I would like to wish all my female readers a happy Valentine’s Day for tomorrow! And just to show how romantic I can be, I have posted a very rare 1930’s Robin Hood style card for you! XXX
He Clasped the Dainty Page Close
As we approach St Valentines Day, I thought I would share with you one of my favorite Robin Hood illustrations. It is by Greg Hildebrandt and is titled He Clasped the Dainty Page Close.
I think it is absolutely beautiful. Many more of his stunning pictures can be seen in Unicorn's re-print of Mc Spadden's Robin Hood published in 1989 and at http://www.spiderwebart.com/
The Hildebrandt brothers are well known in the world of Fantasy and Science Fiction art. Greg and Tim were twins, born in Detroit, Michigan USA in 1939 and both became professional artists in 1959. Their combined work includes the first Star Wars poster, Black Sabbath’s Mob Rules Album, illustrations for The Lord of the Rings and countless comics. Sadly Tim passed away in June 2006.
Peter Ellenshaw's Magic!
These before and after shots, from the The Sword and the Rose, were sent to me by Neil. They are a perferct example of the wonderful skill of Walt Disney’s award winning matte artist and special effects designer, Peter Ellenshaw (1913-2007). Matte paintings are usually paintings made on glass, fixed to the camera. There are certain holes left in the painting so the camera can see through the glass and into the set, thus creating the illusion that the set and the painting are one and the same.
Ellenshaw’s magnificent artwork, gave a picture-book quality to Walt Disney’s live-action films, like the Story of Robin Hood, Treasure Island and Mary Poppins. It also enabled art directors, like Carmen Dillon to create scenes that could be more impressive and realistic- decades before computer technology.
Peter Ellenshaw was made an official Disney Legend in 1993.
To read more about Peter Ellenshaw and his matte work, please click on the Peter Ellenshaw label.
Maidenhead Advertiser
My blog has made it into the newspapers! Well, the Maidenhead Advertiser. At the beginning of January, I was contacted by the Senior News and Entertainment Reporter Laura Enfield :
“Hi,
I work for the Maidenhead Advertiser and came across your Robin Hood blog entry about Joan Rice.
As far as I am aware we have never done anything about her living in the area and we would like to.
Please can you get in touch if you would be willing to pass on any information, pictures etc. that may be of use?”
I admitted to her that all the information I knew about Joan, was on my website and that she was quite welcome to use any pictures she liked. I also passed on to her Joan’s friend- Maria Steyn’s email address -for any more background details.
Laura’s appeal for information on Joan Rice appeared in the Maidenhead Advertiser on January 22nd and the Windsor Express on January 23. She told me that a lot of people came forward, but she didn’t have time to speak to them all, which is a shame. Although she has promised me that she will pass on their details and any more information.
On what would have been Joan Rice’s 79th birthday, I received an email from Laura with copies of the newspaper articles; included was this piece by Laura, from the Maidenhead Advertiser dated January 29th:
"The final resting place of Hollywood legend Joan Rice has been revealed. Calls flooded in to the Advertiser after an appeal for information was run in last week’s paper.
The former Maidenhead and Cookham resident died in 1997 and the location of her grave was a mystery to many fans and friends. The Royal Borough’s Cemetery Team has confirmed that the star of Disney’s 1952 movie Robin Hood is buried at Braywick Cemetery."
Braywick ‘Lawn Cemetery’ is in Braywick Road, Maidenhead in the Royal Borough of Windsor and Maidenhead.
For more information please click on the label Joan Rice.
24: Terrible News
After two long years, terrible news reached England that King Richard’s Crusade had failed and that Richard himself was imprisoned in Germany. There was a ransom of one hundred and fifty thousand marks for the lion-hearted King of England.
In the Tower of London, Queen Eleanor and Lady Marian waited anxiously for news from the Archbishop of Canterbury, who had arrived travel stained and weary.
“I pray you bring good news,” said Queen Eleanor.
“We are thirty thousand marks nearer our goal,” replied the Archbishop. “The monasteries have melted up their plate, hearing that their king stood in need of ransom.”
“God bless them,” said the Queen. “What else?”
“London and the southern counties have given their all. So have the barons of the north. Yet one fourth of the ransom is still to be raised.”
The Archbishop paused and shook his head.
“Your own son, Prince John, has refused to contribute one stiver on behalf of King Richard.”
Queen Eleanor angrily sprang to her feet.
“He shall not hold back in the face of the king’s necessity. Tonight we leave for Nottingham!”
Queen Eleanor’s arrival in Nottingham was an unpleasant surprise for Prince John. He stood uneasy by the great stone fireplace in the keep of Nottingham Castle and embarrassingly faced his mother.
“Now that I know my brother’s plight,” he said with a sly smile, “upon the morrow, I’ll order a public donation in Nottingham Square. Even though I be shamed if the poor out give me.”
To read previous chapters please click on Story.
In the Tower of London, Queen Eleanor and Lady Marian waited anxiously for news from the Archbishop of Canterbury, who had arrived travel stained and weary.
“I pray you bring good news,” said Queen Eleanor.
“We are thirty thousand marks nearer our goal,” replied the Archbishop. “The monasteries have melted up their plate, hearing that their king stood in need of ransom.”
“God bless them,” said the Queen. “What else?”
“London and the southern counties have given their all. So have the barons of the north. Yet one fourth of the ransom is still to be raised.”
The Archbishop paused and shook his head.
“Your own son, Prince John, has refused to contribute one stiver on behalf of King Richard.”
Queen Eleanor angrily sprang to her feet.
“He shall not hold back in the face of the king’s necessity. Tonight we leave for Nottingham!”
Queen Eleanor’s arrival in Nottingham was an unpleasant surprise for Prince John. He stood uneasy by the great stone fireplace in the keep of Nottingham Castle and embarrassingly faced his mother.
“Now that I know my brother’s plight,” he said with a sly smile, “upon the morrow, I’ll order a public donation in Nottingham Square. Even though I be shamed if the poor out give me.”
To read previous chapters please click on Story.
The Lost Rhymes of Robin Hood
There is no doubt amongst most scholars that there were earlier and ‘shorter’ tales of Robin Hood originally in existence. What we have are chance survivals. The Geste as we all know was a series of separate stories strung together, a pastiche. The author seems to have combined, often quite clumsily, ‘Robin Hood and the Knight,’ ‘Robin Hood, Little John and the Sheriff’: ‘Robin Hood and the King’; and 'Robin Hood’s Death.’ What went before we will probably never know.
But an interesting point was made by Dr Peter Coss (Holt.p.192) that the story of ‘Robin Hood and the Knight’ might have evolved from an earlier, independent story of a crusading knight or pilgrim, returning from the Holy Land. This once against highlights the thorny question of what is original in the surviving Robin Hood medieval ballads. Particularly when, as Maurice Keen points out ‘ many of the episodes can be shown to belong to a stock of popular legends, which do not attach to any one story or even to one cycle of stories in particular.’
One wonders what might have been on those manuscripts that Bishop Percy found being burnt in Humphrey Pitt's house at Shifnal, Shropshire, by the housemaid who was using them to light the fire!
But we live in hope. In about 1320 somebody wrote out an Anglo Norman poem in ordinary prose. It eventually found its way to the British Museum, but nobody read it because it had been carelessly labelled. It was ‘Fulk Le Fitz Waryn!’
But an interesting point was made by Dr Peter Coss (Holt.p.192) that the story of ‘Robin Hood and the Knight’ might have evolved from an earlier, independent story of a crusading knight or pilgrim, returning from the Holy Land. This once against highlights the thorny question of what is original in the surviving Robin Hood medieval ballads. Particularly when, as Maurice Keen points out ‘ many of the episodes can be shown to belong to a stock of popular legends, which do not attach to any one story or even to one cycle of stories in particular.’
One wonders what might have been on those manuscripts that Bishop Percy found being burnt in Humphrey Pitt's house at Shifnal, Shropshire, by the housemaid who was using them to light the fire!
But we live in hope. In about 1320 somebody wrote out an Anglo Norman poem in ordinary prose. It eventually found its way to the British Museum, but nobody read it because it had been carelessly labelled. It was ‘Fulk Le Fitz Waryn!’
Please click on Robin Hood Ballads for more information.
Richard Todd and Catherine Grant-Bogle
This is a rare picture of Richard Todd and Catherine Grant-Bogle at their wedding reception at the Hyde Park Hotel in London on Saturday 13th August 1949.
Catherine and Richard were divorced in 1970 and it was reported in the Daily Mail that she had passed away in 1997. What Catherine did after her divorce from Richard Todd remains a mystery, so if anyone can help with information on her later life, please get in touch at disneysrobin@googlemail.com.
For more information on Richard Todd please click on the Richard Todd Label.
Elton Hayes
I have recently received a very interesting email regarding Elton Hayes, from Geoff Waite who has been researching the life and recording career of the folk-singer and entertainer. This is the first part of his message:
“Congratulations on your marvelous website about possibly my favorite film.
I am a big fan of Elton Hayes and his music – he was predominately a singer of old folk songs and ballads – and I have been trying to collect together his records, most of which are only on 78rpm, for some years now. The 45rpm Decca recording of Whistle my Love is a North American pressing. They were way ahead of us with vinyl whilst in the UK the song was issued on 78rpm on the Parlophone label in 1952 and (much) later it was included in a 1991 Hello Children Everywhere C.D compilation. The flipside of both the Decca and Parlophone recordings was Riddle De Diddle De Day from the Robin Hood film (‘O, I’ll sing a song a rollicky song as I roll along my way…’) This was subsequently included some years later in a vinyl EP collection of Elton’s songs called Sings to a Small Guitar also on the Parlophone label which is well worth tracking down.
You have mentioned the Beatle connection (the melody in Little Child) being inspired by Whistle my Love. Did you also know that a very young George Martin actually produced Elton Hayes singing the Edward Lear Nonsense songs The Table and the Chair/The Jumblies released October 1950 on Parlophone 78rpm and subsequently included in Elton’s EP collection For the Children. The Beatles of course signed for George Martin and Parlophone in 1962.
Some of Elton’s records are now extremely difficult to find and he has been sadly overlooked by the CD generation. Only The Owl and the Pussycat is currently available on compact disc. As for downloads, I only know of Whistle my Love and one other song. When Elton was filmed by British Pathe at the Parlophone Recording Studios for Film Fanfare, I think you will find that he was rehearsing and recording Jacqueline for the film starring John Gregson. This clip can be downloaded.
I also refer to the message you found about Elton on the Mudlark Café website from Evelyn Branston. When Elton died in September 2001 Evelyn, who personally knew him, wrote his obituary for the now defunct Mike Raven online freefolk magazine. Evelyn mentions Elton’s second film where his scenes ended up on the cutting room floor. This was The Black Knight released in 1954 which starred Alan Ladd. However, Elton can still be seen in the opening credits as the minstrel on horseback riding up to the castle as he sings the title song (released on Parlophone 78rpm as The Bold Black Knight) Elton then rides right out of the film!
According to Evelyn, Elton told her that he sang the part of the maiden in Friar Tuck’s little ditty ‘Come sing low, come sing high’ in the Robin Hood film ……“Is it in sport you pay me court with such low words as these?”"
I will post the second part of Geoff’s email soon.
“Congratulations on your marvelous website about possibly my favorite film.
I am a big fan of Elton Hayes and his music – he was predominately a singer of old folk songs and ballads – and I have been trying to collect together his records, most of which are only on 78rpm, for some years now. The 45rpm Decca recording of Whistle my Love is a North American pressing. They were way ahead of us with vinyl whilst in the UK the song was issued on 78rpm on the Parlophone label in 1952 and (much) later it was included in a 1991 Hello Children Everywhere C.D compilation. The flipside of both the Decca and Parlophone recordings was Riddle De Diddle De Day from the Robin Hood film (‘O, I’ll sing a song a rollicky song as I roll along my way…’) This was subsequently included some years later in a vinyl EP collection of Elton’s songs called Sings to a Small Guitar also on the Parlophone label which is well worth tracking down.
You have mentioned the Beatle connection (the melody in Little Child) being inspired by Whistle my Love. Did you also know that a very young George Martin actually produced Elton Hayes singing the Edward Lear Nonsense songs The Table and the Chair/The Jumblies released October 1950 on Parlophone 78rpm and subsequently included in Elton’s EP collection For the Children. The Beatles of course signed for George Martin and Parlophone in 1962.
Some of Elton’s records are now extremely difficult to find and he has been sadly overlooked by the CD generation. Only The Owl and the Pussycat is currently available on compact disc. As for downloads, I only know of Whistle my Love and one other song. When Elton was filmed by British Pathe at the Parlophone Recording Studios for Film Fanfare, I think you will find that he was rehearsing and recording Jacqueline for the film starring John Gregson. This clip can be downloaded.
I also refer to the message you found about Elton on the Mudlark Café website from Evelyn Branston. When Elton died in September 2001 Evelyn, who personally knew him, wrote his obituary for the now defunct Mike Raven online freefolk magazine. Evelyn mentions Elton’s second film where his scenes ended up on the cutting room floor. This was The Black Knight released in 1954 which starred Alan Ladd. However, Elton can still be seen in the opening credits as the minstrel on horseback riding up to the castle as he sings the title song (released on Parlophone 78rpm as The Bold Black Knight) Elton then rides right out of the film!
According to Evelyn, Elton told her that he sang the part of the maiden in Friar Tuck’s little ditty ‘Come sing low, come sing high’ in the Robin Hood film ……“Is it in sport you pay me court with such low words as these?”"
Many thanks for getting in touch Geoff.
I will post the rest of Geoff's email soon. For more information please click on the Elton Hayes Label.
I will post the second part of Geoff’s email soon.
Gordon Kennedy
“Strong, instinctive, practical, resolute, Little John is powerful in battle and knowledgeable about survival in the forest.”
The line above is taken from the website for the BBC/Tiger Aspect Robin Hood (2006-2009)series. The role of Little John is played by actor Gordon Kennedy, known for a variety of acting and presenting projects.
Kennedy was born in Scotland on 22nd February 1958, the son of a local doctor; he grew up in Tranent, East Lothian, where he has two roads named after him. This old coal mining town was re-named Stoneybridge by Kennedy in the cult TV comedy Absolutely (1989-93) and became the butt of many jokes, when the town in the series hilariously bid to host the Olympic Games!
It was as a student at George Watsons College in Edinburgh that Kennedy met up with future members of Absolutely. They got together originally to form the fringe sketch show The Bodgers and went on create what has often been described as the best comedy show Scotland has ever produced.
His early experience in comedy also saw him in The Kenny Everett Show and various characters in many episodes of Russ Abbott’s comedy series.
“I loved working on The Russ Abbott Show! Kennedy says, “It was a very steep learning curve, and I used to keep bumping into the sets. I was far too big for the show. When it came to Absolutely, I made sure they made an extra six-inch gap to get my shoulders through the doorway. I loved it. It was great fun, and a fantastic first experience.”
Due to a last minute adaption to a script, Kennedy also appeared in another cult TV series, Red Dwarf (1988-1999) as Hudzen. But this former P.E. teacher also presented the original National Lottery alongside Anthea Turner and filmed an advert for Tunes-the cold remedy.
Various television dramas also used his acting ability, including, Inspector Morse, Where the Heart Is, Red Cap, River City and two episodes of The Bill.
As the rather grisly Little John, Gordon Kennedy has starred in both series of the BBC’s new adaption of the legend of Robin Hood and recently completed a third.
“I don't mind keeping my hair long,” Kennedy said during filming Robin Hood, “as it is cheaper than having a mid-life crisis and buying a Ferrari but I don't like the beard. I had my last shave for eight months yesterday. It feels like an invasion of my facial space. I hate it!”
The BBC’s Robin Hood has received mixed reviews, particularly in its determined departure from many of the traditional elements of the story and an eagerness to modernize the age old tale. But it has a hard-core following, including many fan-sites over the web, which in there own way are taking this ancient medieval tale into the 21st Century.
Kennedy’s Little John does not have the traditional quarter-staff fight with Robin Hood over a river in this modern adaption by the BBC. Instead he is the moody, no-nonsense ‘giant-bear’ that stands mainly in the back-ground, that we only really get to know in Episode 11, of the first series, Dead Man Walking written by Simon Ashford. In this emotionally charged story, Little John’s son (also called John) is imprisoned after trying to protect a villager known as Luke, from being arrested for making bows and arrows for Robin Hood. Little John attempts to rescue the pair but is also thrown in the dungeons.
Later, Little John’s wife Alice is also imprisoned and estranged husband and wife, temporally meet up in the overcrowded cells, where they are soon to appear in the Sheriff’s Festival of Pain. Alice is surprised to see her husband alive. Little John soon begins to realize how time has moved on and that Luke now looks after Alice and her son. Meanwhile in an emotional scene Little John reveals he is the father of John.
Robin and his men infiltrate the castle dressed as guards and Little John’s temper finally snaps. In a fit of anger he breaks free of his oak stocks and manages to help free his family. Robin sets to work freeing the other prisoners from their chains with a lock pin given to him by Marian. Upon their escape, they leave the wicked Sheriff hanging upside-down in one of his own instruments of torture.
Sadly Little John has to say goodbye to his wife and son as they are now forced to live elsewhere for safety.
This in my opinion, was without doubt one of the best episodes of the first series, where we get to see some fine acting, particularly by Kennedy.
It was during the filming of the second series, that Kennedy pulled a ligament in his leg. When he was taken to hospital in Budapest, where the location filming was taking place, he was still in full costume as Little John and was left to one side, as the hospital staff thought he was a tramp!
The line above is taken from the website for the BBC/Tiger Aspect Robin Hood (2006-2009)series. The role of Little John is played by actor Gordon Kennedy, known for a variety of acting and presenting projects.
Kennedy was born in Scotland on 22nd February 1958, the son of a local doctor; he grew up in Tranent, East Lothian, where he has two roads named after him. This old coal mining town was re-named Stoneybridge by Kennedy in the cult TV comedy Absolutely (1989-93) and became the butt of many jokes, when the town in the series hilariously bid to host the Olympic Games!
It was as a student at George Watsons College in Edinburgh that Kennedy met up with future members of Absolutely. They got together originally to form the fringe sketch show The Bodgers and went on create what has often been described as the best comedy show Scotland has ever produced.
His early experience in comedy also saw him in The Kenny Everett Show and various characters in many episodes of Russ Abbott’s comedy series.
“I loved working on The Russ Abbott Show! Kennedy says, “It was a very steep learning curve, and I used to keep bumping into the sets. I was far too big for the show. When it came to Absolutely, I made sure they made an extra six-inch gap to get my shoulders through the doorway. I loved it. It was great fun, and a fantastic first experience.”
Due to a last minute adaption to a script, Kennedy also appeared in another cult TV series, Red Dwarf (1988-1999) as Hudzen. But this former P.E. teacher also presented the original National Lottery alongside Anthea Turner and filmed an advert for Tunes-the cold remedy.
Various television dramas also used his acting ability, including, Inspector Morse, Where the Heart Is, Red Cap, River City and two episodes of The Bill.
As the rather grisly Little John, Gordon Kennedy has starred in both series of the BBC’s new adaption of the legend of Robin Hood and recently completed a third.
“I don't mind keeping my hair long,” Kennedy said during filming Robin Hood, “as it is cheaper than having a mid-life crisis and buying a Ferrari but I don't like the beard. I had my last shave for eight months yesterday. It feels like an invasion of my facial space. I hate it!”
The BBC’s Robin Hood has received mixed reviews, particularly in its determined departure from many of the traditional elements of the story and an eagerness to modernize the age old tale. But it has a hard-core following, including many fan-sites over the web, which in there own way are taking this ancient medieval tale into the 21st Century.
Kennedy’s Little John does not have the traditional quarter-staff fight with Robin Hood over a river in this modern adaption by the BBC. Instead he is the moody, no-nonsense ‘giant-bear’ that stands mainly in the back-ground, that we only really get to know in Episode 11, of the first series, Dead Man Walking written by Simon Ashford. In this emotionally charged story, Little John’s son (also called John) is imprisoned after trying to protect a villager known as Luke, from being arrested for making bows and arrows for Robin Hood. Little John attempts to rescue the pair but is also thrown in the dungeons.
Later, Little John’s wife Alice is also imprisoned and estranged husband and wife, temporally meet up in the overcrowded cells, where they are soon to appear in the Sheriff’s Festival of Pain. Alice is surprised to see her husband alive. Little John soon begins to realize how time has moved on and that Luke now looks after Alice and her son. Meanwhile in an emotional scene Little John reveals he is the father of John.
Robin and his men infiltrate the castle dressed as guards and Little John’s temper finally snaps. In a fit of anger he breaks free of his oak stocks and manages to help free his family. Robin sets to work freeing the other prisoners from their chains with a lock pin given to him by Marian. Upon their escape, they leave the wicked Sheriff hanging upside-down in one of his own instruments of torture.
Sadly Little John has to say goodbye to his wife and son as they are now forced to live elsewhere for safety.
This in my opinion, was without doubt one of the best episodes of the first series, where we get to see some fine acting, particularly by Kennedy.
It was during the filming of the second series, that Kennedy pulled a ligament in his leg. When he was taken to hospital in Budapest, where the location filming was taking place, he was still in full costume as Little John and was left to one side, as the hospital staff thought he was a tramp!
Subscribe to:
Posts (Atom)