Picture Strip 7 : Walt Disney's Story of Robin Hood




We have reached one of my favourite scenes in the film, when Robin and his father walk away into Sherwood Forest with Nottingham Castle perched menacingly on the hill in the background. It is Peter Ellenshaw’s magnificent artistry at its very best and Laurence has captured the image perfectly in this week’s edition of his hugely popular picture strip.

To read more about Peter Ellenshaw, the master of Matte Painting, or catch up with earlier editions of Laurence’s picture strip, please click on the relevant labels.

Perce Pearce's 'John Joyface'

Information on Perce Pearce (1899-1955) is scarce. It is only quite recently that I have managed to piece together details of his career thanks mainly to information from a couple of excellent Disney websites. If you click on the Label ‘Perce Pearce’ you will see my recent posts about his life.

In 1950, Pearce was sent to England to make the first live action movies for Disney, Treasure Island; to be followed by The Story of Robin Hood, The Sword and the Rose and Rob Roy. Each of these were produced by Disney and directed by Perce Pearce.


He had worked for Walt Disney since 1935 and was sequence director on his first feature length animated cartoon Snow White and the Seven Dwarves in 1937. He was said to have been the ‘model’ for Doc. But according to some sources there was a love/hate relationship between them. This may account for very little information being available about Pearce, amongst the countless books about Uncle Walt and his magical empire.
 
Recently I discovered a little more about Perce Pearce’s early days as a cartoonist. His first published work was a series of cartoons for the Great Lakes Bulletin, a military newspaper serving the US Naval Training Centre at Great Lakes, Illinois. Pearce’s popular cartoon series was named after its hero, Seaman Si, The funniest "Gob" in the Navy and the humorous adventures of a Blue Jacket on the High Seas of Fun and Trouble.
 
The series ran in the paper and was collected into a soft-cover edition in 1917, and reprinted in book form in 1918. At the same time, Pearce did editorial cartoons and political caricatures for his news agency, some of which appeared in the New York Evening Post, and were later included in a 1917 article in Cartoons Magazine called "Under the Big Dome" by Elisha Hanson (v. 11, no. 4, Apr. 1917).
 
 


So I was delighted to receive this email from Deborah in America, during this week:

“I wanted to tell you about a cool chalk ware Indian I found signed Perce Pearce and dated 1927. It's obviously the work of someone with talent; when I found your blog I realized who. You're just about the only person to save him from obscurity. It's strange that he had such an interesting career but has been sidelined. If you've found out more I'd love to hear from you.”




So I have posted the pictures very kindly sent to me by Deborah, of the little chalk ware Indian known as John Joyface and signed by Perce Pearce c.1927. This model seems to be based on a character from Pearce’s early days as a strip cartoonist, and must be incredibly rare. So I have emailed Deborah back with an address of someone who might be able to help her.

St Mary's Church, Edwinstowe



Edwinstowe is a lovely little Nottinghamshire village.......the kind of place I would like to retire to, right next to Sherwood Forest Visitor Centre (what else could you possibly want?). There are some rather nice looking bungalows in Church Street, across from the cricket pitch, which I definitely have my eyes on!

The name Edwinstowe means the ‘holy place of Edwin.’ Edwin of Northumbria c. 586 – 12 October 632/633 was an important Anglo-Saxon king-the second Christian king in England, baptised by Paulinus, the first Archbishop of York in 627 AD. Edwin was killed at a battle in a small hamlet called Cuckney (then known as Hatfield) by Penda, King of Mercia. Edwin's decapitated body was secretly buried in a clearing in the forest, to prevent it from falling into enemy hands. By the time his supporters returned to collect the body to take it to York for a proper burial, people were already calling him Saint Edwin. His body was later interred at Whitby Abbey (another place associated with Robin Hood).

A small wooden chapel was erected on the spot where Edwin's corpse had laid, and this became the site of the present St. Mary’s Church. The Domesday Book states, ‘in Edenstou there is a church, a priest and four bordars*’ (slaves* who worked on the priest's lands). In 1175 Henry II had this church, along with many others built of stone as part of his penance for the murder of Archbishop Thomas Beckett. Today, the carved heads of Henry and Beckett face each other amongst the stone pillars of the nave of the church.


It is likely that nearly all the English medieval monarchs visited this church at some time during a 200 year period, on their way to the nearby royal hunting lodge at King’s Clipstone. The villagers of Edwinstowe were bound by harsh forest laws, and courts to punish offenders were held frequently. In 1334 A.D. the Vicar of Edwinstowe, John de Roystan, was convicted of "venison trespasses," a major crime.

The tower of the curch is Norman and the porch, south door and font date from the 14th century. The broach spire was added to the Norman tower in 1400 A.D and the eight ornamental turrets date from around 1600.



By the main door of St. Mary’s Church stands the 14th Century font. This symbolises the entry into Christian life through baptism and is the traditional place for a font. Popular tradition has it that Robin Hood and Maid Marian were married here in St Mary’s. There was certainly some sort of church here during any of the periods ascribed to Robin Hood and although the entrance has been refurbished, it is likely that it was here in the doorway that they would have been married (as was the tradition at the time).


Picture Strip 6: Disney's Story of Robin Hood


Part 6 of Laurence's fantastic picture strip from Walt Disney's live-action movie the Story of Robin Hood and his Merrie Men (1952).

To see previous pages please click on the label Picture Strip.

Copyright?


With uncertainty about my job and quite a lot of holiday left, I took advantage of a quiet weekend at work and spent two days in Edwinstowe in Nottinghamshire. I stayed at the lovely Forest Lodge and visited Mansfield and of course, my favourite place........ Sherwood Forest! I have plenty of pictures and information that I will share with you all, but firstly I want to show you an alarming discovery I made while in the gift shop.

On my first day in the forest it was quite cloudy, so I took the opportunity to have some dinner in the Forest Table. This is a lovely little restaurant with its walls decorated with a copy of nearly every ‘Robin Hood’ film poster you can think of. So I tucked into my baguette alongside, (yes you guessed it!) a full size copy of Putzu’s poster for the 1972 release of Disney’s Story of Robin Hood. Not a bad start!

It was starting to brighten up by now,  so I thought I would take a walk to the exhibition and have a look in the shop. There were a couple of books I eagerly bought, but not a lot else, just the usual toys and sweets. But just as I turned around to come out, something caught my eye. It was a clock decorated with characters from Disney’s Story of Robin Hood! I couldn’t believe it! Below were cups, plates and jugs with the same illustrations used in the book of the film, from 1952. But after closer inspection I noticed something very concerning-they did not carry any Disney copyright logo. In fact there is no indication that the images belong to a Disney motion picture. Now as you all know I care very deeply about this particular movie and its lasting legacy, so rather stunned, I hurriedly took note of the company that make these particular items and left the shop.


The Story of Robin Hood (the items actually just say Robin Hood) clocks, jugs, cups etc were also for sale in a gift shop in Edwinstowe, which is where I was able to take these pictures. Now I’m no expert on these matters, but IS this is an infringement of copyright as they are actually using illustrations from a book or am I over reacting-what do you all think?

Picture Strip 5: Disney's Story of Robin Hood


Part 5 of Laurence's fantastic picture strip from Walt Disney's live-action movie the Story of Robin Hood and his Merrie Men (1952). To see previous pages please click on the label Picture Strip.

Robin Hood 2010 DVD : The Epic Adventure


ROBIN HOOD - THE EPIC ACTION-ADVENTURE DEBUTS IN A BLU-RAY™ COMBO PACK & 2-DISC SPECIAL EDITION DVD SEPTEMBER 21, 2010.

ACADEMY AWARD® WINNERS RUSSELL CROWE AND CATE BLANCHETT. STAR IN THE SUMMER BLOCKBUSTER FROM THE DIRECTOR OF GLADIATOR.

ROBIN HOOD


THE EPIC ACTION-ADVENTURE DEBUTS IN A BLU-RAY™ COMBO PACK & 2-DISC SPECIAL EDITION DVD SEPTEMBER 21, 2010 FEATURING AN UNRATED DIRECTOR’S CUT PLUS THE ORIGINAL THEATRICAL FILM.


Universal City, California, Wednesday, July 28— Oscar® winner Russell Crowe reunites with Gladiator director Ridley Scott to reveal the untold story of a common archer’s rise to become a hero in Robin Hood, the $309 million worldwide blockbuster coming to Blu-ray™ Hi-Def Combo Pack, 2-Disc Special Edition DVD and single disc DVD on September 21, 2010 from Universal Studios Home Entertainment. All of these versions will feature the theatrical film, as well as a never-before-seen unrated director’s cut of the movie. The film and its unrated version will also be available day and date for digital download and video on demand.

The 3-disc Robin Hood Blu-ray™ Combo Pack will feature a Blu-ray and DVD copy of the theatrical and director’s cut film, as well as a digital copy of the director’s cut that can be viewed on an array of electronic and portable devices anytime, anywhere. Additionally, both the Blu-ray™ Combo Pack and the 2-Disc Special Edition will feature deleted scenes and filmmaker commentary, plus an extensive look at the making of Robin Hood that includes behind-the-scenes interviews with cast and crew. The Blu-ray™ release also exclusively features an interactive “Director’s Notebook,” which seamlessly takes fans inside the making of the specific scenes of the film, from production design to special effects.





Sweeping pageantry and heart-pumping action transports viewers to the meticulously recreated medieval battlefields and byways of 13th century England for the inspiring story of a legendary hero. Robin Hood’s sterling cast also includes Academy Award® winners Cate Blanchett (The Aviator, Elizabeth: the Golden Age) and William Hurt (The Incredible Hulk, Kiss of the Spider Woman), as well as Mark Strong (Sherlock Holmes), Mark Addy (The Full Monty¬), Oscar Isaac (Body of Lies), Danny Huston (The Aviator), Kevin Durand (Legion), Scott Grimes (“Band of Brothers”), Matthew Macfadyen (Frost/Nixon), Eileen Atkins (Last Chance Harvey), Simon McBurney (Body of Lies) and Oscar® nominee Max von Sydow (Shutter Island).

Robin Hood’s expansive scale and exhilarating action sequences hit a bulls-eye with critics around the world, with Pete Hammond of Boxoffice Magazine saying, “If you’ve think you’ve seen Robin Hood, think again,” and adding that that the film is “spectacular epic movie making at its best in the tradition of Gladiator and Braveheart.” Robin Hood is “An original, new take on a classic story,” in the words of Patrick Stoner, WHYY – PBS (Philadelphia) and “A must-see epic adventure!” according to Christina Vandre, KARE – NBC (Minneapolis). Dan Jolin of Empire gives it four stars, calling it, “Ridley Scott and Russell Crowe at their most entertaining since Gladiator.”


BONUS FEATURES EXCLUSIVELY ON BLU-RAY™:


• DIRECTOR’S NOTEBOOK—A seamless multimedia experience focusing on the director’s vision gives viewers a peek inside Oscar® nominee Ridley Scott’s unique filmmaking process. Incorporating behind-the-scenes footage and interviews with Scott and his trusted inner circle of collaborators, this feature launches at critical moments throughout the film to illuminate the task of mounting a vast production like Robin Hood.


• THE ART OF NOTTINGHAM—A special look at the portfolio of designs generated for the film, including video introductions by key department heads such as production designer Arthur Max and costume designer Janty Yates. Galleries of concept art, costume designs, storyboards and other imagery are featured.


• BD-LIVETM—Access the BD-Live™ Center through your Internet-connected player to get even more content, watch the latest trailers and more.


o MY SCENES—Bookmark your favorite scenes from the movie.


• pocket BLU™ APP— Experience Blu-ray in an exciting new way with the pocket BLU™ app for iPhone, iPod Touch, iPad, Blackberry, Android, PC and Macintosh. With this app, you can work seamlessly with a network-connected Blu-ray™ player to activate advanced features such as:


o ADVANCED REMOTE CONTROL: A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease as well as activate a timeline to skip to any point in the movie with the slide of a finger.


o VIDEO TIMELINE: Users can easily bring up the video timeline, allowing them to instantly access any point in the movie.


o MOBILE-TO-GO: Users can unlock a selection of bonus content with their Blu-ray™ discs to save to their device or to stream from anywhere there’s a Wi-Fi network, enabling them to enjoy exclusive content on the go, anytime, anywhere.


o VIRTUAL KEYBOARD: Enter data into a Blu-ray™ player with your device’s easy and intuitive keyboard to facilitate such Blu-ray™ features as chatting with friends and sending messages.


• uHEAR—Always catch every word with uHear! This innovative feature instantly skips back a few seconds on your Blu-ray™ disc and turns on the subtitles for the section you couldn’t hear!


• INTERACTIVE TICKER: Get the latest information about Universal’s theatrical and Blu-ray™ releases. Plus, get updates about upcoming BD-Live events, awards and TV shows on NBC


BONUS FEATURES AVAILABLE ON BLU-RAY™ AND 2-DISC SPECIAL EDITION DVD:


• DELETED SCENES WITH INTRODUCTION & COMMENTARY BY EDITOR PIETRO SCALIA


• RISE AND RISE AGAIN: MAKING RIDLEY SCOTT’S ROBIN HOOD


o BALLAD, LEGEND & MYTH: PRE-PRODUCTION—See how the filmmakers and actors, including Ridley Scott, Brian Grazer and Russell Crowe, tackled the challenge of breathing new life into the longest surviving character in the English language, Robin Hood.


o THE MORE THE MERRIER: PRODUCTION—A stellar cast led by Russell Crowe and Cate Blanchett descended on England to shoot this massive epic under the direction of Ridley Scott. With an unparalleled passion for detail, Scott oversees all of the production design, costuming, weaponry and action sequences in the film.


o NO QUARTER GIVEN: POST PRODUCTION—Sifting through a million feet of shot film, Ridley Scott and editor Pietro Scalia perfect the screen story and work with the post-production team to add layers of sound design, visual effects and Marc Streitenfeld’s beautiful score.


• DIGITAL COPY OF THE UNRATED DIRECTOR’S CUT VERSION OF THE FILM

SYNOPSIS

Robin Hood chronicles the life of an expert archer, previously interested only in self-preservation, from his service in King Richard’s army against the French. Upon Richard’s death, Robin Longstride (Oscar® winner Russell Crowe) travels to Nottingham, a town suffering from the corruption of a despotic sheriff and crippling taxation, where he falls for the spirited widow Lady Marion (Oscar® winner Cate Blanchett), a woman skeptical of the identity and motivations of this crusader from the forest. Hoping to earn Lady Marion’s hand and salvage the village, Robin assembles a gang whose lethal mercenary skills are matched only by their appetite for life. Together, they begin preying on the indulgent upper class to correct injustices under the sheriff. With their country weakened from decades of war, embattled by the ineffective rule of the new king and vulnerable to insurgencies from within and threats from afar, Robin and his men heed a call to ever greater adventure. This unlikeliest of heroes and his allies set off to protect their country from slipping into bloody civil war and return glory to England once more.


http://www.robinhoodthemovie.com/


CAST AND FILMMAKERS


Directed By: Ridley Scott


Screenplay By: Brian Helgeland


Story By: Brian Helgeland and Ethan Reiff & Cyrus Voris


Produced By: Brian Grazer, Ridley Scott, Russell Crowe


Executive Producers: Charles J. D. Schlissel, Michael Costigan, Jim Whitaker, Ryan Kavanaugh


Director of Photography: John Mathieson BSC


Production Designer: Arthur Max


Editor: Pietro Scalia ACE


Music By: Marc Streitenfeld


Costume Designer: Janty Yates


Cast: Russell Crowe, Cate Blanchett, William Hurt, Mark Strong, Mark Addy, Oscar Isaac, Danny Huston, Kevin Durand, Scott Grimes, Matthew MacFadyen, Eileen Atkins, Simon McBurney and Max von Sydow


TECHNICAL INFORMATION


Blu-ray™


Street Date: September 21, 2010


Selection Number: 61115859


Running Time: 2 Hours 21 Minutes / 2 Hours 36 Minutes


Layers: BD-50


Aspect Ratio: Widescreen 2:40:1


Rating: PG-13 for violence including intense sequences of warfare, and some sexual content / NA


Technical Info: English DTS-HD Master Audio 5.1/DVS DD 2.0, French and Spanish DTS Surround 5.1, English SDH, French and Spanish Subtitles


TECHNICAL INFORMATION


DVD


Street Date: September 21, 2010


Copyright: 2010


Selection Number: 61110991


Running Time: 2 Hours 21 Minutes / 2 Hours 36 Minutes


Layers: Dual Layer


Aspect Ratio: Anamorphic Widescreen 2.40:1


Rating: PG-13 for violence including intense sequences of warfare, and some sexual content / NA


Technical Info: English Dolby Digital 5.1/DVS DD 2.0, French and Spanish Dolby Digital 5.1, English SDH, French and Spanish Subtitles


2 Disc DVD


Street Date: September 21, 2010


Copyright: 2010


Selection Number: 61112398


Running Time: 2 Hours 21 Minutes / 2 Hours 36 Minutes


Layers: Dual Layer


Aspect Ratio: Anamorphic Widescreen 2.40:1


Rating: PG-13 for violence including intense sequences of warfare, and some sexual content / NA


Technical Info: English Dolby Digital 5.1/DVS DD 2.0, French and Spanish Dolby Digital 5.1, English SDH, French and Spanish Subtitles

Picture Strip 4: Disney's Story of Robin Hood


Part 4 of Laurence's superb picture strip of Walt Disney's Story of Robin Hood and his Merrie Men (1952).

To see previous pages, please click on the label 'Picture Strip.'

Robin Hood entertaining Richard the Lionheart in Sherwood Forest



Daniel Maclise’s (1806-1870) large painting, titled Robin Hood entertaining Richard the Lionheart in Sherwood Forest (1839) is probably the most well-known interpretation of the legend on canvas. Versions of this colourful work of art have appeared on countless book covers about the outlaw down the years.

As you can see Robin Hood, centre stage, is wearing a scarlet tunic. This is a direct reference to the ballad, Robin Hood and Queen Catherine. Maid Marian is seated in a bower, a reference to the May Games and her role as the Queen of the May. In the background you can just about make out the targets being moved closer; a reference to the Geste and how the targets were too far away for King Edward's men. Little John stands on the left of the picture holding one of the king's deer. Friar Tuck is seen slouching in front of an oak tree.

Maclise was born in Cork, in 1806 from a humble background which he later tried to conceal. He was the eldest of seven children and was educated at a local English School where he developed a talent for drawing and caricature. His creative ability attracted attention from several influential patrons and in 1822 he became one of the first students and the newly established ‘Society for Promoting the Fine Arts’. When Sir Walter Scott visited Cork in 1825, Maclise made a sketch of him that was lithographed, and that inaugurated his public career.

Once he left Cork in the late summer of 1827 Maclise spent nearly all the rest of his life in England where he felt completely at ease and eventually lived in a beautiful house in 4 Cheyne Walk, Chelsea, in London.

In 1828, Maclise was enrolled as a student of painting in the Royal Academy (RA) and a year later was awarded the Silver Medal for antique drawing and in 1831 the Gold Medal for History Painting. His fascination with history would become the foundation of his later career.

Maclise travelled to Ireland a year later and painted two famous works associated with his Irish material: All Hallows Eve (or Snap Apple Night) and The Installation of Captain Rock. From the 1830’s to 1840’s Maclise was prolific as an illustrator, which included fantastical work for Thomas Crofton Croker's Fairy Legends in 1826 , Thomas Moore's lavish Irish Melodies (1845), Lord Tennyson's Poems (1857). He also produced designs for Charles Dickens’s Christmas Books and during the early 1830s he executed a series of portraits of literary and other celebrities of the time, including his friend Dickens, as well as caricatures, which were afterwards published as the Maclise Portrait Gallery (1871).

In 1839 he completed his oil on canvas (72 in. x 144.1in.) Robin Hood Entertaining Richard the Lionheart in Sherwood Forest (re-touched in 1845).

In 1843 Queen Victoria purchased his Scene from Undine to present to Prince Albert on his birthday. The Prince in his turn commissioned Maclise to execute one of the frescoes in the Garden Pavilion at Buckingham Palace. . . This was followed by commissions for two frescoes in the New Palace of Westminster: The Spirit of Chivalry completed in 1848 and The Spirit of Justice completed in 1849.

In 1857 he agreed to paint two huge frescoes in the Royal Gallery in the new Parliament buildings, and in 1859 he began The Meeting of Wellington and Blucher on the walls of Westminster Palace. It was begun in fresco, a process which proved unmanageable, and he asked if he could resign from the task. But after being encouraged by Prince Albert, Maclise travelled across to Berlin to study ‘the new medium of water-glass painting.’

So he carried on with his project and its pendant, The Death of Nelson, but it was not completed until 1865 and the effort completely undermined his health. Maclise’s spirit seemed to have been broken and he turned his back on public life. He refused a knighthood and presidency of the Royal Academy and sadly passed away of acute pneumonia on the 25th April 1870.