Disney's Robin Hood Script 3

Richard Todd as Robin and Joan Rice as Marian

Below is another page from the script of Walt Disney's Story of Robin Hood and his Merrie Men which was filmed at Denham Studios and Burnahm Beeches in Buckinghamshire in 1951. The script was originally owned by Noland Blackburn, who worked for Walt Disney Productions during the 1950's. 

Robin describes his 'fair maiden'

I have featured a few pages from this script recently. The page above, shows an early scene in the movie in which Robin Hood (Richard Todd) teases Maid Marian (Joan Rice). But we can see that some of Marian's dialogue was eventually changed. The original script had her saying:

"Chop off infidel heads enough, you'd come back a knight. Forthwith, you'd be scrimaging in a tournament - - to please a lady - - and have your own head chopped of."

But those who have seen the film will know that this was later changed, so that Marian said:

" Chop off enough heads; you will come back a knight. As a knight, you would go jousting in a tournament, to please a lady, and have you own head chopped off!"

Joan Rice as Marian going through the script with Director Ken Annakin

In his memo, Walt Disney describes Joan Rice's difficulties with the dialogue. The director, Ken Annakin went into great detail in his autobiography about the problems he had with her; how he had to slavishly go over the script with her word for word. But it is worth mentioning, that she had been rushed through the ‘Rank Charm School’ a year earlier and that she had no experience in acting beforehand.

Joan Rice (Marian) and Richard Todd Robin Hood) during a break from filming

That page also shows that the original script had Robin holding out his hand 'a foot above Marian's head', showing how much taller his imaginary 'fair maiden' was. This was also eventually cut from the movie.

Joan Rice's costume is adjusted before filming

Below is a section of a picture strip that shows that scene with Robin and Marian.

Joan Rice on set as Maid Marian

To see the whole movie in picture strip form, or read about the lives of Richard Todd and Joan Rice, just click on the relevant label in the task bar.

Special thanks to Cindy for sharing images of the script.

Disney's Robin Hood Script 2

Noland's Disney employee card

Those of you that have read my recent blog post, Disney's Robin Hood Script, will know of my excitement at seeing such a treasured item. Cindy has since, sent some more images, including the original employees identification card for Walt Disney Productions, once owned by her father-in-law, Noland Blackburn (above).

Reverse of Noland's employee card

Noland Philip Blackburn worked for Walt Disney during the 1950's and it is through the kindness of his daughter-in-law Cindy, that we are able to see pages from the original film script of The Story of Robin Hood (1952).

Robin (Richard Todd) looks for the assailant

Below is a page from the script describing the scene where Robin Hood's father is shot in the back by Red Gill, played by Archie Duncan.

Robin's father is shot by the assailant.

The original script describes the assailant and Robin both stalking each other and crawling 'in a circle through the brush.' These scenes were obviously later cut from the movie.

Robin kills that assailant - Red Gill.

Detail of the script 

Below is a couple of pages from Laurence's fabulous Picture Strip that show images of those scenes that were finally used in the movie. 





To see the whole of Walt Disney's Story of Robin Hood and his Merrie Men in this picture strip, please click here.

The final scene

I featured the page above in my last edition. This is the final scene where Robin Hood hugs Marian in front of King Richard and the outlaws. But this time the script is accompanied with a rare photograph taken in the studio at Denham as they filmed that exact same scene (below).

Marian (Joan Rice) hugs Robin (Richard Todd) in Denham Studios

Joan Rice as Marian and Richard Todd as Robin Hood

Once again many thanks to Cindy. 

Disney's Robin Hood Script

There have been many highlights compiling this blog over the last ten years. But I am sure my readers will agree, few can compare with seeing images of the script from our favourite movie!

Front cover of the Robin Hood script

I am extremely grateful to Cindy who has kindly emailed me these images from Canada. The script belonged to her father-in-law who worked for Walt Disney during the 1950's.

Detail of the cover

I have enlarged a few of Cindy's pictures, so that the pages can be read.

First page of the script

First page describing the opening scene

It is a pity Disney cut part of the beginning scene at Huntington Manor with Stephen the steward. In the final edit only the Earl's Page can be seen by the hall doorway holding the golden hunting horn.

Final page of the script

Joan Rice as Maid Marian and Richard Todd as Robin Hood

Detail of the final page

Cindy's father-in-law was Noland Philip Blackburn. She says he:

Went to the United States with his mother and wanted to pursue an acting career.  He got his job at Disney and was a mail clerk and told us he would deliver Walt's coffee and lunch to him.  His career there was cut short due to the draft.  He had to hop on a train to get back to Canada to avoid the draft.  He obtained a lot of his collection from items that were being thrown out when he worked there and kept them all these years.

I am sure you will agree that seeing the original screenplay by Lawrence Edward Watkin has been fascinating. So I want to send a huge thank you to Cindy.

The script will eventually be auctioned.

There will be more to see soon!

Bill Walsh's 'The Riddle of Robin Hood'

I last posted about The Riddle of Robin Hood over eight years ago.  Since then, I have discovered more fascinating information about the making of this little film.

Bill Crozier Walsh's (1913-1975) career with Walt Disney began in June 1943. Initially he started as a joke writer and publicist, which led to work on the syndicated Micky Mouse cartoon strip. But this portly, cigar chomping New Yorker would later become one of the most successful producers in entertainment history.

Disney soon noticed Walsh's talents in publicity and put him in charge of the studios first television production, One Hour in Wonderland which aired on Christmas Day in 1950. Walsh recalled Disney inviting him into his office and being told that he had decided to "go with television and that he was the guy that was going to do it."

Walsh was stunned and said, "I don't know anything about television." But Disney just grinned and said, "that's o.k. nobody does!" Walsh remained convinced this new venture was doomed to failure. So he wrote an urgent memorandum to Disney warning that the studio should avoid small screen productions at all costs.  

The note didn't work and ironically Disney's television debut was such a success that Walsh was then hired as head of all the studios television productions. These included the hugely popular series Davy Crockett, The Adventures of Spin and Marty, The Mickey Mouse Club and The Hardy Boys.

Bill Walsh with Walt Disney

When the studio began planning their second live-action movie The Story of Robin Hood and his Merrie Men in 1951, Disney invited Walsh over to England. When he inquired as to what his role would be, Walt replied:

"There's a funny little magic word called 'initiative', and that will tell you what to do." 

Once in England, Walsh put his instinct as a publicist to good use and conceived the idea of 12 minute promotional film about the making of this new Disney's live action movie. He called it The Riddle of Robin Hood and it included details about the research that the studio had made into the ancient legend and backstage production scenes. 


The Riddle of Robin Hood was shown in schools, cinemas and TV stations all over the country. Walsh described Disney as being delighted because:

"We were getting a lot of mileage out of this goofy little film and Walt was sort of enchanted by all that free space promoting the film."

Whilst browsing the Chronology of the Walt Disney Company many years ago I discovered, under the year 1952, a mention of The Riddle of Robin Hood. It simply said-under, month unknown, “Disney releases the film The Riddle of Robin Hood for promotional use [501.470].” I immediately emailed the owner of the web site, but he later confessed that he knew very little else. So I put an appeal on this blog in September 2007 for anyone that might have seen this mysterious film.

Perce Pearce with Walt Disney in 'The Riddle of Robin Hood.'

Eventually Neil contacted me and revealed that he had acquired a copy of this very rare film. This was fantastic news! It was produced by the Disney organisation to promote their second live-action production The Story of Robin Hood (1952). It is not only an amazing piece of cinematic history - but also of Disney history.

Today, Walsh's 'goofy little film' gives a fascinating insight into the Disney studios live-action production of Robin Hood.  It takes you behind the scenes, right from the early research, the planning stages, set construction and on to the filming at Denham Film Studios in 1951. So you can imagine my surprise when I received this message from Disney expert Bill Cotter a few years ago:

“I just saw your post on this film and wanted to share what I wrote about it for my book The Wonderful World of Disney Television:

'Another project during this time also helped to confirm Walt's feelings about using television to promote his theatrical releases. After World War II, the Studio made several films in England to use funds being held there. Walt took Bill Walsh with him to England during the filming of The Story of Robin Hood and His Merrie Men, a 1952 release starring Richard Todd. Walsh's assignment was to produce a behind-the-scenes look at the making of the film, and he took the unusual approach of questioning Robin Hood's actual existence. The resultant 12-minute film, The Riddle of Robin Hood, was Walsh's first live action film. The Studio wasn't quite sure what to do with it, and as Walsh later retold it, they decided to give it away for free to anyone who was interested in it:

"In those days, naive was the word for the TV people. They didn't know what to do - they had to fill up a lot of time all day long, but they didn't have the stuff. We planted this film with a lot of TV stations all over the country, planted it with schools, because it had kind of a documentary feel about it. So pretty soon we were getting a lot of mileage out of this goofy little film. Walt was sort of enchanted by that, all that free space promoting the film, so the next year the networks came in and wanted Walt to do a TV show, and he was sort of spooky about it. I think he had had a bad experience on radio using the voices like the Duck and the Mouse. Nobody could understand it and the show wasn't successful, so he was a little leery about doing a TV show."

While it wasn't originally planned as a television program, The Riddle of Robin Hood certainly served the purpose of proving once again that television and films could happily co-exist.'

(Bill Cotter) 

Below are two more screenshots from The Riddle of Robin Hood.

Richard Todd up in The Major Oak in Sherwood Forest

Carman Dillon designing Nottingham town square

After several years in television Walsh switched to live-action films. He was either a writer, co-producer and producer on such memorable Disney productions like Mary Poppins, The Absent Minded Professor, That Darn Cat, Black Beard's Ghost, One Of Our Dinosaur's Is Missing, Bedknobs And Broomsticks, The Love Bug and Herbie Rides Again.

On Mary Poppins, Walsh shared an Academy Award nomination for Best Picture with Walt Disney.  He also shared an Academy Award nomination for Best Writing Adapted Screenplay with Don Da Gradi.

Bill Walsh

Marsh's remarkable creative talent led him to become Disney's right-hand man and close friend until Disney's death in 1966. 

Songwriters Richard and Robert Sherman described Bill Marsh as:

"one of the most gifted men ever to have worked for Disney-deft with language and humour."

Bill Warsh died of a heart attack on January 27th 1975.

Ellenshaw's Matte Magic

Peter Ellenshaw

One of the many elements that gave Walt Disney's live action film The Story of Robin Hood such a sumptuous quality were the matte effects of Peter Ellenshaw (1913-2007). We have looked at the life and work of Ellenshaw before on this blog and there are now over 10 pages on the subject here. But recently Neil has sent more examples of Ellenshaw's art work.

Below is an article that appeared in The Daily Mail describing the art of matte painting:

“Before computer-generated special effects, film-makers relied on ‘matte painting’ as a cheap substitute for building sets or filming on location. Matte paintings were made by artists using paints or pastels on large sheets of glass or integrating with the live-action footage via a double exposure.

Its foremost practitioner was Peter Ellenshaw (1913-2007), who joined Denham Studios in 1935 as an uncredited assistant to his stepfather, W. Percy Day, the inventor of matte painting on such things as Things To Come (1936) and The Thief Of Bagdad (1940).

In 1947, he created the wonderful mountain scenery for Michael Powell’s and Emeric Pressburger’s Black Narcissus. Martin Scorsese, a big fan, said that watching it was ‘like being bathed in colour.’”

***

After Black Narcissus, Ellenshaw worked on more than 30 films for Walt Disney Studios. He began working as a freelancer for Walt Disney in 1947 and became involved in the making of Treasure Island, the studios first live-action movie. It was the great art director Carmen Dillon that recommended Peter’s work to Walt Disney, for his next project in England, ‘The Story of Robin Hood and his Merrie Men’ in 1952.

Walt Disney and Peter Ellenshaw

"Peter Ellenshaw is a clever young painter,” Carmen Dillon said, “and has the backing of his father-in-law, Poppa Day, who has been doing optical tricks and mattes with Korda for many years.” Walt Disney was interested and replied, “Good! We’ll paint all the long shots of medieval Nottingham, the castle, Richard going to the Crusades, etc. on glass. They’ll be much more fun than the real thing.”

Nottingham before and after Ellenshaw's work

On Robin Hood, Peter Ellenshaw eventually painted 52 matte shots. A technique that impressed the film’s producer Ken Annakin so much, that in his next picture for Disney, The Sword and The Rose, he used 64 of Ellenshaw’s fine matte work.

So began Peter’s long career with the Disney Studios and a 30 year friendship with Walt Disney himself, of whom he regarded as a wonderful inspiration. Ellenshaw was officially designated a 'Disney Legend' in 1993.

Neil says:

"Just attaching these that you may have seen – I certainly haven’t – from The Story of Robin Hood and His Merrie Men 1952.
Some Matte Shots – before and after – that were so good I had never imagined that they were mattes at all. I am sure you will agree.
This is staggering work to me – and so impressive.

Trouble is it spoils things in a way because I always thought that the shots of Robins escape at the river scene was all a real location that I have even been to look for."

The pond becomes a river

I agree with Neil, some of the scenes I thought were 'real' locations, were in fact created by Ellenshaw. Above is a fine example. The first image is possibly one of the ponds used by Alex Bryce's second unit at Burnham Beeches. In the next shot is the same spot transformed by Peter Ellenshaw's matte magic.

Robin reaches a different riverbank

Above is another scene from Robin Hood's escape from the sheriff. This time we see the outlaw crossing the river on horseback. In the second image Ellenshaw has added a much steeper and more tree-lined bank.

Nottingham town square

In Neil's third example of Peter Ellenshaw's work (above), we are in Nottingham town square. This is the moment King Richard's ransom money is jubilantly carried off to the castle. The scene has been filmed on one of the giant sound stages in Denham Studios. But the matte process transports outside into the sunlight.

Construction of the final scene

The last series of images show the construction of the final scene of the movie. Top right is just the ground shot in which Alan a Dale walks. Around that image Peter Ellenshaw has painted trees and a beautiful sunset. And it is in this evocative closing scene the minstrel strolls off into history spreading the legend of Robin Hood.

A very big thank you to Neil Vessey for sharing these fascinating images with us. Don't forget to visit Neil's own website Films of The Fifites.

Robin Hood's Test Shots

Over the past ten years we have made some fascinating discoveries about Walt Disney's live-action movie The Story of Robin Hood and his Merrie Men (1952). But I was beginning to think there was nothing else to surprise me, until Neil sent me these two intriguing images:

Neil says:

"I have been looking through my film memorabilia and come across these two stills which I have not taken notice of previously - I don't know why because they are very unusual and very interesting.
Richard Todd as Robin Hood is posing with his father in one of them - BUT it is not the actor Reginald Tate, who plays his father in the film - and looks like a stand-in for a pre production design set up.

The clothes are quite different to those in the film - and Richard Todd has slightly shorter hair and in these stills looks nothing like as convincing as he does in the film.

On the other picture there are three of them - Richard Todd as Robin, Someone as his father AND another stand-in for Red Gill I would guess - who was played in the film by Archie Duncan.
It could be that these men are stunt doubles as they are similar in stature to the actors.
The costumes also look wrong - and my opinion is that they were going through the options until they got it right which they did of course.
Another thing - the backdrop - I  at first,  thought this might be a real backdrop but looking further I am leaning towards a studio set picture - and I think that is what it was."

These do seem to be 'test shots', used - as Neil says - by Walt Disney's production crew on Robin Hood, for design and cinematic purposes. But it does seem unusual for the images to be released in the form of 'movie stills.' Below is how Archie Duncan as Red Gill, Richard Todd as Robin Hood and Reginald Tate as Hugh Fitzooth later appeared in the movie.

A still showing the stars and their costumes

Seeing these two experimental pictures taken during the early stages of production, reminded me of a post I did back in November 2012 about a picture I discovered of Joan Rice in a costume that was never used in the movie. It  tied-in with a  memo sent by Walt Disney to Perce Pearce and Fred Leahy regarding Joan Rice's Maid Marian costume:

“The final tests arrived the first part of the week and we looked at them. I think [Richard] Todd is wonderful, and I feel he will project a great deal of personality and do a lot for the role.Joan Rice is beautiful and charming. I think, however, she will need some help on her dialogue. I thought at times, she lacked sincerity, although one of her close-ups was very cute. I do not care much about her costume in the first scenes. It seems that women of that period always have scarves up around their chins, but I think it does something to a woman’s face. I’d like to see us avoid it, if possible, or get around it in some way or other-maybe use it in fewer scenes.When we see Miss Rice disguised as a page, this costume seemed bulky and heavy. The blouse or tunic was too long and hung too far down over her hips-it didn't show enough of her and I thought distracted from her femininity. I do believe the costume did much to set off her femininity. I think a slight showing of the hips would help a lot."

Joan Rice as Marian in a costume never used in the film

Joan Rice wearing the updated costume.

Walt Disney continued in his memo:

" ... I liked Elton Hayes as Allan-a-Dale. He has a good voice with quite an appeal. The last word I had from Larry [Watkin] was to the effect that he would be sending in a new and complete script very soon. I have been following his changes and the little thoughts I have are close to “lint-picking”, which I feel he is smoothing out in his final script, so I won’t bother about passing on my thoughts until I get his so-called final script...”

                                                                                                     Walt Disney  

Special thanks to Neil for sending in those extremely rare pictures. They have given us yet another fascinating insight into the pre-production of  Walt Disney's Story of Robin Hood and his Merrie Men.

Geoffrey Rodway (1911-1999)

Geoffrey Godway (1911-1999) with Joan Rice in the make-up department

This is an up-date to a post from three years ago. It was in November of that year I posted a picture of Joan Rice (1930-1997) in the make-up department for her role as Maid Marian during the filming of Walt Disney's Story of Robin Hood and his Merrie Men.

At the time, I was not sure who the gentleman was applying the make-up. I went through the names, including Geoffrey Rodway the Make-Up Supervisor on the movie, Trevor Crole-Rees, Stuart Freeborn, Eddie Knight, A. L Lawrence, Robert Alexander and Wally Schneiderman. They are all listed in various articles as uncredited make-up artists on Disney’s live-action movie. At the time I guessed in might have been Geoffrey Rodway.

Well, I was thrilled to receive a message from Alex Rodway:

“Yes that is Geoffrey Rodway, my grandfather.”

Neil, our regular contributor, also informed us that South African born Geoffrey Rodway (1911-1999) was employed in various make-up departments from the early forties right through to the seventies. Including working on the much-loved Carry-On films.

Rodway was part of the team that worked for Walt Disney on Treasure Island and Sword and the Rose.  He was also Joan Rice's make-up artist not just on Robin Hood, but also Curtain Up, A Day To Remember and One Good Turn. 

In March of this year Mick got in touch and asked if the family had lived in Iver in Buckinghamshire? I am pleased to say that yesterday Tim Walker contacted me with this answer:

"Hi all - I'm another of Geoff's grandsons - cousin of Alex who wrote in previously. Geoff did a large number of films at Pinewood Studios, which are of course situated in Iver. So yes Geoff and his wife Nora (who was also his assistant) did live in the area - I think in Denham and Iver at some stage. This was up until Geoff retired and they moved to the South coast during the seventies. I hope this is of interest. Regards, Tim Walker. 

Many thanks to all those who very kindly contacted this web site regarding Geoffrey Rodway, especially members of his family. If you have any information regarding the production crew or actors and actresses that made Disney's Story of Robin Hood please get in-touch. I will be pleased to hear from you.

Champion Archer Found!

Last week I posted two letters that has been received by John Nelson from Richard Todd. In John's second letter, Richard described how he had been trained for his role as Robin Hood in Walt Disney's live action movie:

"I was given some weeks of training and practice in archery for my role in Robin Hood and became quite proficient. My teacher had been the champion archer of England and I greatly enjoyed working with him and carried on using a bow and arrow for some years for pleasure."

So the big question last week was who was 'the Champion Archer of England' in 1951?

I would like to send a huge thank you! to Chrissy Noel on our Story of Robin Hood Facebook page, who went to the trouble of contacting 'The Society of Traditional Archers' with our question. They responded almost immediately with an answer, 'it was the late great George Brown'.

Very little information is available on the internet about George Brown. Chrissy thinks he may have had connections with 'The Sherwood Archers', an archery club based in Southwell, Nottinghamshire. 

The 'Society of Traditional Archers' had this to say:

...we all knew about George. He was a Gentle Giant of a man, unassuming, a true gent and a true champion. This was the 1950's, a change over period in modern archery when man made materials were taking over from traditional equipment. George never made 'champion' again but like the wonderful Edward McKewan he is a legend to those of us who are lucky enough to remember him. he inspired many of us as children as did Richard Greene, Richard Todd et al. I bumped into Richard Todd outside the may fair theater in London...My God I exclaimed you're Richard Todd... he shook my hand and replied, 'Yes, young man I am indeed.' He was small in stature but a legend.

Chrissy did manage to find some silent film footage by British Pathe of George Brown at a 'Grand National Archery Meeting' in 1956. And SOTA confirmed that this is the man we have been looking for.

George Brown in 1956

The irony is that George Brown has appeared on this blog before. 

Way back in 2008, Neil sent in this fantastic still, showing behind the scenes during the making of Walt Disney's Story of Robin Hood and his Merrie Men (1952). Not only does the image give us a rare glimpse of the equipment and crew as they a film by the river bank with Richard Todd, but Neil managed to get the names of the two archers - James Hemmings and George Brown. 

So here is Richard Todd and George Brown possibly on set together!

Thanks to Chrissy and Neil I believe we have managed to trace Richard Todd's champion archer!

George Brown the Champion Archer of England during the 1950's