Joan Rice in Curtain Up


 Joan Rice was discovered while working as a waitress at a London Lyons Corner House and subsequently trained at the Rank Organisation’s renowned “charm school.” Her career reached its pinnacle when Walt Disney personally selected her to portray the spirited Maid Marian in The Story of Robin Hood and His Merrie Men. Her captivating performance earned widespread critical praise and firmly established her as a rising star.

Michael Medwin and Joan Rice

Filming on The Story of Robin Hood and His Merrie Men concluded in August 1951. Joan then moved on to the low-budget comedy Curtain Up, filmed at Isleworth Studios during the autumn of 1951. She played Avis, a timid young girl who quickly realises that acting is not for her, in a chaotic repertory theatre company alongside comedy luminaries Margaret Rutherford and Robert Morley.

Michael Medwin and Joan Rice

The two films reached British cinemas in the spring of 1952, with The Story of Robin Hood and His Merrie Men released first on 13 March, showcasing Rice in her prominent leading role as Maid Marian. Curtain Up followed on 12 May 1952, giving audiences an opportunity to see her in a contrasting supporting role. Released less than two months apart, the films captured Rice at the height of her popularity, although securing further leading roles in major productions would become increasingly difficult as the decade progressed.


Gold Key Robin Hood


 This is a Gold Key comic based on the Disney live-action film and was published in 1965 (originally printed as Dell 4 Colour in 1952) by K.K. Publications, Inc., Poughkeepsie, New York, in cooperation with Golden Press, Inc. Western Printing and Lithographing Company designed, produced, and printed it in the U.S.A. I own the third printing 10163-506. The illustrations are good, and the comic mainly follows the original screenplay, although Alan a Dale (pictured on the back cover) and Little John (illustrated on the front cover) do not appear in the comic strip.


The cover has a full colour picture of Richard Todd as Robin Hood and on the inside cover are some small, black and white photos of Joan Rice as Maid Marian, Peter Finch as the Sheriff of Nottingham, James Robertson Justice as Little John, Hubert Gregg as Prince John and Patrick Barr as Richard the Lionheart.
Also on the inside cover is an introduction to the story:
"During the reign of Richard the Lionheart, a great crusade was fought in the Holy Land. While Richard strove against the Saracens, his brother, Prince John, ruled in his place.
Prince John had neither the kindness nor the fighting spirit with which Richard ruled the land. The usurper trampled on the rights of the simple people. Ever jealous of his great brother, grasping after gold and power, Prince John ruled with a mailed fist... always plotting against his brother’s hoped-for return to England and the Throne.
But when his tax collectors and game wardens entered Sherwood Forest, they encountered the Merry Men and their famous leader, Robin Hood. Then, as never before, did Prince John begin to doubt he would ever be the King."


The comic consists of 32 pages in colour. The inside back cover has a good quality film still of Maid Marian (Joan Rice) being rescued from the dungeon, with the Sheriff (Peter Finch) being led at knifepoint by Robin (Richard Todd). On the back is a full-cover still of Allan-a-Dale (Elton Hayes) with Little John (James Robertson Justice).

Maid Marian's Tomb



Little Dunmow: The Tomb, the Legend and Maid Marian

Could the mysterious tomb at Little Dunmow really belong to the woman who became Robin Hood’s Maid Marian?

Every now and then, a place sends you down a fascinating historical rabbit hole. For me, that place was Little Dunmow, near Colchester in Essex.

I began with a simple question: what connects this quiet Essex village with Maid Marian? The answer turned out to be a fascinating mixture of medieval politics, royal scandal, folklore and centuries of storytelling.

Today, little remains of the Augustinian Priory of St Mary the Virgin, founded in 1106. The surviving church was once its Lady Chapel, and inside is a remarkable alabaster tomb traditionally associated with Matilda Fitzwalter—better known in legend as Maid Marian.

But how much of the story is actually true?

The story of Matilda

The legend centres on Robert Fitzwalter, one of the most powerful barons of King John’s reign and later a leading figure in the events surrounding Magna Carta.

According to a much later tradition, King John became infatuated with Fitzwalter’s daughter, Matilda. When she rejected his advances, John supposedly turned against her family. Eventually, Matilda fled to Dunmow, where the king’s messenger allegedly poisoned her.

It is a compelling story—but there is a problem.

There is very little reliable evidence that Matilda Fitzwalter existed in the form described by the legend, let alone that King John had her poisoned.

The story gradually gathered momentum through medieval chronicles and later writers. In 1597, Michael Drayton turned it into romantic poetry, portraying John pursuing the chaste Matilda.

Then, in 1600, playwright Anthony Munday took the story a step further.

In his Robin Hood plays, Matilda becomes Maid Marian. She follows Robin to Sherwood, adopts the name Marian and eventually dies after being poisoned by King John at Dunmow.

And so two traditions that had previously existed separately became intertwined.

A legend carved in stone

By the seventeenth century, the story had become firmly attached to Little Dunmow.

John Weever, writing in 1631, described Matilda’s supposed tomb and repeated the tale of her poisoning. William Dugdale later included a similar account in Monasticon Anglicanum.

But here the story takes an interesting turn.

Who is actually represented by the famous alabaster tomb?

For many years, the female figure was identified locally with Matilda Fitzwalter. However, the monument itself tells us something very different. The alabaster tomb dates from the fifteenth century, more than two hundred years after the supposed death of Matilda.

Historic England identifies the monument as that of Walter Fitzwalter and his wife, dating from around 1432–1464. The elegant female effigy is therefore not the Matilda of the Robin Hood legend, but the wife of a much later member of the Fitzwalter family.

This is an important distinction.

The Fitzwalters really did have a long association with Little Dunmow, and members of the family were buried there. That genuine connection may well have helped later generations attach the story of Matilda to the church and its tomb.

But the beautiful alabaster lady lying beside her husband was born into a very different generation from the Matilda of legend.

So, was she Maid Marian?

The most fascinating part of the story is perhaps not whether Matilda really was Maid Marian, but how the two became connected.

Over time, a traditional Marian figure appears to have been transformed into Matilda Fitzwalter, the daughter of a powerful baron and the heroine of a romantic tale involving King John and Robin Hood.

The fifteenth-century tomb at Little Dunmow is not Matilda’s. It commemorates a much later Fitzwalter couple. Yet the legend has become inseparable from the church and its beautiful alabaster figure.

History may give us the facts—but sometimes it is the stories that survive.

Friar Tuck's Cell


 I could never get tired of looking at the beautiful imagery in Disney’s The Story of Robin Hood and His Merrie Men—it’s simply timeless.