Merrie Christmas to all the readers of my blog and Facebook group! Thank you for your unwavering support throughout the year. I look forward to another year of exploring the dappled ancient paths of Sherwood together
Robin Hood's Family Tree
From an early age, my fascination with history and a deep love for the legend of Robin Hood naturally led me to embark on a quest to uncover the true story behind the legendary outlaw. Over fifty years later, this pursuit has shaped my career and culminated in a successful genealogical business.
The origins of Robin Hood have sparked centuries of debate. Historians and antiquarians have long struggled to find concrete evidence of his existence, with many theories evolving without definitive proof.
One such theory was the pedigree published by William Stukeley (1687–1765). It linked the earls of Huntingdon with the descendants of a man called Ralph Fitz Ooth, who he claimed became lords of Kyme.
When I first encountered this family tree in the 1970s, I was thrilled by the possibility. There he was, Robin Fitzooth, alias Robin Hood! However, this pedigree, first presented in Stukeley's Paleographica Britannica in 1746, has since been thoroughly debunked by scholars like Professor J. C. Holt. They have argued that Stukeley’s claims were not only fabricated but that Stukeley himself, known for his eccentricities and romanticism, may have been more interested in myth-making than historical accuracy.
Although scholars have debunked it, the idea that Robin Hood was once an Earl of Huntingdon became firmly embedded in his legend. Centuries later, this version of the tale was embraced by Walt Disney, who depicted Robin as Robin FitzOoth in his 1952 live-action film The Story of Robin Hood.
Robin Hood at School
"Probability that Walt Disney's live-action Technicolor romantic melodrama, THE STORY OF ROBIN HOOD, will be one of the hit pictures of the year got a big added push through a precedential promotion device blanketing every important school district in the nation.
It bears the provocative title, THE RIDDLE OF ROBIN HOOD, and is a 15-minute documentary prelude to the theatrical feature.
Stirring highlights in the legend of the celebrated outlaw patriot are combined with a behind-the-scenes revelation of how the Disney picture was made. This, as scores of prominent educators have acknowledged, has legitimate classroom value. At the same time, wherever THE RIDDLE has been loaned to schools, a new focal point of intense interest in THE STORY OF ROBIN HOOD has been set up, with obvious reflection at the local theatre box office.
Use and reception of the innovation by school authorities and students in scores of cities is the talk of the trade and portends further use of similar documentary shorts for other feature releases.
It is also designed for television use and has already been importantly programmed in this medium as part of the enormous advertising, publicity and exploitation campaign in operation behind THE STORY OF ROBIN HOOD".
I have been told the Riddle of Robin Hood was also shown in Britain, both on television and in the cinema. Did you see it?
The Earl of Huntingdon's Arched Doorway
The West Door of Southwell Minster |
Disney’s production crew, including producer Perce Pearce, scriptwriter Lawrence Edward Watkin, historical advisor Dr Charles Beard, art director Carmen Dillon, and Richard Todd, visited Nottingham City Library, Nottingham Castle, Edwinstowe, Sherwood Forest, including Robin Hood’s Larder (now gone) and the Major Oak, Ollerton, Creswell Crags, Nottingham’s Caves, the Salutation Inn, Trip to Jerusalem Inn and Newstead Abbey. Their quest was to bring the REAL story of Robin Hood to the screen.
Dr Charles Beard was a historical scholar and used as an advisor on 'the mode, manners and customs of medieval England'. His knowledge and guidance, no doubt, influenced Carmen Dillon's art department to produce the Norman doorway at Denham Studios.
Putting the Castle on the Hill
Peter Ellenshaw (1913-2007) |
Above, we see Huntingdon Manor magically emerge from a drawing to 'reality' from the opening scene of Walt Disney's Story of Robin Hood and his Merrie Men (1952). Later, there are some stunning views of Nottingham Castle from the archery contest, Sherwood Forest, and much more. But how was it done?
Nottingham's Archery Contest |
One of the many elements that gave Disney's live-action film such a sumptuous quality was the matte effects of Peter Ellenshaw (1913-2007).
In the days before CGI, filmmakers relied on ‘matte painting’ as a cost-effective substitute for building sets or filming on location. Matte paintings were created by artists using paints or pastels on large sheets of glass or integrated with the live-action footage via double exposure.
A camera set up for a matte shot |
Its foremost practitioner was Peter Ellenshaw, who joined Denham Studios in 1935 as an uncredited assistant to his stepfather, W. Percy Day, the inventor of matte painting on such things as Things To Come (1936) and The Thief Of Bagdad (1940).
In 1947, he created the wonderful mountain scenery for Michael Powell’s and Emeric Pressburger’s Black Narcissus. Martin Scorsese, a big fan, said that watching it was ‘like being bathed in colour.’
After Black Narcissus, Ellenshaw worked on over 30 films for Walt Disney Studios. He began working as a freelancer for Walt Disney in 1947 and became involved in making Treasure Island, the studio's first live-action movie. The great art director Carmen Dillon recommended Peter’s work to Walt for his next project in England, The Story of Robin Hood and his Merrie Men in 1952.
The Earl of Huntingdon rides to Nottingham Castle |
Above, we see Ellenshaw's beautiful artwork on glass in the scene where the Earl of Huntingdon approaches Nottingham Castle. Below, we see the original scene as the riders approach the hill before Ellenshaw applies his masterful brushwork.
Ellenshaw did fifty-two matte paintings for The Story of Robin Hood.
The riders approach the hill before the painted castle |
Elton Hayes
Elton Hayes as Alan a Dale |
Above is a rare publicity still of Elton Hayes (1915-2001) as Alan a Dale in Walt Disney’s live-action movie The Story of Robin Hood and his Merrie Men (1952). Elton said Robin Hood was his second association with Walt Disney.
Elton Hayes was also hired by Disney to prepare original sea chanties for Treasure Island because his collection of old English ballads was unrivalled in all of England. At the time he was described as Britain's counterpart to America's Burl Ives, a ballad and folk singer.
So, Hayes was ‘made for the part’ of Alan a Dale, the legendary wandering minstrel. He carried the story uniquely from scene to scene, imitating the link the legend has with the balladeers that first spread the legend in medieval England.
James Hayter as Friar Tuck and Elton Hayes as Alan a Dale |
There are a couple of CDs available of the music of Elton Hayes. But for fans of the Story of Robin Hood, I recommend the remastered compilation by Windyridge (WINDYVAR90), which includes 'Whistle My Love,' and 'Riddle de Diddle De Day.’
Special thanks to John Nelson for sending this image.
Joan Rice at Riverside Studios
Joan Rice |
Thanks to John Nelson for sending me this image of Joan Rice (1930-1997) - our Maid Marian. It was taken in the early 1950s at Riverside Studios in London, and it was here in 1945, that producer Sydney Box set up The Company of Youth for Rank Organisation. As a student of what became known as The Rank Charm School, Joan was given an allowance of £10 a week and trained in breathing, deportment, mime, accent correction, script reading, diction and rehearsing.
Among the many stars who attended this acting school were Petula Clark, Christopher Lee, Diana Dors, Joan Collins and Anthony Steele.
This blog has over 115 pages dedicated to the life and career of Joan Rice.