The Giant

The biggest bonus of running this blog is getting to know some of my regular visitors and discovering their marvellous array of interests and hobbies. To say that I am extremely privileged to have such a fantastically talented group visit my blog is an understatement. One of the members of this group, that I fondly call ‘The Whistling Arrows,’ is Mike. We have already heard some of his childhood memories and recently Avalon has made him a Blogger Buddy and featured his many talents on her website at Avalon's Blog.

Mike is not only a brilliant artist and illustrator but also a film maker with his new western movie ‘Circle of Death,’ hopefully released in December. But did you know he also writes short stories?

Here is his latest composition that he sent in a few weeks ago:



The Giant

From deep in Sherwood Forest among fallen leafs something stirs, a small squirrel carries an acorn that through instinct he buries in the forest floor and promptly forgets about it.

Nine hundred years had passed since that day, now from that tiny acorn a magnificent oak, a giant of the forest had grown, majestic, towering above all others in the forest. Beneath its leafy boughs Robin had pledged his love to Marian, minstrels had sang of their love beneath the tree, and Robin's band often took refuge among its branches. The giant oak had given shade, shelter and comfort to generations of people and animals, the stag, the badger, the fox, the birds of the forest and insects of all kinds. Kings and queens had come and gone and many battles had been won and lost, still the tree stood tall.

Surviving lightning strikes, drought, and even fire, it had seen love, life, and death. The rising and setting of the sun thousands of times and it seemed it would go on for ever. But now the giant was old, its magnificent trunk was gnarled and twisted, and its topmost branches were withering and bare of leaf, the great oak was beginning slowly, to die.




The sun rose as it always did, but now, there was a new sound in the forests, an unfamiliar sound, loud, grinding, closer and closer it came and then stopped, the whirring sound of a chainsaw suddenly filled the air sending birds flying in all directions. The razor sharp blade cut deep into the trees aging branches sending them crashing to the forest floor. In the end just the great trunk, stood alone, time and time again the blade broke as it sliced away at the trunk, then finally with a deep grown the massive trunk leaned slowly then crashed to the forest floor with a sound like thunder that echoed through Sherwood Forest.

The Sun streamed down and lit the place where the tree had stood the giant was no more, all that remained were leafs and branches, all fell quiet once more in the forest, then scampering from the giants leafs came a squirrel carrying an acorn which he buried nearby and promptly forgot about.

(Mike Giddens)


I would like to say a special thank you to Maria (Azul Maria) who very kindly allowed me to use one of her atmospheric pictures to accompany Mike’s story. To see more of her stunning photography please click here: Maria's Photographs.

Picture Strip 2: Disney's Story of Robin Hood




This is Part 2 of Laurence's superb picture strip of Walt Disney's live action movie, the Story of Robin Hood and his Merrie Men (1952).

Joan Rice's Letter, September 9th 1959



We have recently discovered that Joan Rice continued her acting career on the stage after her film career had sadly faded. Which at least goes someway in dispelling the cruel myth spread about by some, that she couldn’t act. This letter by Joan was sent in by Neil quite a while ago and is part of his personal collection.

It was written by Joan to a Mr. Northover, who must have arranged things for her during a stage production that she appeared in at the Savoy Theatre in Kettering, Northants in 1959.

It reads:

Savoy Theatre

9 Sept 59


Dear Mr Northover,


Thank you very much for sending me the copy of your report.


Please don’t apologise for anything, I was delighted to meet and talk to you. I hope you are going to enjoy the show tonight.


The spread in the paper was really something – if I do my job as well as you do yours we’ll all be all right.


Thanks for your good wishes one can’t have too many of those.


Sincerely


Joan Rice

 


Above is the theatre programme also kindly sent in by Neil, of that production, showing that Joan played the part of Catherine, in Arthur Miller’s ‘A View From The Bridge.’

This was her favourite play.

Picture Strip 1. Disney's Story of Robin Hood




Here is another treat for us all, courtesy of Laurence. He has laboriously managed to put together a picture strip of the whole of Walt Disney’s Story of Robin Hood and his Merrie Men, and above are the first two pages.

Laurence says:

"I have completed the whole movie, and you are right, it took me quite a while to do! There are around 85 pages in all - plus a cover and a cast list. I can forward them as and when if you like, if you think your readers can take it!"

Well I am sure you can all take it. So, I intend to post two pages of the picture strip every week- sit back and enjoy!

[The images are as large as Blogger will allow, so if you have trouble reading the text, you should be able to magnify the page via the right - hand corner of your screen.]

Anthony Forwood



Above is a rare film still of Anthony Forwood (1915-1988) as Will Scarlet from Walt Disney’s Story of Robin Hood and his Merrie Men (1952). ‘Tony’s’ role as Scarlet is sadly not developed in the movie, although he is already installed as a rather dapperly dressed member of the band of outlaws. Scarlet is referred to as ‘Cousin Will’ in a scene where Robin first meets Little John, but seems of a higher class than a yeoman forester, like Robin and his father.

Perhaps (for amusement) my merrie band of Whistling Arrows could fill in the gaps in Lawrence Watkin’s screen play, and explain how Will Scarlet joined Robin’s band of outlaws?

To read more about Anthony Forwood’s life and the historical connections in the legend between Will Scarlet/Scarlett/ Scathelock/ Scadlock and even Alan-a-Dale, please click on the relevant labels.



The Old York Road and Robin Hood's Cave

Once again Albie has sent in some great pictures of ‘Robin Hood Country,’ along with interesting details of the locations. A while ago I explained that I was very interested in re-discovering some of the ancient track ways that led through the parts of Sherwood Forest. So this time Albie takes us along part of the Old York Road in Nottinghamshire.

The main London to York road, also known the Great North Way, ran straight through Sherwood, and travellers were often at the mercy of robbers living outside of the law. Hence the name ‘outlaws’. It was such an important route in early times that it was mentioned in the Domesday Book of 1086:

“In Nottingham the River Trent and the dyke and the road to York are so protected that if anyone hinders the passage of ships, or anyone ploughs or makes a ditch within two perches of the King’s road, he has to pay a fine of £8.”


Here are Albie’s descriptions of his pictures:


The River Maun Looking North


"This was taken from the hump back bridge on the lane (Whitewater Lane) that runs between Walesby and the A614. The river, known as both the Maun and Whitewater locally, drains from Mansfield before meeting the Meden a couple of miles further north. The bridge was built in 1859 for the estate workers at Thoresby Hall to travel from Walesby and Ollerton without having to ford the river.


Old York Road Looking West




                                              Old York Road Looking North



These are taken at the point where the Old York Road crosses the lane to Walesby around 100 metres from the hump back bridge. The road south goes into New Ollerton and onwards to Old Ollerton through a large housing estate built for the now demolished Ollerton Coal mine. The picture north is where the road becomes a foot path bordering the Walesby Forest Scout Centre to the east and the River Maun to the west.


The York Road, North at Robin Hood's Cave


These pictures were taken above and at the side of Robin Hood’s Cave which is obscured by vegetation. Local legends have it that Robin and his outlaw band would hide here below the main road above ready to ambush the unwary traveller. A local historian reckoned the caves have been used since the retreat of glaciers at the end on the Ice Age. This historian, now deceased, maintained that Walesby and parish is the oldest continually inhabited place in Europe though this would be difficult to prove. Artefacts dating to the Bronze Age have been found around the village as have numerous Roman coins.”


                                              Robin Hood's Cave

                                         Robin Hood's Cave 2

Many thanks Albie. I can’t help thinking of Carmen Dillon’s set design for Disney’s Story of Robin Hood when I see those pictures of Robin Hood’s Cave. Also of the outlaws looking down, as the rich travellers made their nervous way along the York Road.

Nottinghamshire in 1693


This amazing map of 'Robin Hood Country' was sent in by Albie. It shows Nottinghamshire in 1693 and clearly shows the surviving remants of the ancient Sherwood Forest and some of the old roads through the shire.

Richard Todd and Burnham Beeches


Recently, Laurence thrilled us all, when he very kindly sent in a picture of his copy of the stunning original premier programme of Walt Disney’s Story of Robin Hood from 1952. Well, I am sure you will all be amazed by this fantastic painting (above) by Laurence of Burnham Beeches in Buckinhamshire, which he created over thirty years ago.

Laurence told me:

“It is of one of my favourite places, Burnham Beeches (not least because of its connection with Robin Hood). In point of fact, it was Mr. Todd who told me that this was the location for Sherwood Forest. Up to that point I never knew. The spot depicted doesn't actually exist - it is a kind of composite of the place I know and how it is in the movie. I even painted my, then, two young sons into the scene, though they are quite well hidden.

Below is Laurence with the late great Richard Todd, backstage at the Theatre Royal in Brighton in 1980. Laurence and his wife had just seen the legendary star in the excellent stage version of ‘This Happy Breed.’



Laurence says:

“Richard Todd had always been my boyhood hero (Robin Hood, Sword and the Rose and Rob Roy etc.) and when I met him I told him so. He replied that he assumed Richard Greene was every ones idea of Robin Hood - I corrected him- "Oh no, Mr. Todd, you are!"


Many thanks Laurence; I am sure my blog readers will be keen to see some more of your wonderful artwork.

Three Lions

We have seen the badge of the ‘Three Lions’ of England rather a lot lately. And for those of us following the World Cup in Africa and the English football team in particular, it hasn’t been in very good circumstances. So I was interested to read of the discovery of a 700 year old version of this badge by archeologist Caroline Rann.

The 3 inch copper badge with three lions clearly engraved on it was found lodged in a medieval stone wall in Parkside, Coventry. It is thought to date back to the 13th century and clearly shows the Coat of Arms of England.


Caroline Rann, a field archaeologist with Warwickshire County Council’s Archaeology Projects Group, found the emblem - believed to be part of a horse harness - ahead of a building project. The archaeologist said: "The badge was lodged between the sandstone blocks and may have fallen or slipped between the cracks while it was being built. The archaeologists were working on behalf of Provision for the Christian Life Ministries at Parkside in Coventry, as part of the planning process ahead of work to build a church.
 
"This has been hidden for hundreds of years and for it to appear now has to be a sign that England will go all the way in the World Cup!" said Nicholas Palmer, the principal field archaeologist at the Warwickshire Museum. The partially corroded badge is still being assessed and catalogued, but it is said to not be worth a huge amount of money. Mr. Palmer said the three lions symbol was very popular at the time the badge was made.


Patrick Barr as Richard the Lionheart

Since I found the reports of this discovery, I have been trying to find out a little more about the history behind the heraldic badge of England. We have seen the three lions clearly displayed on the coat of arms and costumes in portrayals of Richard the Lionheart for many years, including Patrick Barr in Disney’s Story of Robin Hood (1952) and Sean Connery in Robin Hood: Prince of Thieves (1991).


    Sean Connery as Richard the Lionheart

In the brief time I have had to research this, it appears that historical evidence is rather scarce on how the heraldic emblem of ‘the three lions’ first evolved. But it seems the origins of the heraldic lion that has come to be used as the symbol of the English, arose during the period when the English were under the rule of the Normans after the Conquest of 1066. In medieval Europe, royalty and knights were identified by their heraldic crests. The lion crest was popular in France and Normandy. It represented ferocity and bravery in battle and it seems the first known example of a Royal Coat of Arms in England, was that of the House of Plantagenet and the reign of Henry II (1183-1189) which was a golden lion ‘rampant’ (rearing up) on a red background.

His son Richard I (1157-1199) when he came to the throne, originally used his personal arms of two golden lions ‘combatant’ on a red field, this was the arms of the Dukes of Normandy (a title held by Richard). Richard’s mother, the formidable Eleanor of Aquitaine used one gold lion on a red background and in the last year of his reign, 1198 (our first certain date) it seems Richard combined the two crests for his Second Great Seal, to form the three golden lions (Gules three lions passant guardant ) for his kingdom of England. This was probably after he inherited his mother’s territories of Aquitaine and Poitou. The 'three lions' continued to be used for his brother John, Henry III, Edward I, and Edward II.

            Richard I (the Lionheart)

It seems we could do with Richard the Lionheart and his legendary Plantagenet temper this week in the England teams changing room, to get those overpaid young footballers who wear his legendary crest, fired-up and playing with a bit more spirit!