Making The Story III

Richard Todd and Antony Forwood on bicycles

Richard Todd as Robin Hood and Anthony Forwood (Will Scarlet) arrive in Burnham Beeches on bicycles for some location shooting, just seven miles from Denham Studios. And, is that the actress Martitia Hunt on a motorbike (below)? 

We will also see Joan Rice on a bicycle later. Let's take another glimpse behind the scenes of the making of Walt Disney's Story of Robin Hood and his Merrie Men (1952).

Is this Martitia Hunt?

This is the third and final part of my look at Walt Disney's Riddle of Robin Hood (1951). This promotional film was for his live-action Technicolor movie The Story of Robin Hood and his Merrie Men (1952).

I must apologise for the quality of the images in this article as they are simply taken from the grainy original film. But they give us an exclusive glimpse behind the scenes of the making of The Story of Robin Hood.

Joan Rice arrives at Denham Studios

The director Ken Annakin bemoaned in his autobiography how Joan Rice (1930-1997) would ride her bike everywhere and sometimes fall off. In the latter part of The Riddle of Robin Hood, we see the beautiful actress (above) leave her cottage and ride through the gates of Denham Studios.

Nearly all of The Riddle of Robin Hood has been uploaded on YouTube and can be seen under the title: How Disney Made The Story of Robin Hood (1952) | You Asked For It. But, sections are missing, including Walt Disney with art director Carmen Dillon examining a model of Nottingham castle's drawbridge (below).

Carman Dillon and Walt Disney

Another interesting shot (below) shows director Ken Annakin and producer Perce Pearce planning a scene, while some of the cast take a break.

Kan Annakin and Perce Pearce

A young award-winning director of photography, Guy Green is shown using one of the huge Technicolor cameras in the castle (below).

Guy Green filming in the castle

The narrator of The Riddle of Robin Hood (possibly Hans Conried, the voice of Captain Hook in Disney's Peter Pan) claims that the animals used in The Story were authentic to the medieval period. The horses, shown below were English hunters and proved quite temperamental during filming.

The horses on set in Nottingham Square

And finally below, is an interesting shot of the mastiff with its trainer and the crew filming the scene when Friar Tuck's dog chases the sheriff across a stream.

The mastiff with its trainer

A huge thank you to Neil Vessey for making The Riddle of Robin Hood available for me to see.

The Disney Magic

Prince John watches his brother King Richard leave on Crusade

 

Prince John (Hubert Gregg) watches his brother King Richard and his Crusading army leave for the Holy Land. One of my favourite scenes from Walt Disney's Story of Robin Hood and his Merrie Men (1952). This film contained so many visual feasts! It left me sitting spellbound in my local cinema.

It is difficult to describe to the younger generation what it was like growing up in the 1950s and 1960s. Our television was in grainy black a white, with a very small screen. Hi-definition and recording a programme off of it was something yet to be invented.

So visiting a cinema was not only a treat but an immersive experience, especially if the film was in colour!

Nottingham Castle

One of the first TV programmes I can remember watching was the Richard Greene series The Adventures of Robin Hood (1955-1959). I was also a huge fan of everything Walt Disney produced. So, when I had the chance to see Disney's live-action movie The Story of Robin Hood at my local Granada Cinema, I was buzzing with excitement. 

I saw it three times that week! 

A disguised Marian finds Alan a Dale

Disney's Story of Robin Hood inspired an interest in the outlaw's legend that has never left me. It also led to my love of history and genealogy. 

So, I started this blog as a way of making others aware of this now almost forgotten Technicolor masterpiece. 

But what made this version of the legend so special for me? 

Nottingham Archery Tournament

Where do I begin? To start with it oozes quality, in the host of actors, chosen by casting director Maud Spector. Stars like Peter Finch, Richard Todd, James Hayter, Martitia Hunt and Joan Rice- to name a few. The crews behind the camera are; legendary art director Carman Dillon and directors Ken Annakin and Alex Bryce. Also Director of Photography Guy Green, later to become co-founder of the British Society of Cinematographers.

I could go on and on.

It was Disney legend Perce Pearce who was chosen by Walt Disney to supervise and produce the film in England. It would be the last major movie to be made in Denham Studios in Buckinghamshire using some of its huge sound stages.

Friar Tuck

Perce Pearce, Richard Todd, Carmen Dillon, scriptwriter Lawrence Edward Watkin and other members of the production unit made several research visits to Nottinghamshire and its archives during the Spring of 1951. It is this close attention to detail and respect for the legend that I admire and shows in the final cut.

The five images in this article demonstrate the visual beauty of this film, they were created by the legendary matte artist Peter Ellenshaw- another Disney legend, working many decades before the invention of computer generated imagery. 

Ellenshaw's artistic skill, together with Carmen Dillon's art department created that storybook quality to the film. It is not surprising it was voted one of the best Technicolor movies ever made in Britain. Disney Magic!

 

Walt Disney Visits the Robin Hood Set

Richard Todd, Walt Disney and Joan Rice

 

Here is a collection of publicity shots of Walt Disney with Richard Todd (Robin Hood) and Joan Rice (Maid Marian). In July 1951, just as his cartoon version of Alice in Wonderland was released in America, Disney visited Europe with his wife Lillian and their daughters to supervise his second live-action movie, The Story of Robin Hood and his Merrie Men (1952) which was financed again by the blocked monies of RKO and Disney. Apparently he was thoroughly pleased with the way things were going.

Walt Disney greets Joan Rice (Maid Marian)

Before leaving America, Walt had screened films at the studio, looking at prospective actors and directors and making what he himself called ‘merely suggestions’, while he left the final decisions to Perce Pearce, who was producing. For his part, Pearce had laid out every shot in the movie in thumbnail sketches, or storyboards, just as the studio had done with the animators, and sent them on along with photostats and the final script to Walt for his approval, which Walt freely gave, though not without a veiled threat that Pearce had better make the film as quickly as possible. “This is important not only to the organisation but to you as the producer,” he wrote.

Another publicity shot of Walt with Joan and Richard

In his biography Caught in the Act, Richard Todd described Perce Pearce as a jolly, rubicund Pickwickian figure. 

Perce Pearce with Richard Todd

Todd is vague in how he was chosen to play the part of Robin Hood for Disney. He didn't remember if it was through his agent or the legendary film maker himself.  But, after agreeing to play the part of the outlaw he met Perce Pearce and Maud Spector (the casting director) at the Dorchester Hotel in London and went through lists of candidates for parts in the film. Todd's only contribution was to suggest James Robertson Justice as Little John.

Walt Disney enjoys a picnic with Robin and Marian

What is certain is Disney personally chose Joan Rice to play the part of Maid Marian. Todd doesn't mention Joan in his biography but Ken Annakin, the director on The Story of Robin Hood, does. He depreciatingly describes Joan as Disney's, Achilles Heel and only fit to be somebody's house maid! 

Audiences around the world disagreed with Annakin.

Neil's fantastic website Films of the Fifties contains an extremely interesting article on how Joan was treated on the set of Disney's Story of Robin Hood: https://filmsofthefifties.com/the-bullying-of-joan-rice/

 

Elton Hayes (1915-2001)

Elton Hayes (Allan-a-Dale) sings to the outlaws

One of the unique features of Walt Disney's Story of Robin Hood and his Merrie Men (1952) was the use of the minstrel Allan-a-Dale to link the scenes of the movie together. This, of course, not only provided a reference to the roots of the ancient legend but showed how medieval entertainers created the earliest ballads of the outlaw.

The character Allan-a-Dale was played by Elton Hayes (1915-2001). Today he is sadly almost forgotten, but Hayes was very well-known to radio and television audiences of the 1950’s as ‘the man with the small guitar.'

Elton Hayes

Below is a small section of his detailed obituary by Evelyn Branston:

When Walt Disney's Treasure Island (1950) was made, Elton had the task of arranging the old sea shanties sung on board the 'Hispaniola'. This was followed by the job of researching ancient ballads for their second live-action production, Robin Hood and his Merrie Men (1952). The producer Perce Pearce, asked him to assist in another actor's screen test, and then sprang the surprise that it had been Elton on test and the part of Alan-a-Dale was his! So good was he in that role that, although it started as a few lines, it developed into one of the main parts in the film.

Elton Hayes as Allan-a-Dale with Hal Osmond (Midge) and Joan Rice (Marian)

The success of the film led to Elton completing a nineteen-city tour of the USA and Canada, making 113 radio and TV appearances in eight hectic weeks!

Sadly his second film ['The Black Knight' (1954), Elton appears in the opening sequence as a minstrel on horseback] did not enjoy the same success. One of the film 'extras' inadvertently wore Elton's costume and was conspicuously killed in an early scene. Continuity failed to notice. Consequently all Elton's scenes were later consigned to the cutting room floor.

He sang in the Light Music Festival at the Royal Festival Hall, the Royal Film Performance at the Empire, Leicester Square, innumerable other concert appearances, private functions and then trips to the continent for recitals of higher academic standard to music societies, universities, international musicians etc. The nervous tensions of the concert platform began to take their toll and Elton realised that it was time for a change of career. Being a confirmed country lover the choice was easy; he became a farmer.

He bought a 47-acre farm at Hartest, near Bury St. Edmunds, Suffolk and soon built up a prestgious herd of pedigree pigs. He now found time to return to his youthful hobby of horses. This brought him into contact with the members of the British Driving Society and the art of carriage driving. Like everything else, Elton threw himself into this new interest with enthusiasm and was soon skilled enough to win awards for driving tandem (two horses, one behind the other).

Down the years, with the kind help of Geoff Waite and others, I have researched the life of Elton Hayes. To see his complete discography, read his full obituary by Evelyn Branston and a lot, lot more, please click here.

Perce Pearce (1899-1955)

This blog was created not just to celebrate a classic movie, but also to learn more about the people that made it and the legend that inspired it. Over the years I like to think that with the help of my readers we have gone some way to achieving that. Of course there is still more to investigate. One of the people that remained a mystery for a while was Perce Pearce (1899-1955). He was chosen by Walt Disney to supervise and produce his early film productions in England, including Treasure Island, The Sword and the Rose, Rob Roy and of course, the Story of Robin Hood and his Merrie Men (1952). But to my amazement, when I first started this web site, it was almost impossible to find a biography about the man who had worked alongside Uncle Walt.

Perce Pearce

But gradually, as I made enquiries, information began to filter through. Here are a couple that helped me discover the man in the shadows:

"During the course of our lives, people often walk in, stay for awhile and then are gone from our lives. Sometimes we think of them and wonder what ever happened to so-and-so??

I was fortunate to have some wonderfully notable people in my life…some who came, stayed a bit, and then were gone as well as others that stayed. However, they all made an indelible impression on me, my life and interests. Now is my time to recognize and honor them!

One such man was Percival Pearce—“Perce” to his friends; and I actually never met the man…but I know his story and I remember the things he did for me.

Perce Pearce came from an old Waukegan family; his father had been an early mayor of the city and his sister was my mother’s dear friend. She owned Pearce’s Book Store on the corner of Gennessee and Washington Streets. From her every Christmas there came a wonderful Caldicott award-winning book or several of them and lots of advice on what books I should be reading!

Her brother was Perce and was an extremely talented artist, drawing cartoons to entertain his friends as a young boy. He always had a drawing pad close by and would draw a story on each sheet and would paste each picture in one of the windows of their 3 story house. Confident of his talent he decided in the early 1920’s to head for Hollywood to see where his talents would lead.

On the pier at Santa Monica, he happened to meet another young artist, also from the Chicago area, a man by the name of Walt who showed him some of the ideas he had to draw a mouse and all of his adventures. He convinced Perce to work with him, and, of course…you guessed it; it was Walt Disney.

Disney was just full of ideas to do storyboards and animation and create more characters that children could love and relate to. By the time he arrived in Hollywood in 1923, he had already made an animated featurette entitled “Alice’s Comedy” which debuted in New York City.

Walt was the brains of the operation—and the heart—while his brother Roy (who lived in California) helped supply the initial financing. With the ideas popping up rapidly, he relied greatly upon Perce to help to carry them out. As a result, there came the animated full-length movie “Snow White” in 1937, and “Bambi” in 1942; “So Dear to My Heart” in 1949. Perce was the director in charge of production and often the writer who helped create the characters and stories.

So……what does this have to do with me?? Every year, from 1948 through 1955, I received 8 movie tickets personally signed by Walt himself and Perce, along with a letter hoping that I would enjoy these movies! I always had young friends who wanted the pleasure of coming to a “movie party”! The movies returned to theaters every few years and always there were free tickets and a letter from Walt and Perce inviting me to attend with my young friends!
 

Perce Pearce and Richard Todd promoting 'Robin Hood'

Later, in 1950, Perce Pearce was sent to England to make the first live action movies for Disney….”Treasure Island”; to be followed by “Rob Roy” and “The Story of Robin Hood” and “The Sword and the Rose”. Each of these was produced by Disney and directed by Perce Pearce. Nevertheless, each year after that I received the customary 8 movie tickets with a warm letter from Walt and Perce, hoping that I would enjoy these movies with my young friends! I believe I even tried by this time to send a thank you note….but I think it was addressed to Mr. Mickey Mouse and therefore, I am not sure it ever got there!

When Perce was scheduled to return to California, the Bank of England told him that the money he earned in England would have to stay in England. So he settled there in a country estate and lived the rest of his life there.

The man that I never met who was so kind to me still remains somewhat of a mystery. Even “google” cannot shed much light on his life, other than his many accomplishments with Disney—although there are over 1,000 entries under his name.

So here’s to Percival Pearce, and to his many achievements! His sister and the Pearce family in Waukegan have all died, but their many kindnesses will remain with me in my memory.”

Judith Talcott Rogers

Perce Pearce's Obit

"I've been looking on the Internet for any mention of my Dad's family who all seem to have worked on (or watched as a child) the filming of Robin Hood, Treasure Island and many other films made at Denham. I'll have to double check with Dad but I'm sure that my Grandmother worked as some kind of housekeeper to Perce Pearce while he was there (they lived nearby). Dad always said she met Walt Disney and now it seems she did!! Wow this is amazing! My maiden name is Owen. I'm looking for the Denham archives to see if I can find any mention of my uncles Will, Eddie and Ralph. My Dad (Allan) was too young but watched the filming and my Grandfather I think is listed as Ned he worked on the props. Dad has so many stories about that time. Everyone loved Perce Pearce."

Kath Owen

Many thanks to all those who have sent in information.There are now over 11 posts about Perce Pearce on this blog, including many pictures of him taken during the production of the Story of Robin Hood. To see the pages please click here. Also our regular contributor Neil, has an excellent web site Films of the Fifties and has recently featured an article on Pearce here.

If you have any information about the making of Walt Disney's Story of Robin Hood or the stars that appeared in it, please get in touch.

 

Perce Pearce

Richard Todd, Joan Rice and Perce Pearce

This blog now contains over 640 posts, so sometimes it is hard to catch-up with comments left by readers on earlier pages. Just recently I was thrilled to discover a comment by Kath Owen on a post I did in 2011 about Disney's film director Perce Pearce (1899-1955). I wish I had seen it sooner:

"I've been looking on the Internet for any mention of my Dad's family who all seem to have worked on (or watched as a child) the filming of Robin Hood, Treasure Island and many other films made at Denham. I'll have to double check with Dad but I'm sure that my Grandmother worked as some kind of housekeeper to Perce Pearce while he was there (they lived nearby). Dad always said she met Walt Disney and now it seems she did!! Wow this is amazing! My maiden name is Owen. I'm looking for the Denham archives to see if I can find any mention of my uncles Will, Eddie and Ralph. My Dad (Allan) was too young but watched the filming and my Grandfather I think is listed as Ned he worked on the props. Dad has so many stories about that time. Everyone loved Perce Pearce."

I hope my readers and I haven't lost an opportunity to learn more about the making of those magical Disney movies here in England. So please get in contact again Kath at: disneysrobin@googlemail.com. 

We would all love to know more about your research into the work your family did at Denham Studios for Walt Disney and any other anecdotes you might have!

Walt Disney's Memo

Joan Rice in an earlier page-boys outfit.

Last week we looked at how Walt Disney set up Perce Pearce and Fred Leahy to supervise the production of his early live-action movies in England. Below is an example of Disney’s concentration on the detail in a memo he sent to them during the pre-production of the Story of Robin Hood and his Merrie Men (1952):

“The final tests arrived the first part of the week and we looked at them. I think [Richard] Todd is wonderful, and I feel he will project a great deal of personality and do a lot for the role.

Joan Rice is beautiful and charming. I think, however, she will need some help on her dialogue. I thought at times, she lacked sincerity, although one of her close-ups was very cute. I do not care much about her costume in the first scenes. It seems that women of that period always have scarves up around their chins, but I think it does something to a woman’s face. I’d like to see us avoid it, if possible, or get around it in some way or other-maybe use it in fewer scenes.

When we see Miss Rice disguised as a page, this costume seemed bulky and heavy. The blouse or tunic was too long and hung too far down over her hips-it didn't show enough of her and I thought distracted from her femininity. I do believe the costume did much to set off her femininity. I think a slight showing of the hips would help a lot.

Joan Rice wearing the updated page-boys costume.

I liked Elton Hayes as Allan-a-Dale. He has a good voice with quite an appeal. The last word I had from Larry [Watkin] was to the effect that he would be sending in a new and complete script very soon. I have been following his changes and the little thoughts I have are close to “lint-picking”, which I feel he is smoothing out in his final script, so I won’t bother about passing on my thoughts until I get his so-called final script...”

This is a fascinating insight into the pre-production of the Story of Robin Hood and although we do know a little about the original ideas for the movie, I can’t help wondering what the original script was like! 

At the start of this post we see a still from the movie, showing Joan Rice as Maid Marian, in what might be the page’s costume that Disney mentions - as it was never worn in the film.

Joan Rice with Ken Annakin going over the script.

In his memo, Walt Disney describes Joan Rice’s difficulties with the dialogue. The director, Ken Annakin went into great detail in his autobiography about the problems he had with her; how he had to slavishly go over the script with her word for word. But it is worth mentioning, I believe, that this was only her second role in a movie and apart from being rushed through the ‘Rank Charm School’ a year earlier; my research has shown that she had no experience in acting beforehand.

From Animation to Live-Action

The British government, in an attempt to revive its own film industry after the war, had imposed a 75% import tax on American films shown in Britain and ordered that 45 % of the films shown in British theaters be made in England. (A similar restriction had been agreed in France). This was a terrible blow to the Disney studio and to make matters worse, the French and British governments had both impounded receipts earned by American studios in those countries, insisting that the currency be spent there. For the Disney studio, this amounted to more than $1 million. Obviously Walt couldn't set up an animation studio in England or France, but he had another option. He could make a live-action film in England and finance it with the blocked funds. In effect, then, when Walt Disney finally crossed over into live-action, it was because the British government had forced him to do so.

Producer Perce Pearce with art director Carman Dillon 
and director Alex Bryce on the 'Robin Hood' set.

The project Walt selected for his live- action feature was Robert Louis Stevenson’s Treasure Island and he dispatched Perce Pearce and Fred Leahy to England to supervise the production. But he remained unusually involved in the post production  at least compared to the offhanded way he had been treating recent films. He had asked Pearce and Leahy to air-mail him specific takes for editing, and after a test screening in early January, he ordered them to cut ten to twelve minutes and provide a more forceful musical score; he also advised them that a more detailed criticism would follow. Two day later he ordered the editor to fly from England to Los Angeles, apparently so that Walt could oversee the editing himself.

The finished film, Walt Disney’s first all live-action feature, was both a critical and financial success- unbelievably the first in a long, long time. Treasure Island (1950) grossed $4 million, returning to the studio a profit of between $2.2 and $2.4 million. With the euphoria of this success was the worry that the animation side of the studio was dying. But Walt reassured those that had raised concerns, (including Douglas Fairbanks Jnr.) “We are not forsaking the cartoon field-it is purely a move of economy-again converting pounds into dollars to enable us to make cartoons here.” So in a strange turn, Disney had to make live-action films now to save his animation.

Richard Todd as Robin Hood

In July 1951, just as his cartoon version of Alice in Wonderland was released in America, Walt Disney visited Europe with his wife Lillian and his daughters to supervise his second live-action movie. The Story of Robin Hood and his Merrie Men (1952) was financed again by the blocked monies of RKO and Disney. Before leaving, Walt had screened films at the studio, looking at prospective actors and directors and making what he himself called ‘merely suggestions’, while he left the final decisions to Perce Pearce, who was producing. For his part, Pearce had laid out every shot in the movie in thumbnail sketches, or storyboards, just as the studio had done with the animators, and sent them on along with photostats and the final script to Walt for his approval, which Walt freely gave, though not without a veiled threat that Pearce had better make the film as quickly as possible. “This is important not only to the organization but to you as the producer,” he wrote.

Walt Disney using the Storyboard

The use of storyboards was new to ‘Robin Hood’ director Ken Annakin, “but it appealed to my logical brain very, very much,” he said later, and prompted ingenious scenes such as the first meeting between Prince John and the Sheriff of Nottingham after King Richard has left, played on the balcony of the castle against a brilliant but ominous orange sky at sundown. “I had never experienced sketch artists, and sketching a whole picture out,” Annakin said. “That picture was sketched out, and approved by him—but it was designed in England, and sketches were sent back to America.” For all his influence and control, Walt was not an overbearing studio head in Annakin’s view. “Basically, he visited the set maybe half a dozen times, stayed probably two or three hours while we were shooting.”

Though Walt delegated a good deal of authority on these films, he nevertheless took his approval of the storyboards seriously. When he noticed that one sequence wasn't shot exactly as agreed, he questioned Ken Annakin as to why. Annakin replied that he was going over budget and wanted to economize. “Have I ever queried the budget?” Walt asked. “Have I ever asked you to cut? Let’s keep to what we agreed.” In the end, Annakin never wavered from his understanding that the film he was making was, even with his own directorial expertise and perspective, and an insistence on a more authentic telling of the Robin Hood story, a Walt Disney production.

Director Ken Annakin

Meanwhile as Robin Hood was being filmed, Walt, Lillian and his daughters wandered through Europe, visiting the Tivoli Gardens in Denmark, and did not return to the studio until August.

While making those live action movies in England (which also included Sword and the Rose (1953) and Rob Roy the Highland Rogue (1954)), “Walt achieved something that I’m not sure he actually knew he was going to achieve”, suggests Disney authority Brian Sibley,  “which was that he placed himself as being not just an American filmmaker, but also a European filmmaker—or specifically a British filmmaker. We thought of him as making films not just about us, but making them here as well. I think that that gave Britain a kind of ‘ownership’ to Walt Disney, and that only came about in the ‘50s.”

Inside the Dream: The Personal Story of Walt Disney by Katherine & Richard Greene (2001)

Walt Disney: The Biography by Neal Gabler (2007)

So You Wanna Be A Director by Ken Annakin (2001) 

The Production Unit in Nottinghamshire

I was thrilled to discover this press picture (above) for sale on Ebay recently. It is a very rare image of Walt Disney’s legendary producer Perce Pearce (1899-1955) and Richard Todd (1919-2009) practising a quarter-staff fight during their fact-finding trip to Nottinghamshire before the filming of the Story of Robin Hood and his Merrie Men.

Below is an extract from the magazine Photoplay dated June 1951 about the trip:

“When Walt Disney first announced that he was to make ‘Robin Hood’ he received a letter from the Sheriff of Nottingham inviting him to visit the City Library and inspect the collection of over a thousand books of ‘Robin Hood’ lore. Walt Disney replied that he himself would be unable to go to England until the film actually went before the cameras, but that he would extend the kind invitation to Richard Todd and his production unit under the supervision of producer Perce Pearce.

When Richard Todd and the production unit visited Nottingham this spring [1951], they were received by the Lord Mayor, the Sheriff and other civic dignitaries and were afforded every possible local facility to retrace the footsteps of the famous outlaw.

Richard Todd absorbed a mine of information which gave him a penetrating insight into the character of Robin Hood when he came to portray his historic counterpart. The production unit, too, covered many miles of Robin Hood country, to ensure that local settings reproduced at Denham Studios under the supervision of Art Director Carmen Dillon, should maintain the highest degree of authenticity.”

Some of the places that the production crew visited included Nottingham City Library, Nottingham Castle, Newstead Abbey, Edwinstowe, Sherwood Forest including Robin Hood’s Larder (now gone) and the Major Oak, Ollerton, Creswell Crags, Nottingham’s Caves, the Salutation Inn and the Trip to Jerusalem Inn.

Walt Disney’s production crew included producer Perce Pearce, script writer Lawrence Watkin, historical advisor Dr. Charles Beard and art director Carmen Dillon.



Film & Television Production at Burnham Beeches

Due to its beautiful woodland and close proximity to London (25 miles) and many film studios, (Shepperton, Bray and Pinewood) Burnham Beeches in Buckinghamshire, England, has been used for many movie and television projects down the years. It is characterised by a diverse mixture of ancient woodland, wood pasture, coppice, ponds and streams, grassland, mire and heath land. The sites most prominent features are the veteran Beech and Oak pollarded trees which provide a stable habitat for many rare and endangered deadwood species.

It covers an area of 220 hectares (540 acres) and is located close to Farnham Common, Burnham and Beaconsfield.

An ancient pollarded tree in 2009

Filming is tightly controlled due to recognition of the Beeches' international importance for wildlife, restricting filming to no more than 20 days per year and to certain times of year. Filming in environmentally sensitive areas has also been banned. The revenue from filming goes directly to fund the upkeep and management of the Beeches.

During my visit in April 2009 I was given a list of ‘all’ the filming that has taken place there since 1946 and too my horror one film in particular was omitted. Yes you guessed it, Walt Disney’s ‘Story of Robin Hood and his Merrie Men,’ which was filmed at a number of places in the area, including Mendelssohn’s Slope and Upper and Middle Pond in 1951.

So let’s try and put the record straight:


Harry Potter and the Deathly Hallows Film 2010: Daniel Radcliffe

The film crew and production team of Harry Potter at Burnham Beeches in 2009

Creation Film 2008: Paul Bettany, Jenifer Connelly


Made With Magic TV 2008: Jamie Oliver


Jonathan Creek Christmas Special TV 2008: Alan Davies


New Tricks Series 5 TV 2008: Amanda Redman, Dennis Waterman


Merlin TV 2008: Colin Morgan, Bradley James


Midsomer Murders TV 2008: John Nettles


Eden Lake Film 2007: Kelly Reilly, Michael Fassbender


Sense & Sensibility TV 2007: Mark Williams, David Morrissey


Harry Potter & the Order of the Phoenix Film 2006: Daniel Radcliffe, Evanna Lynch


Primeval TV 2006: Douglas Henshall, Hannah Spearitt


Waking the Dead TV 2006: Trevor Eve, Sue Johnson


New Tricks TV 2005: Amanda Redman, Dennis Waterman


I Could Never Be Your Woman Film 2005: Michelle Pfeiffer


Driving Lessons FILM 2005: Rupert Grint, Julie Waters


Waking the Dead TV 2005: Trevor Eve, Sue Johnston


King Arthur Film 2004: Clive Owen, Keira Knightley


Winter Solstice TV 2003: Jan Niklas, Geraldine Chaplin


In Deep TV 2002: Nick Berry, Stephen Tompkinson


Born and Bred TV 2002: Naomi Radcliffe, Jenna Russell


The Hole Film 2000: Thora Birch, Keira Knightley


Midsomer Murders TV 2000 John Nettles


The Worst Witch TV Una Stubbs


Alice in Wonderland TV 1998 Whoopi Goldberg, Christopher Lloyd


Family Affairs TV 1998 Ebony Thomas, Kazia Pelka


Plunkett & Macleane Film 1998 Robert Carlyle, Liv Tyler


Merlin TV 1997/8 Sam Neil, Martin Short


Tess of the D’Urbervilles TV 1997 Justin Waddell


Bedroom 7 Hallways Film 1997 Kevin McKidd, Simon Callow


Kavanagh QC TV 1997 John Thaw


Spiceworld Film 1997 The Spice Girls, Richard E Grant


Bright Hair TV 1997 Emilia Fox, John Bowe


Bliss TV 1996 Simon Shepherd


Touching Evil TV 1997 Robson Green


Wilderness TV 1996 Amanda Ooms, Michael Kitchen


Ivanhoe TV 1996 Steve Waddington, Nick Brimble


The Wind in the Willows Film 1996 Steve Coogan, Eric Idle


The Hollow Reed Film 1995 Joely Richardson


Roald Dahl’s Red Riding Hood TV 1995 July Walters, Danny Devito


Guliver’s Travels TV 1995 Ted Danson, Mary Steenburgen


Soldier Soldier TV1994/5 Robson Green, Jerome Flynn


Martin Chuzzlewit TV 1994 Julia Sawalha


First Knight Film 1994 Richard Gere, Julia Ormond


Circle of Friends Film 1994 Minnie Driver, Chris O’Donnell


Between The Lines TV 1993 Neil Pearson, Siobhan Redman


The Crying Game Film 1992 Stephen Rea, Jaye Davidson


King Ralph Film 1991 Peter O’ Toole, John Goodman

Kevin Costner in Robin Hood : Prince of Thieves

The movie was filmed all over Burnham Beeches

Robin Hood: Prince of Thieves Film 1990 Kevin Costner, Morgan Freeman


Minder-Xmas Special TV 1988 Denis Waterman, George Cole


The Princess Bride Film 1987 Cary Elwes, Robin Wright Penn


Slipstream Film 1987 Mark Hamill, Robin Coltrane


Lair of the White Worm Film 1987 Hugh Grant, Amanda Donohoe


Mr Corbett’s Ghost TV 1987 Burgess Meredith, Mel Smith


Company of Wolves Film 1982/3 Angela Lansbury


Who Dares Wins Film 1982 Lewis Collins


Hawk the Slayer Film 1981/2 Jack Palance


Time Bandits Film 1981 John Cleese, Bernard Bresslaw

John Cleese as Robin Hood in Time Bandits

Agatha Film 1979 Dustin Hoffman, Vanessa Redgrave


Dick Turpin TV 1978 Richard O’Sullivan


The Professionals TV 1977 Lewis Collins, Martin Shaw


Carry On England Film 1976 Sid James, Kenneth Williams


The New Avengers TV 1976 Patrick Macknee, Joanna Lumley


Carry On Behind Film 1975 Sid James, Kenneth Williams


Frankenstein: The True Story Film 1973 Ralph Richardson, Jane Seymour


Bless This House Film 1972 Sid James, Diana Coupland


The Benny Hill Show TV 1971 Benny Hill


The Persuaders TV 1971 Roger Moore, Tony Curtis


Carry On Camping Film 1969 Sid James Kenneth Williams


Randall & Hopkirk-Deceased TV 1969 Mike Pratt, Kenneth Cope


Manhunt TV 1969 Cyd Hayman


The Siege of the Saxons Film 1963


Z Cars TV 1962 Colin Welland


The Loneliness of the Long Distance Runner Film 1962 Michael Redgrave, Tom Courtenay


The Avengers TV 1961 Patrick Macknee, Diana Rigg


Dangerman TV 1960 Patrick McGoohan


(VARIOUS) Hammer Horror films FILM 1960’s -70’s


Goldfinger Film 1960 Sean Connery


A Town Called Alice Film 1956 Peter Finch, Virginia Mc Kenna


Lost Film 1955 Thora Hird

Men of Sherwood Forest Film 1954 Don Taylor, Reginald Beckwith

Perce Pearce the producer of Walt Disney's Story of Robin Hood

with Art Director Carmen Dillon and 2nd Unit Direcor Alex Bryce at Burnham Beeches

Walt Disney’s Story of Robin Hood and his Merrie Men Film 1952 Richard Todd, Joan Rice


London Belongs To Me FILM 1948: Richard Attenborough


Great Expectations FILM 1946 John Mills

If you know of any other TV of film productions not listed that used Burnham Beeches as a location, please get in touch.