Coronation And Crusade




In nearly every Robin Hood movie, the story is set during the reign of Richard I (1189-1199). Walt Disney’s ‘Story of Robin Hood’ is no different and the part of King Richard was played by British actor Patrick Barr, who later resurrected the role in the well loved TV series ‘The Adventures of Robin Hood’ four years later.

The actual history of the reign of Richard I in no way lets down the legend and it was inevitable that he would be linked with that other English hero, Robin Hood. Firstly by a Scottish chronicler, John Major in 1521 and later by the playwright Anthony Munday and novelist Sir Walter Scott.

In October 1187 Jerusalem had fallen to the armies of Saladin and the following year Richard made his vows as a crusader. The English treasury was well supplied, thanks to the ‘Saladin tithe’ imposed by his father, Henry II. But Richard’s crusade would demand a great deal more.

At the time of his coronation Richard Plantagenet, Count of Anjou and Maine, Duke of Normandy and Lord of Aquitaine was in his thirty third year. A handsome six-footer, with long, straight limbs, deep chest and reddish-golden hair, he had a surprisingly pale complexion and dazzling blue eyes. He looked the model of the knightly warrior. Violent in his ‘Angevin’ rage and jealous of his honour, he could also be generous. Always the first to attack, the last to retreat, he was described by an enemy as the ‘most remarkable ruler of his times.’

A typical picture is of Richard wading ashore at Jaffa to relieve the hard-pressed Christian garrison calling, “shame on him who lags behind!” He was reckless in skirmishes, could joke in Latin, compose songs, took the ‘impregnable’ Taillebourg in Saintonge in three days and raised Chateau Gaillard within two years. Richard the Lionheart once told the Holy Roman Emperor, “I am born of a rank which recognizes no superior but God.”

In 1189 Richard was anxious to be off on the exciting adventure of a crusade, already before his coronation he had ordered a muster of ships. Everything was sacrificed to raising money for it, loyal officials were made to pay heavily for the new king’s goodwill, Sheriff’s were discharged from office and new ones were installed, who would pay to be admitted. Everything was for sale-privileges, lordships, earldoms, castles, towns. At the time he said he would sell London if he could find a buyer.

But a coronation was the most important event in medieval political life, so Richards crusading plans were put on hold while he prepared for his, in Westminster Abbey on Sunday 3 September 1189. In their descriptions of the ceremony the chroniclers have given us our first breathtaking insight of an English coronation which I could not resist including.

Attended at his lodgings by churchmen in purple silk vestments and priests bearing cross, candles and thuribles of smoking incense, the king was conducted to the abbey along the streets carpeted with finest linen cloth and resounding to the ‘most glorious singing.’

“…….And there they received the aforementioned Richard who was to be crowned and led him into the church of Westminster in this manner up to the alter with a solemn procession and hymnody. In front went the clerics dressed in white, carrying the holy water and the cross and the candles and the thuribles, next came the abbots, then the bishops. In the middle of those men, however, went four barons carrying candelabra with candles.

After then came John Marshal, carrying in his hands two large and heavy spurs from the king’s treasure. Next to him went Godfrey de Luci carrying the royal cope. After them came two earls, namely William Marshal, earl of Pembroke and William earl of Salisbury. William Marshall was carrying the royal sceptre, on the top of which was a golden design of the cross; William earl of Salisbury was carrying the royal rod, which had a dove on the top.

And after them came three earls, namely David, the brother of the king of Scotland, earl of Huntingdon, and Robert earl of Leicester, and between them went John Count of Mortain and earl of Gloucester, Richard’s brother. They were carrying three swords with splendid golden sheaths from the king’s treasure.

And after them came six earls and barons carrying a single board on which were placed the royal accoutrements and clothes. And after them went William de Mandeville, count of Aumale and earl of Essex, carrying the golden crown in his hands. Next came Richard duke of Normandey, count of Poitou. Hugh, bishop of Durham went on his right, and Reginald bishop of Bath went on his left, and a silk coverlet was carried over them. And the entire crowd of earls and barons and knights and others, both clerics and laymen, followed up into the nave of the church, and so through the church up to the alter.


On reaching the high altar, Richard took the coronation oath. Kneeling before a copy of the Gospels and the relics of many saints, he swore that all the days of his life he would observe peace, honour and reverence towards God and the holy church; that he would exercise right justice over all the people committed to his charge. Then Richard was anointed. All his clothes were stripped off except his breeches and his shirt, which was bare to the chest.

“Then they shod him with sandals woven from gold. Then the archbishop put the sceptre in his right hand and the royal rod in his left. Then Baldwin archbishop of Canterbury, pouring holy oil over him (using the beautiful little silver spoon last used at the coronation of Queen Elizabeth II in 1953) on three parts of his body, namely on his head, on his shoulders and on his right arm, with the appointed prayers for this act, anointed him as king.

Then he placed on his head a consecrated linen cloth and the cope over it. Then they dressed him in the royal garments: first a tunic, then a dalmatic. Then the archbishop entrusted to him the sword for constraining those who do wrong to the Church. Then the two earls put on him the splendid golden spurs from the king’s treasure.

Thus clad, Richard was led back to the altar, where the Archbishop adjured him, in the name of Almighty God, not to take the crown unless he genuinely intended to keep the oaths he had sworn. Richard replied that, with God’s help, he intended to observe them all.

“Then he (Richard) took the crown from the altar, and gave it to the archbishop and the archbishop placed it on the head of the king.” (The jewel encrusted crown was so heavy that Richard could keep it on his head only when two earls helped to take the weight.)

“And so the crowned king was led to his throne. Hugh bishop of Durham on his right and Reginald bishop of Bath on his left were leading him, the candles and the aforementioned three swords going before them. Then the Lord’s Mass was begun.” During the service a bat was seen to flitter around the throne, and this was odd because it was the middle of the day. It was looked upon by some to be an evil omen. Richard, however, was not a man to be deterred by portents.

“And when it reached the point of the offertory, the two aforesaid bishops led him to the offering, and then led him back to his throne. After Mass had been celebrated and everything had been carried out according to the service, the two aforesaid bishops, one on his right and one on his left, led back the crowned king, carrying the sceptre in his right hand and the royal rod in his left. properly advancing from the church to the king’s own dwelling by procession. Then the procession returned into the choir.”

Back in his chamber Richard was allowed to change into lighter clothes and a lighter crown. He then sat down to a coronation banquet, in which the clergy, in order of rank dined at his table, with the laity, earls, barons and knights sitting at different tables. The citizens of Winchester worked in the kitchen and the people of London were kept busy in the cellars. An idea of the scale of this magnificent occasion can be obtained from the fact that at least 1,770 pitchers, 900 cups and 5,050 dishes were brought in for the special occasion .


© Clement of the Glen 2006-2007



Ye Olde Trip To Jerusalem

One of the most memorable scenes in ‘The Story of Robin Hood’, is the fantastic view from the battlements of Nottingham Castle, as Richard the Lionheart’s Crusading knights ride off into the beautiful sunset, singing a Gregorian chant.

Walt Disney and the scouting crew visited ‘Notting-ham’, as he called it, in 1952. They called in at ‘Ye Olde Trip to Jerusalem, which has long been associated with Crusaders and is said to be one of the oldest pubs in Great Britain. The date on the exterior seventeenth century walls 1189, is the date of Richard the Lionheart’s accession to the English throne, but the tavern’s history starts long before then.

An original brew house can be linked to the site from the time of William the Conqueror (1066-1087). His construction engineer, William Peverill was instructed to build a motte and bailey castle on huge rocky red sandstone overlooking Nottingham in 1068. In the process, Peverill diverted the course of the River Leen to the foot of what is now known as Castle Rock as a moated defence and also as a valuable water supply for the future fortress.

But the water supply, in early times was often contaminated. The brewing process sterilised the water, making the drinking of ale, for a medieval citizen, a far safer alternative and the caves below the castle were an ideal location for this brewing environment. Today, you can still see in the ‘Trip’ rooms and cellars cut deep back into the castle rock, ventilating shafts climbing through the rock, a speaking tube bored through it and a chimney climbing through the rock forty seven feet above the chamber, all evidence of its brewing past.

Although there is very little surviving historical records from the middle ages, there is evidence that suggests that the area, which became known as Brewhouse Yard, was owned by the Knight’s of St. John of Jerusalem, The Knight Templars and the Priory of Lenton.

The word ‘Trip’ in the tavern’s name does not refer to a journey, but comes from the original ‘old English’ meaning of the word, to stop, during a journey-hence a break in the journey to the Holy Land. In fact the pub’s former name was ‘The Pilgrim,’ which brings us back to the link with the legend of the Crusaders and King Richard.

So ale was certainly available on the site of Ye Olde Trip To Jerusalem, back when Richard and his Crusaders were leaving for the Holy Land in December 1189. Amidst the carved rooms and gnarled beams in that ancient tavern, it is hard not to imagine the knights supping a final ale before setting off for the other side of their known world.

In the 1980’s when I stayed in Nottingham and visited the many sights of the old city, I read a lovely story that is connected to Ye Olde Trip To Jerusalem. It stated that the herb Borage because of its beautiful pure blue flower, was often chosen by Old Masters to paint the Madonna’s robe. For courage, the flowers were floated in the jugs of ale given to the Crusaders at their departure for the Holy Land.


© Clement of the Glen 2006-2007

The Truest Rendering Of Merrie Old England

The picture shows Richard Todd, Lawrence Watkin (script writer), Perce Pearce (producer) and Dr Charles Beard (research advisor) during the planning stages of the film, ‘Story of Robin Hood and his Merrie Men,’ visiting Ye Olde Trip To Jerusalem, in Nottingham.

In March 1952 Walt Disney spent three days with Ken Annakin, visiting Sherwood Forest and looking over a number of castles in the Midlands. But Disney was disappointed to see that most of them were ruined by Cromwell’s cannons centuries ago. He liked perfection in the realisation of his dreams.

So after leaving Nottingham, he said to Carmen Dillon, the art director and Perce Pearce, “I want this movie to be the truest rendering of ‘merrie old England’ to date. But I think shooting up here on location is a sheer waste of money. Ken (Annakin) says he can find a forest of oaks, within five miles of the studio and your castle set Carmen, can be much more impressive and realistic than any of these ruins we’ve seen. Is there such a thing as a good matte painter in England?”

It was Carman who suggested Peter Ellenshaw, “he is a clever young painter,” he said, “and has the backing of his father-in-law, Poppa Day, who has been doing optical tricks and matte’s with Korda for many years.”

“Sounds good,” said Walt, “we’ll paint all the long shots of medieval Nottingham, the castle, Richard going to the Crusades etc etc on glass. They’ll be much more fun than the real thing.”

Poppa Day had passed on his knowledge to Peter Ellenshaw, he had taught him how to give depth to a painting, the illusion of movement in a glass shot and how to marry special effects with painted mattes. But it was Walt Disney himself who taught Ellenshaw the use of false perspective and the importance of atmosphere in a painting.

This resulted in Peter Ellenshaw painting twelve matte shots for the movie and later becoming the matte genius of the world. He eventually moved from London to Burbank and was given a life long contract by Walt Disney.


© Clement of the Glen 2006-2007

9. Murder

Close behind came Maid Marian on horseback waving the golden arrow given to her by Robin. Then she was gone and the forest fell silent.


As they continued their journey they were soon following a narrow winding path beneath a thick canopy of Beech trees. Suddenly there was a ZIPP as an arrow hit Hugh Fitzooth in his back. The stout game keeper straightened up, violently choked, then fell forward. Robin bent over his father’s body, grasping at the arrow, but a second arrow, whizzing past his head, prevented him from helping his dying father. Stunned, Robin quickly dived behind a covering tree and waited, breathing hard.


Eventually, Robin cautiously peered around the trunk of the tree, to get a glimpse of his father’s assassin. There in a fork of a tree, he saw an archer in the black and yellow colours of the sheriff of Nottingham. Robin quickly let fly a shaft that thudded into Red Gill’s chest. The sheriff’s assassin swayed unsteadily then fell backwards, crashing to the ground.


Robin went over and stared down at the man that had murdered his father. But the sound of hoof beats, soon sent Robin quickly running through the forest to avoid the rest of the sheriff’s soldiers. The leader of the sheriff’s men reigned in his horse and looked down at the dead body of Red Gill. He then beckoned his men to follow Robin. But before darkness came, Robin Fitzooth was safely hidden in a cave, in the depths of Sherwood Forest.

Robin Sees His Father's Assasin

Robin Takes Shelter

Reginald Tate


Reginald Tate played the part of Hugh Fitzooth, gamekeeper to the Earl of Huntingdon, in this movie. He was born on December 13th 1896 in Garforth near Leeds in Yorkshire, England. His grandfather had been manager at the local colliery in Garforth and his father worked on the North Eastern Railway.
After attending various private schools, young Reginald Tate eventually became a pupil at St. Martin’s School in York. At the end of his schooling, he joined his father on the local railway, but soon, with the outbreak of the First World War he joined the army
With the end of the WWI, he began acting in mainly theatrical performances, but soon offers of major film parts started to appear.

1934
Tangled Evidence
1934
Whispering Tongues

1935

The Riverside Murder
1935
The Phantom Light
1936
The Man Behind The Mask
1937
Dark Journey
1937
For Valor
1939
Poison Pen
1939
Too Dangerous to Live
1941
It Happened to One Man
1942
Next of Kin
1943
The Life and Death of Colonel Blimp
1944
The Way Ahead
1945
Madonna of the Seven Moons
1946
Journey Together
1946
The Man from Morocco
1947
So Well Remembered
1947
The Inheritance
1948
The Silk Noose
1949
Diamond City
1951
Midnight Episode
1952
Secret People
1952
The Story of Robin Hood
1953
The Malta Story
1953
I'll Get You
1955
King's Rhapsody
Reginald Tate was a regular actor on BBC Television, including a notable performance as Stanhope in ‘Journey’s End’ in 1937.

When television production resumed after the Second World War he continued his work in this relatively new media, which led to him taking a BBC Production Coarse and producing a play, ‘Night Was Out Friend’ , broadcast only sixteen days before his death.

His pinnacle role was in the groundbreaking science fiction series of 1953, The Quatermass Experiment.

As Professor Bernard Quatermass, Tate was a big success and two years later he was asked to reprise this role in Quatermass II, but sadly, shortly before transmission on 23rd August 1955, he died of a heart attack, aged only fifty nine.

© Clement of the Glen 2006-2007

Song Of The Bow by Sir Arthur Conan Doyle





What of the bow?
The bow was made in England:
Of true wood, of yew wood,
The wood of English bows;
So men who are free
Love the old yew tree
And the land where the yew tree grows.


What of the cord?
The cord was made in England:
A rough cord, a tough cord,
A cord that bowmen love;
So we'll drain our jacks
To the English flax
And the land where the hemp was wove.

What of the shaft?
The shaft was cut in England:
A long shaft, a strong shaft,
Barbed and trim and true;
So we'll drink all together
To the gray goose feather
And the land where the gray goose flew.

What of the men?
The men were bred in England:
The bowman--the yeoman--
The lads of dale and fell
Here's to you--and to you;
To the hearts that are true
And the land where the true hearts dwell.


8. The Cock Crows Too Loudly

“Hear me, good yeoman!” called De Lacy, the new Sheriff of Nottingham, as the archers began to leave the fair. “Would you eat and drink of the best? Then hear ye! Every man who hit the white at four score yards is free to take service with me.”


A few independent archers stopped in their tracks, undecided and turned towards Hugh Fitzooth.


“I’ll have high bows only,” the Sheriff went on, “twenty marks a man shall be your wage at Christmastide. What say you, good Fitzooth? Will you and your son change your coats?”
Robin’s father drew himself up and turned slowly to face the sheriff.


“In the old days I’d ha’ been proud to wear the king’s livery. But a forester in Sherwood nowadays is no better than a tax gatherer and a sheriff’s bully."


“Silence!” hissed the furious sheriff.


“Nay! I will not keep silent. It is time an honest man spoke out. Come lad!”


Hugh Fitzooth glared defiantly and strode away, followed by most of the independent archers.



Red Gill watched them go and turned to his master.


“What do you do, when the cock crows too loudly?” Said the sheriff nodding towards Hugh Fitzooth.


“Trim his comb,” replied Red Gill grinning unpleasantly.


Soon Robin and his father had left the town of Nottingham behind them and reached the outskirts of Sherwood Forest.


As they trudged on, they met the knights and mounted archers of the Royal cavalcade on its way to London. Hugh and Robin Fitzooth dropped gracefully to their knees as the Queen’s litter passed by.