Russell Crowe's Robin Hood 2010


They say that each generation gets its own particular Robin Hood, and now the 21st Century prepares to see yet another interpretation of the medieval legend about an outlaw with a bow and arrow. The Internet is red hot with video clips and interviews about 72 year old Sir Ridley Scott’s Robin Hood which gets released today! Australia is already releasing stamps showing scenes from the new film. My regular readers will be aware that during this movies long build-up, I have posted quite a few times about various stages of its production. From what I have seen from the teaser trailers, it does looks very good and I am looking forward to it.

The newspapers have been full of articles about the making of this epic, including its possible release in 3D-a sequel (if the film is successful) and on Russell Crowe’s voice training, while he was preparing for his starring role.


Crowe, 45, was born in New Zealand and brought up in Australia but will play the new role with an ‘English’ accent. Ridley Scott hired three voice coaches: Judy Dickerson, Sara Poyzer and Andrew Jack, who worked with other cast members, including Cate Blanchett, who plays Maid Marian. Veteran film director, Scott, wanted to make sure the movie sounds as well as looks ‘accurate’, so Crowe’s Robin will be pronouncing Nottingham as 'Noddinham.’

But this ridiculous fuss over ‘Robin Hood’s accent' continued today (Friday) after some papers have reported that Russell Crowe stormed out of a BBC 4 interview recorded at London’s Dorchester Hotel in Park Lane, with Mark Lawson. He apparently flipped when Lawson suggested that Crowe had ‘hints’ of Irish in his portrayal of the outlaw from ‘Nottingham.’ The New Zealander raged: “You’ve got dead ears, mate – seriously dead ears if you think that’s an Irish accent.”

Voice Coach, Sara Poyzer later insisted that she taught him the Nottinghamshire accent, and that he did a pretty good job. But according to the press, Judy Dickerson contradicted this and said she coached him to speak like someone from the Rutland area!

            Leon Unczur, Sheriff of Nottingham

Councilor Leon Unczur, the current Sheriff of Nottingham, said that Crowe’s accent was “not bad,” although, some jester, interviewed after seeing the movie thought he turned out sounding more like an Aussie doing an impression of Jim Bowen from ‘Bullseye!’

VisitBritain has teamed up with Universal Pictures and other tourism agencies to promote the film and some of its locations, which include the East Midlands, Pembrokeshire and the Ashridge Estate in Hertfordshire. VisitBritain chief executive Sandie Dawe added: "We know that 40 per cent of our potential visitors would be ‘very likely’ to visit places from films and thoroughly enjoy visiting film locations they see on the big screen."

People staying in holiday lodges in the Midlands can head to Nottingham Castle and the Sherwood Forest Visitor Centre to see the exhibition ‘Robin Hood – The Movie’. They will be able to see props, costumes and also some film memorabilia. The existing forest center exhibition about the history of Robin Hood's Sherwood Forest has also been given a complete makeover.

All the exhibitions are free and throughout the month, known of course as ‘Robin Hood Month,’ medieval and Robin Hood themed events will take place all over Sherwood Forest and the surrounding communities. Nottingham County Council, together with Rufford Abbey Country Park and Sherwood Forest National Nature Reserve, have thrown themselves into the celebrations with gusto!

Director Sir Ridley Scott said: "It was fundamental to the project that this motion picture was filmed in Britain – it was extremely important to catch the real essence and feeling only British locations in particular could achieve. The only way we could achieve such a successful production was with the authenticity of the locations Britain and the East Midlands had to offer.’

Russell Crowe says he has loved the story since he was a boy, “I watched the Richard Greene TV series, but when you see the episodes now, they’re a bit creaky, and it’s basically the same story every week. I saw the Errol Flynn version and the Douglas Fairbanks one when I was really young. But I really disliked ‘Prince of Thieves’ with Kevin Costner. I thought it was like a Jon Bon Jovi video clip-all the mullet hairdos.”

This was the 1991 version which is chiefly remembered for Costner’s broad American accent, the most hilariously camp Sheriff of Nottingham ever, in the form of Alan Rickman, and Morgan Freeman’s use of a telescope about 400 years before it was invented.


“I still think there has never been a cinema Robin Hood who could have really existed,” Crowe says. “When you do the research you discover that the Robin Hood story is based on 24 to 30 different real people who were born in lots of different places. So you can take the time period, use the core message and put a different take on it.”

“Part of the recalibration of Robin Hood,” Crowe continues, “is to put him into a place where he’s a real man with a real job. I wanted to take out the fairytale, superhero aspect. He’s got at least ten years of military experience behind him. Our attitude was that all the politics, the philosophical aspects, the romance, all grow out of the story of a real person.”

For the first time, Crowe is credited as a producer, he has been involved in every aspect of the production-from the script, to the costume he wears, in this case a battered tunic and a chain mail over worn leather trousers. As I reported in an earlier post, he got himself in to peak condition for the part. His daily routine included bike riding, gym time and hours learning archery on his farm near Coff’s Harbor in New South Wales.

“Archery is a beautiful thing when you get it right, Crowe explains. “I love it and I’ve continued with it. I have a collection of bows from the film and I go out back and drag out the target and shoot off 50 arrows or more for relaxation.

Crowe did most of the action scenes himself. This is movie making on a grand scale, there’s one spectacular sequence where Robin Hood leads his band to repel an invasion by the French. This scene (see my earlier post), was filmed on a beach in Pembrokeshire (which is meant to be Dover), was a nightmare to film. The tides are fast and potentially treacherous. Scott had to marshal 130 horsemen on the beach-including Crowe - and a landing craft disgorging French fighters on to the shore under a cloud of arrows. Crowe described it as ‘all anarchy, violence and adrenaline. It was intense.’


“You’re in a cavalry charge with a 130 horses going as fast as they can,” he says, “and you smash in to 500 men on the ground and have seven or eight fights. And it has to take place at exactly the right time.” According to Crowe there was about 15 people taken from the field. Some of them went to hospital but were OK.

The script is written by Brian Helgeland (LA Confidential) and it places Robin Hood in the familiar reign of Richard the Lionheart (Danny Huston) as a battle-hardened, middle-aged archer. Robin has three ‘merrie men,’ Little John (Kevin Durand), Will Scarlet (Scot Grimes) and Alan A’Dayle (Alan Doyle) along with Mark Addy as the bee-keeping, mead swilling Friar Tuck. The rather spiky widow, Marian, is played by Cate Blanchett who has to resist the amorous attentions of the Sheriff of Nottingham (Matthew Macfadyen). Richard’s newly crowned brother; King John (Oscar Isaac) defies the advice of his mother, Eleanor of Aquitaine (Eileen Atkins). The design team was led by Arthur Max.

Mike (one of our Whistling Arrows), has already been to see it, and described it as: “.........gritty muddy, good action and good characters. I was not disappointed and they have left themselves wide open for a sequel because this film ends where the others begin. The sets, the thousands of props, were fantastic, dialogue gets a little hard to hear, and eventually, when the Blue Ray version is out it will be a joy to see it again.”

If you see this new version of Sir Ridley Scott’s Robin Hood, please get in touch at disneysrobin@googlemail.com or comment below and let me know your opinions of it. I will be very interested to read them.

My new visitors might like to know that I regularly post; not only on the films, television series, places, ballads and images associated with Robin Hood, but also about the research into his real historical existence. I have been studying the legend for over thirty years. Please click on the Labels in the right-hand column to see the relevant posts so far. And please stick around to see plenty more!

Joan Rice and her agent George Routledge


I would like to thank Joan Rice’s nephew, Richard, for contacting me recently and sending in some interesting pictures of his aunt. As my regular readers will know, Joan is regarded by myself and many others, as the best Maid Marian of all time. My blog is dedicated to her memory.

In March 2009 I posted some press photos taken by Horace Ward of Joan’s wedding at Gables Lodge in Maidenhead on Monday February 16th 1953. On that day she married film salesman David Green, but we wanted to know who the gentleman was who escorted her. We thought at first, it might have been her father, but I can now reveal that in fact it was her agent, George Routledge.

So if anybody can help shed some more light on George Routledge, please get in touch at disneysrobin@googlemail.com.



To read more about the life of Joan Rice, Walt Disney's first Maid Marian, please click on the Label below.

Robin's Merrie Men


Above is very good still from Walt Disney’s Story of Robin Hood (1952) showing Friar Tuck (James Hayter) demanding two hundred shillings from the Sheriff (Peter Finch) for the ill treatment of the poor, eating at Robin’s table and for giving the friar a nasty bump on his head!

In this picture we also get a clear view of some of the faces of the Merrie men. So, what I would like to do is try and put some names to the faces that are shown. I have included below a list of the actors that appeared as Robin’s band of outlaws in the movie. If you can identify any of them in the picture, please get in touch at disneysrobin@googlemail.com.

Here is a list of the actors:

John Brooking: - Merrie Man

Ivan Craig: - Merrie Man

John French: - Merrie Man

Richard Graydon :- Merrie Man

Geoffrey Lumsden: - Merrie Man

John Martin: - Merrie Man

Larry Mooney: - Merrie Man

Nigel Neilson: - Merrie Man

Charles Perry: - Merrie Man

Ewen Solon: - Merrie Man

John Stamp: - Merrie Man

Jack Taylor: - Merrie Man

Political Robin Hood


As Britain’s Election begins tomorrow (Thursday), I thought I would take a small look at how - 600 hundred years later - a medieval outlaw still has an influence in our modern world and its politics.






To see more interpretations of Robin Hood, please click on the Label ‘Images of a Legend.’

Robin Hood in America


In the twentieth century it has mainly been America that has made the most significant contribution to the legend of Robin Hood. It is through Hollywood and particularly two major films, the energetic 1922 Douglas Fairbanks production and the 1938 Technicolor classic with Errol Flynn, ‘The Adventures of Robin Hood,’ that our modern image of the outlaw has evolved.

The early British colonists exported the ballads and stories of Robin Hood with them, to many parts of the world, particularly Australia and the USA. And it is testament to the phenomenal popularity of the outlaw and the legacy of those medieval entertainers that so many places today exist bearing the name of characters or places from the legend. There are currently 11 Sherwoods in America!

So it was very interesting for me recently to discover Avalon’s blog. Avalon is a Native American who has an interest in both the Arthurian and Robin Hood legends. On Robin Hood she says, “I have read numerous books on the legend since childhood and I definitely believe the ballads were based on actual people, embellished and diminished through the generations, but originated from truth.” Avalon is currently enjoying the recent BBC series ‘Robin Hood’ with Jonas Armstrong and Richard Armitage as Guy of Gisborne (she admits to having an infatuation with Richard Armitage).

Avalon has very kindly agreed to let me reproduce some research she carried out on streets in America named after characters in the Robin Hood legend. The pictures of the road signs were taken during a cycle ride she took with her children through a neighbourhood known as ‘Sherwood Forest’ in Rome, Georgia. She explains:

“The kids and I decided to ride through Sherwood with me pulling over and taking photos of street signs. It was near 72 today (the warmest day so far) and many people were out on the lawns, looking at me like I was some lunatic. A mail carrier stopped and asked me who I was searching for and I said "A street with the name of Allan A Dale!" He thought I was a fruit loop!”


These are the results of Avalon’s survey, (I have omitted the Arthurian names):

"Below is an estimate of streets named after different medieval legends (various spellings including streets, roads, circle, manors, etc). Most states have only a few except the Southern States, which have MANY, thus upholds my theory regarding Southerners' infatuation with the medieval era.

In America there are about 146 streets titled Sherwood Forest
North Carolina- 12
Georgia- 5
Florida- 9
Texas- 18
Virginia- 10

And 2,126 with just Sherwood (which may or may not have anything to do with Robin Hood).


Nottingham 1,058 
North Carolina- 56
Georgia- 42
Florida- 41
Texas- 76
Virginia- 41

Robin Hood 288
North Carolina- 14
Georgia- 24
Florida- 15
Texas- 22
Virginia- 18

Lady or Maid Marian 107
Will Scarlett 27
Little John  276
Allan A Dale  31
Friar Tuck 170
And poor Much only 1
Sir Guy or Sir Gisborne 17"

I want to thank Avalon for allowing me to use her pictures and research. I am sure you will agree it is very interesting and ties in nicely with Albie’s recent pictures of the real Sherwood Forest.

Avalon’s blog is listed in the right hand column of my web site and can be reached here http://avalon-medieval.blogspot.com/

Sherwood Forest in October


Robin Hood is here again: all his merry thieves
Here a ghostly bugle-note shivering through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.

It is always a great pleasure to gain a new member of our merrie band. So I would like to introduce Albie to all my blog readers.

"Friends call me Albie,” he explains,” which was a term of endearment used by local miners to each other. But I have never work down a coal mine though!

He lives near one of my favourite places-Sherwood Forest in Nottinghamshire-and has very kindly sent in some of the pictures he took of the forest in October last year. Sherwood is a beautiful place at any time of the year, but in autumn it is particularly stunning and he has captured the colours and atmosphere magnificently.







Albie is very knowledgeable about the history of Sherwood Forest and Nottinghamshire and has promised to share some of this information with us in the future.

So welcome to the greenwood Albie!

Mike's Matte

After seeing my recent post about Peter Ellenshaw, Mike has sent in a fine example of his very own matte work, for the western movie ‘Circle of Death,’ which he is currently making with his brother-in law. Mike produced the painting on a sheet of glass which was only 3 inches wide, and says it took him ages!

The scene was shot in his back garden, with the camera aimed at the sky and - just to add to the realism- a flock of birds conveniently flew by during filming.

I am sure you will agree with me, that it is very effective.

Peter Ellenshaw Master of 'Matte'


Above is an example of the beautiful ‘matte’ work that was used by Peter Ellenshaw for Walt Disney’s Story of Robin Hood (1952). The image was kindly sent in by Neil, from his copy of ‘Ellenshaw Under Glass’ and shows how the master of matte painting created his illusions. In the picture above from ‘Robin Hood’ (wrongly described in the book as from The Sword and The Rose) we see Queen Eleanor, Maid Marian and the Archbishop of Canterbury ride alongside the River Thames and into the Tower of London. In reality the only part of the set used, was the road in which the horses had to gallop along and some reflections in the water. The entire castle, the bridge, and the typical British sky were all painted into the final scene by Peter Ellenshaw.

An interesting article recently in The Daily Mail described the art of matte painting:

“Before computer-generated special effects, film-makers relied on ‘matte painting’ as a cheap substitute for building sets or filming on location. Matte paintings were made by artists using paints or pastels on large sheets of glass or integrating with the live-action footage via a double exposure.

Its foremost practitioner was Peter Ellenshaw (1913-2007), who joined Denham Studios in 1935 as an uncredited assistant to his stepfather, W. Percy Day, the inventor of matte painting on such things as Things To Come (1936) and The Thief Of Bagdad (1940).

In 1947, he created the wonderful mountain scenery for Michael Powell’s and Emeric Pressburger’s Black Narcissus. Martin Scorsese, a big fan, said that watching it was ‘like being bathed in colour.’”

After Black Narcissus, Ellenshaw worked on more than 30 films for Walt Disney Studios. He began working as a freelancer for Walt Disney in 1947 and became involved in the making of Treasure Island, the studios first live-action movie. It was the great art director Carmen Dillon that recommended Peter’s work to Walt Disney, for his next project in England, ‘The Story of Robin Hood and his Merrie Men’ in 1952.

“Peter Ellenshaw is a clever young painter,” Dillon said, “and has the backing of his father-in-law, Poppa Day, who has been doing optical tricks and mattes with Korda for many years.” Walt Disney was interested and replied, “Good! We’ll paint all the long shots of medieval Nottingham, the castle, Richard going to the Crusades, etc. on glass. They’ll be much more fun than the real thing.”

On Robin Hood, Peter Ellenshaw eventually painted twelve matte shots. A technique that impressed the film’s producer, Ken Annakin so much, that in his next picture for Disney, ‘The Sword and The Rose’, he used seventy five of Ellenshaw’s fine matte work.

So began Peter’s long career with the Disney Studios and a 30 year friendship with Walt Disney himself, of whom he regarded as a wonderful inspiration. Ellenshaw was officially designated a ‘Disney Legend' in 1993.

 To read more about Peter Ellenshaw, Denham Studios, Carmen Dillon, Behind The Camera on this blog, please click on the relevant Label below.

Patricia Driscoll at Nettlefold Studios

Geoff Waite has very kindle sent me this article on Patricia Driscoll from the 1958 Annual ‘Girl Film & Television’, which is copied below. Pat took over from Bernadette O’Farrell as Maid Marian in the third and fourth series of The Adventures of Robin Hood which aired on ITV in Britain from 1955 till 1960. The series eventually ran to 143 half-hour black and white episodes and is still very fondly remembered.



Pat Driscoll-A Girl Who Adds Glamour to the Robin Hood Show.

"An unexpected telephone call from the Nettlefold Studios, at Walton-on-Thames, to the London mews flat of Pat Driscoll hoisted her to fame in the role of Maid Marian in TV’s Robin Hood.’

When the phone rang, Pat was doing a spot of gardening-if ‘gardening’ is the right word to use about tending window boxes outside a town flat!

The odd thing was that she seldom saw TV. There was no room in her small home for a set, and she didn’t like badgering neighbours to look in at theirs.

Like her predecessor in the part, Bernadette O’Farrell, Pat was born in Cork. When her mind was made up that acting was the life for her, her parents sent her to RADA. After that, she worked her way around the country with various repertory companies.

While with the Manchester Rep she met and married a dark Scot, Duncan Lamont. Duncan has also appeared in ‘Robin Hood’ from time to time. Their first home was in a London mews flat, where hammers, tacks, paint rollers and wallpapers made many demands on leisure time.

Pat's first TV success came in 1953, in a show called ‘Whirligig.’ She also appeared in the film Charley Moon with Max Bygraves. Until the Maid Marian part came along, she was working in both ‘Listen With Mother’ and ‘Looking With Mother.’

Pat has been used to handling horses all her life, and had her own pony as a child and did a lot of show-jumping, in the modern manner. In fact, she was once a leading pony rider at the Olympia Horse Show. When she was eleven year old, Pat won a jumping competition at the Arundel Gymkhana.

This helped a great deal when she took on the role of Maid Marian-though she found she had to learn to ride side-saddle to conform to medieval custom. She took lessons from an expert to steer an elephant in the right direction in Charley Moon. ‘After that, riding side-saddle on a horse was child’s play,’ she’ll tell you.

Pat’s favourite hobby, when she has time for it, is salmon fishing. When she is filming, an alarm clock shatters her sleep at six-thirty in the morning. After this early start she is ‘on set,’ ready with her make-up completed, at the Nettlefold Studios by eight thirty.

She likes to tell about her own shame when she first began working there.‘Puzzled, I was, by the plaque over the entrance HEPWIX 1898, until someone told me it was a memorial to Cecil Hepworth (part of his own name coupled with that of a fiend). He was one of the pioneers of film making, who built the place in the back garden of his house by the Thames.’

The hooks on which Hepworth slung his film negative to dry are still there, an interesting link with the television films of today."

Many thanks to Geoff for sending this article.