The Werewolf. During the early sixties it was Abbot and Costello that became Castle Films top-selling home movie stars. Meanwhile, in the 1960’s Walt Disney Home Movies were releasing favourite excerpts from some of its classics like Snow White, Bambi and Peter Pan. This meant there was no longer the need to wait the seven years for the next re-issue of the Disney feature length films at the local cinemas, which was the policy of the studio at that time.

In April 1965 Kodak introduced Super 8 film for home movies. This gave an improved quality of image which not only became extremely popular with amateur film makers, but helped boost the home movie industry as they continued to package condensed one reel versions of major feature films. By the mid sixties the introduction of sound home movie projectors prompted more 200ft and 400ft reel versions with magnetic audio tracks.


As a youngster I had always been fascinated by the cinema and can remember vividly my first toy Standard 8 film projector that I was given one Christmas in the late 1960’s. With the projector came a couple of Laurel and Hardy silent 50ft films (Let ‘Em Rip and Grave Heroes). Those little films were quite expensive and if my memory is correct, they used to cost about nineteen shillings and sixpence!

But after excitedly unpacking my new toy and giving a couple of showings to my younger brother, the plastic handle broke off halfway through a film premier for my parents, leaving me unable to crank the film. That was it! I burst into tears! My poor Dad tried desperately to glue it back on, but alas it took a fortnight before he managed to get the projector replaced. I was heartbroken.

Many years later, I saved up and bought a far more sturdy, electric projector from a local camera shop in my home town. It was when the shop assistant asked me if would like to chose any movies to go with it, that I noticed sitting on the shelf a 50 ft colour version of Disney’s Robin Hood of Sherwood Forest by Walt Disney Home Movies. A silent excerpt from the original movie The Story of Robin Hood released in 1952. I couldn’t believe my luck. My bus home that Saturday could not go fast enough!



© Clement of the Glen 2006-2007

Robin Hood's Statue At Nottingham Castle

Four months after the Royal Premier of the film The Story of Robin Hood and his Merrie Men in London, further up north in Nottingham, they unveiled a statue to their world famous outlaw, by the castle walls, in the presence of the Duchess of Portland.

The ceremony took place on July 24th 1952 on Castle Green, in a specially landscaped area at the foot of Castle Rock, in the remains of the old moat, by local architect Cecil Howitt. The seven foot statue, including four bas-relief plaques were a gift to the city, by local businessman Philip E. Clay and was designed and cast out of half a ton of bronze, one inch thick, by Royal Acadamician, James Woodford (1893-1976) in his studio at Hampstead. Woodford was the son of a Lace designer and was born in Nottingham. He attended the Nottingham School of Art and after military service during the First World War he trained at the Royal College of Art in London.

A year after his statue of Robin Hood was unveiled at Nottingham Castle, James Woodford RA was commissioned to carve a set of ten heraldic figures out of Portland Stone, to be placed at the entrance of Westminster Abbey for the coronation of Her Majesty Queen Elizabeth II. These heraldic beasts were selected from the armorial bearings of her royal ancestors and can be seen today along the walkway between Palm House and the pond at Kew Gardens.


© Clement of the Glen 2006-2007