On Stage with Joan Rice

Above is a theatre programme of Arthur Miller’s ‘A View From The Bridge,’ which was kindly sent in by Neil, showing Joan in her favourite play as Catherine, at the Savoy Theatre in Kettering in September 1959.

We now know that Joan Rice (1930-1997) was appearing in various theatrical productions from 1955 onwards and continued performing on the stage as her film career sadly faded. Back in October I received this interesting email from Julia Wright:

Fresh out of drama school in 1963 or 4, I was her understudy in a touring production of a play name of which I have totally forgotten. I believe it was with Carl Clopet Productions, not in the first rank of theatrical companies but kept many of us employed. I think it was a new play and it was hoped it would make it into the West End but there were problems - not Joan's fault. The leading man was sacked just before the tour started because he couldn't remember lines and it was a lousy play. We toured exotic spots like Cardiff and the closest we got to the West End was Streatham. At least she made it to Hollywood and had her moment in the sun and I'm glad she didn't spend her life pining for what had and might have been in show business that killed off so many but made a life for herself.

Many thanks to Julia for sharing this information.

Above is a another theatre programme, this time showing Joan performing in John Mortimer’s ‘A Voyage Round My Father’ at the Wimbledon Theatre from May 1973.

Joan Rice in 1978 (Image © Maria Steyn)

I hope these postings have helped counter the statements by Richard Todd and film director Ken Annakin that Joan was never an actress. 

Joan Rice actually attended ‘The Company of Youth,’ often known as the ‘Rank Charm School,’ J. Arthur Rank's training institution for young film actors. It was established adjacent to Rank's experimental Highbury studio in a disused church hall, under the auspices of Olive Dodds, the Organisation's Director of Artistes. The school trained its pupils in everything from voice production to fencing and launched the careers of stars like, Christopher Lee, Dirk Bogarde, Patrick McGoohan, Donald Sinden, Honor Blackman, Michael Craig, Kay Kendal, Shirley Eaton, David McCallum, Joan Collins and Diana Dors.

It is interesting to see Gay Hamilton also listed in the programme above. Gay had played the part of Maid Marian in the Hammer production ‘A Challenge for Robin Hood,’ in 1967; Joan of course played the same part beautifully for Walt Disney in 1952. Both actresses appeared alongside James Hayter as Friar Tuck.

Joan Rice as Maid Marian

This site is dedicated to the memory of Joan Rice. If you have any information about her life and career or ever met her, I would love to hear from you. Please get in touch at disneysrobin@googlemail.com.

To read more about Walt Disney’s first Maid Marian please click here:- Joan Rice. There is now over 78 pages on this site about her life and career.

Provincial Premieres of Disney's Robin Hood

Geoff Waite has very kindly contacted me regarding the film that accompanied Walt Disney's Story of Robin Hood and his Merrie Men during its provincial premieres in 1952. 

Wynne Jones and Elton Hayes at the Gaumont Theatre, Liverpool

Geoff says:

"I seem to remember you were interested in discovering what the second feature was when Disney’s ‘Robin Hood’ was first released, but I don’t recall if you were ever able to discover the name of the film.

I am attaching a photo of Elton Hayes attending the opening of The Story of Robin Hood on 27 April 1952 at the Gaumont Theatre, Liverpool. This was four days after the Manchester provincial premiere. On the back of the photo it says ‘Mr. Elton Hayes and Mr. Wynne Jones’ (Liverpool Evening Express).

As you will see from the photo, on the poster displayed between Elton and Mr Jones the second feature is shown as being Hammer the Toff starring John Bentley and Patricia Dainton. The film, released in 1952, also starred Valentine Dyall and was based on a book by John Creasey."

A huge thank you to Geoff for sending in his picture and helping to answer a question that has been bothering me for many years. 

The Capitol Theatre in Salem, Oregon  in 1952

The New York Times review of June 27th 1952 describes the two accompanying films to Disney's Robin Hood in America as Water Birds (a true-life adventure) and a cartoon short called The Little House. 

On line sources show that Hammer The Toff was first released to British cinemas in March 1952. The world premiere of Walt Disney's Story of Robin Hood and his Merrie Men was at the Leicester Square Theatre in London on the 13th March of that year. As we now know from Geoff's previous research  there was a Provincial Premiere in Manchester on the 23rd April and at the Gaumont Theatre in Liverpool on the 27th April. So was Hammer The Toff  the second feature during the 'general' release of Robin Hood around the country in 1952? If you can confirm this please get in touch.

Elton Hayes and Joan Rice at the Provincial Premiere in Manchester

There is now a great deal of reports about the star studded premiere of Walt Disney's Story of Robin Hood on this blog. Please click here to read more. And with the help of Geoff Waite we have also accumulated a vast amount of information on the life and work of Elton Hayes here.

All the pictures taken at the provincial premieres and used on this site are the property of Geoff Waite.

Disney's Robin Hood Comic Strip. 10

Thanks to Matt Crandall I can now upload two of the latest instalments of the Robin Hood strips from the Belgian 'Mickey' magazine from 1953.

Matt runs the excellent Walt Disney's Alice in Wonderland blog, which contains many rare items and collectables from the classic animated film. He has also been very kindly sending me the comic strips that were drawn by Jessie Marsh and based on the Disney live-action film The Story of Robin Hood and his Merrie Men which was released in 1952.

To catch-up with previous pages from the magazine please click here. 

And don't forget you can view the whole of the movie with Laurence's fantastic picture strip here.

Laurence's picture strip.

Robin Hood Airport

Sean Bean and Brian Blessed

As regular readers of this blog will know, Robin Hood not only has links with Nottinghamshire but also Yorkshire - both counties continuing to claim him as their own.

In April 2005, when the Peel Group opened their £80 million airport on the former site of RAF Finningley in the borough of Doncaster, South Yorkshire, they provocatively re-named it 'Robin Hood Airport.'

This former long range nuclear bomber base is situated less than 18 miles from the legendary haunts described in one of the oldest tales about the outlaw, A Gest of Robyn Hode printed between 1492-1534.

   Robyn stode in Bernesdale,
  And lenyd hym to a tre;
  And bi hym stode Litell Johnn,
  A gode yeman was he.

The 'Barnsdale' referred to in the early ballad - the base for the outlaw's activities - is often identified with a relatively small area in South Yorkshire near The Great North Road, just north of Doncaster. Wentbridge and Saylis also appear in the stories of Robin Hood and the Potter and the Gest respectively. Legend states that his remains are buried at Kirklees Priory near Brighouse, West Yorkshire.

So two years after the airport's official opening a10-foot bronze statue of Robin Hood, sculpted by Neale Andrew was unveiled by actors Sean Bean and Brian Blessed on the first floor of the airport. Both actors are Yorkshire born and bred and proud of their roots.

During a press interview after the ceremony Sean Bean confessed that he would, "love to play Robin Hood on the big screen," he said. "It's 16 years [2007] since Kevin Costner did it - now it's my turn." 

Sean Bean with the statue of Robin Hood

Sean Bean continued:

"And we all know Robin Hood was definitely a Yorkshireman who was chased into Nottingham. They say he could be from Loxley in Sheffield - thats near where I come from. In fact Robin Hood is possibly my great, great, great, great, great, grandfather." 

Brian Blessed, who played Robin Hood's father in the Costner movie Robin Hood: Prince of Thieves, joked that the reason they were both invited was because, " Sean is very talented, but I have the sex appeal."

Sean Bean and Brian Blessed

Blessed said:

"I was born just eight miles away in Mexborough and I lived in Goldthorpe, my dad died about a year ago - he was the oldest surviving coal miner, he was 99 - and he was thrilled to bits with this airport. It's marvellous the way it's revitalised the area. I'm very proud to be part of this."

After the airport was re-named in 2005, Nottingham  council accused Doncaster of 'jumping on the band-wagon'!

To read about Robin Hood's death at Kirklees please click here. Information about the medieval ballads Robin Hood and the Potter and the Gest of Robyn Hode can be seen here and there are many more links and in the sidebars.

Geoffrey Rodway (1911-1999)

Geoffrey Godway (1911-1999) with Joan Rice in the make-up department

This is an up-date to a post from three years ago. It was in November of that year I posted a picture of Joan Rice (1930-1997) in the make-up department for her role as Maid Marian during the filming of Walt Disney's Story of Robin Hood and his Merrie Men.

At the time, I was not sure who the gentleman was applying the make-up. I went through the names, including Geoffrey Rodway the Make-Up Supervisor on the movie, Trevor Crole-Rees, Stuart Freeborn, Eddie Knight, A. L Lawrence, Robert Alexander and Wally Schneiderman. They are all listed in various articles as uncredited make-up artists on Disney’s live-action movie. At the time I guessed in might have been Geoffrey Rodway.

Well, I was thrilled to receive a message from Alex Rodway:

“Yes that is Geoffrey Rodway, my grandfather.”

Neil, our regular contributor, also informed us that South African born Geoffrey Rodway (1911-1999) was employed in various make-up departments from the early forties right through to the seventies. Including working on the much-loved Carry-On films.

Rodway was part of the team that worked for Walt Disney on Treasure Island and Sword and the Rose.  He was also Joan Rice's make-up artist not just on Robin Hood, but also Curtain Up, A Day To Remember and One Good Turn. 

In March of this year Mick got in touch and asked if the family had lived in Iver in Buckinghamshire? I am pleased to say that yesterday Tim Walker contacted me with this answer:

"Hi all - I'm another of Geoff's grandsons - cousin of Alex who wrote in previously. Geoff did a large number of films at Pinewood Studios, which are of course situated in Iver. So yes Geoff and his wife Nora (who was also his assistant) did live in the area - I think in Denham and Iver at some stage. This was up until Geoff retired and they moved to the South coast during the seventies. I hope this is of interest. Regards, Tim Walker. 

Many thanks to all those who very kindly contacted this web site regarding Geoffrey Rodway, especially members of his family. If you have any information regarding the production crew or actors and actresses that made Disney's Story of Robin Hood please get in-touch. I will be pleased to hear from you.

Archie Duncan, Villain and Hero

Archie Duncan (1914-1979) has the unique distinction of playing a villain and a hero in the world of Robin Hood. He played Red Gill, the murderer of Robin’s father in The Story of Robin Hood (1952) and Little John in 105 episodes of TV’s The Adventures of Robin Hood between 1955-1959. 

Archie Duncan is proving to be a popular choice for your favourite Little John of 'all-time' in our current poll (see the right-hand panel on this blog).

Archie Duncan

Archibald Duncan was born in Glasgow on 26th May 1914 and was educated at Govern High School. His father was a regimental sergeant major and his mother a postmistress. The Scottish actor Russell Hunter remembers ‘big Archie’ at a Communist Party Rally in support of the Soviet Union and the opening of a second front in 1941. Duncan was then working as a welder at John Brown’s Shipyard.

“I was looking for acting work,” Russell Hunter said. “Duncan came up to me and asked if I he had a big voice? I replied yes! So he invited me through to a back room, where I was asked to read the part of the fascist in the Saturday night production at the Partick Borough Halls. As the original actor had been called up.”

Archie Duncan later introduced Russell Hunter to the Glasgow Unity.

It was at the Citizens Theatre Company that Duncan joined the training ground of many Scottish actors including, Molly Urquart, Duncan Macrae, Gordon Jackson and Eileen Herlie. He then made his Scottish acting debut in Juno and the Paycock, playing all three gunmen, at Glasgow's Alhambra in May 1944.

Duncan's London debut came at the Phoenix Theatre in 1947 when he appeared with Alistair Sim and George Cole as Inspector Mc Iver in Dr Angelus.

Film roles started to follow with: Operation Bullshine (1948) Counter Blast (1948), The Bad Lord Byron (1949), Floodtide (1949), The Gorballs Story (1950), The Elusive Pimpernel (1950), Green Grow the Rushes (1951), Flesh and Flood (1951), Circle of Danger (1951) Henry V (1951), The Lavender Hill Mob (1951) You're Only Young Twice (1952), Hot Ice (1952), Home At Seven (1952) and Walt Disney's The Story Of Robin Hood and his Merrie Men as 'Red Gill' (1952).

Archie Duncan as Red Gill 

Two years later Duncan teamed up with Richard Todd and James Robertson Justice again in Disney’s Rob Roy the Highland Rogue as Dugal Mac Gregor.

Archie Duncan as Red Gill with Richard Todd as Robin Hood

In-between these various film roles, came the first of his long running TV appearances in the early U.S. series Sherlock Holmes as Inspector Lestrade. But just as he was finishing the final recording of Sherlock Holmes in 1955, he was preparing for a role that he will always be fondly remembered.

Richard Greene as Robin Hood and Archie Duncan as Little John

6ft. 2inch Archie was to play the part of Little John for Sapphire Films in The Adventures of Robin Hood with Richard Greene, at Nettlefold Studios, the first production of the newly formed ITP company (later ITC). It was commissioned by Lew Grade and was shown in the first weekend of Independent television in 1955 and became a massive success, running to 143 episodes. 

Duncan's portrayal of Little John would be fondly remembered decades later for his combination of strength, skill and  humour.  It was during the filming this unforgettable series that this Scottish gentle giant proved to be a true hero and managed to prevent a runaway horse from hurtling towards a group of spectators, consisting of mainly children, watching close by. For this brave feat, he was awarded the Queen’s Commendation for Bravery and £1,360 in damages. But it also resulted in him missing the recording of eleven episodes of Robin Hood. So between times, a replacement was found in fellow Scotsman, Rufus Cruickshank.

After TV’s The Adventures of Robin Hood, Duncan’s most notable film roles were in Saint Joan (1957) and Ring of Bright Water (1969). 

Matt Robertson sent me this message:

"I think I remember "meeting" Archie Duncan when I was a child visiting grandparents at Linthouse, Govan. As I recall, Archie Duncan was occasionally in the small Post Office at Linthouse, his mother or sister was the postmistress there. I would have gone into the Post Office, along with other kids at the time, to shout out, "Who killed the otter?" He had been our hero as Little John on TV but whacked Mij in Ring of Bright Water."

Archie Ducan's career in television production carried on with parts in programmes like Z Cars, Hereward the Wake, Orlando, Black Beauty and Bootsie and Snudge. 

But in 1978 he suffered a massive stroke which caused paralysis down his right side. Sadly he passed away at Whipps Cross Hospital in Leytonstone, London aged 65 on 24th July 1979. 

Don't forget to get involved and vote for your all-time favourite Little John in our poll in the right-hand task bar.

Your Favourite Friar Tuck

James Hayter  as Friar Tuck on the set of Disney's Story of Robin Hood

In last week's post I explained how Friar Tuck has been an integral part of Robin Hood's men since Anthony Munday's two Elizabethan plays, 'The Downfall' and 'The Death of Robert Earl of Huntington' (1598). This jovial character has been interpreted thousands of times. But which actor in your opinion portrayed him the best?

As regular readers of this blog will know, I have run a couple of surveys to find your all-time favourite Robin Hood and Maid Marian. It was Michael Praed of TV's Robin of Sherwood who achieved the most votes for the outlaw hero and the results of that poll can be seen here. 

Michael Praed as Robin Hood

Joan Rice (1930-1997) gained the most votes for her portrayal of Maid Marian in Disney's live-action movie The Story of Robin Hood and his Merrie Men (1952). The rest of that chart is here.

Joan Rice as Maid Marian

So who was your favourite Friar Tuck? I can now reveal that out of a poll of 134 it was James Hayter (1907-1983) who came out on top with 49 votes.

James Hayter as Friar Tuck

In The Story of Robin Hood, Hayter played one of the most memorable Friar Tucks of all time and went on to re-create his famous role for Hammer Films A Challenge for Robin Hood in 1967. But in his long acting career he starred in countless film, stage and television productions.  He is probably best remembered for being the voice of Mr Kipling Cakes and James Onedin’s father-in-law in the costume drama, The Onedin Line.

But towards the end of his long and illustrious acting career, Hayter was chosen by comedy writer and producer, David Croft, to appear as a new assistant in his successful TV series Are You Being Served. 

Alexander Gauge (1914-1960) gained second place in the poll with 27 votes. His Friar Tuck appeared in 91 of the 143 episodes of the much-loved television series The Adventures of Robin Hood (1955-1959). 

Alexander Gauge

Eugene Pallete's gravel-voiced, sword wielding Friar Tuck was your choice for third place with 20 votes. This legendary Hollywood character actor appeared alongside Errol Flynn in the classic Technicolor screen version, The Adventures of Robin Hood (1938).

Eugene Pallete

Once again we return to TV's memorable Robin of Sherwood for your fourth Friar Tuck. It was Phil Rose who gained 14 votes. Rose is a very popular British actor both on stage and television. 

Phil Rose

Next with 5 votes is Eastenders star Tony Caunter who appeared as the friar in the BBC mini series The Legend of Robin Hood in 1975. This for me was a pleasant surprise. Because, although it was a fine version (nominated for a BAFTA TV award) which included Martin Potter as Robin Hood and Diane Keen as Maid Marian, the series was almost forgotten until a viewers' petition finally made the BBC release it on DVD. Tony's friar made it to number five in our chart.

Tony Caunter

A more recent Friar Tuck reaches number six. This is Mark Addy from York in England, who donned the robes in Ridley Scott's recent version of Robin Hood (2010). As a souvenir collecting bee keeper, Addy's priest is seen brewing mead for profit.

Mark Addy

The late Ronnie Barker is at joint number eight with 3 votes. Barker, famous for his roles in hugely popular tv series like The Two Ronnies and Porridge appeared as Friar Tuck in Richard Lester's Robin and Marian in 1976. Although his appearance in the movie was short and understated it was certainly memorable.

Ronnie Barker

And alongside Ronnie Barker at number eight is Michael McShane who appeared as the chunky, quick-tempered, drunken priest in Robin Hood: Prince of Thieves in 1991.

Michael McShane

At number nine, sharing 2 votes each are four 'friars'. Mel Brooks in his hilarious spoof Robin Hood:Men In Tights (1993) as Rabbi Tuckman, with David Harewood's Tuck, the disillusioned priest from Fountains Abbey in BBC TV's Robin Hood (2006-2009). Alongside those, also with 2 votes are Bill Dow as Friar Tuck in the first internet version of Robin Hood, Beyond Sherwood Forest (2009) and the Welsh actor Martyn Ellis who appeared in 52 episodes of The New Adventures of Robin Hood as the friar (1997-1999).

Niall McGinnis gained 1 vote for his Friar Tuck in Sword of Sherwood Forest (1960).

So, the best Robin Hood production of all-time would have Michael Praed as Robin Hood, Joan Rice as Maid Marian and James Hayter as Friar Tuck. Who would be Little John?

I would like to thank all those readers who took part and helped produce this interesting result. Don't forget to vote for your favourite Little John in the task bar.

To see the all the votes for your favourite Robin Hood and Maid Marian please click on the link Favourites.

Robin Hood and The Spy

It has been a while since I have reviewed a book on this blog. But for me 'The Watchers' by Stephen Alford has been one of the most riveting books I have read this year. Not only does Alford throw open a window on the murky world of Elizabethan espionage, but also introduces us to one particular spy who has fascinated me: the man who changed the Robin Hood legend forever.

Stephen Alford takes us back to the reign of Elizabeth I. This is a Tudor period celebrated for its glorious achievement but what is often forgotten is that it was also a time of intense national insecurity. The new Protestant queen was regarded by the Catholic powers of Europe as a bastard and heretic. Pope Pius V tried to depose her and King Philip of Spain attempted an invasion. What also added to the country's anxiety was the fact that the Virgin Queen refused to name a successor. So the stability of the country depended entirely on Elizabeth's survival. The stakes could not have been higher.

To give us an insight into how fraught the times were, Alford's first chapter creates a doomsday scenario that haunted Elizabeth's advisors in which she is assassinated and England is faced with a full-scale invasion by the Spanish:

"Hidden behind the doors of her privy chamber, Elizabeth was mortally sick, in a deep fever, unable even to talk to her secretary. In the presence of her ladies, chaplains and most intimate advisers, she died very early in the morning.”

But Alford then returns us back to the shady chronological path as England is faced with the dilemma of bands of martyr-priests and pamphlets being smuggled in from the continent, the continual popish plots and Mary, Elizabeth's Catholic cousin, scheming over the Scottish border.

It was left to Elizabeth's enigmatic Secretary of State, Francis Walsingham, to counter these threats. He sanctioned the use of torture against Catholic priests and employed 'watchers' to track suspected conspirators - particularly those exiled on the continent. 

Alford sheds light on secret files that vividly detail the exploits of Walsingham's agents in this new discipline of 'spyery'. We witness the chilling but compelling world of the dark arts - from the encoded letters in casks of ale, to the use of cyphers, aliases, forgeries, double agents, espionage and cryptography.

But what has it to do with the legend of Robin Hood I hear you ask? Well bear with me and let me try and explain.

Out of the shadows of this period appears a 'watcher' that I have been particularly interested in - Anthony Munday. Many have probably never heard of him but it was this former spy who made the most influential contribution to the Robin Hood legend. 

Anthony Munday (1560?-1633) was a budding writer and adventurer who seems to have fallen into the world of spying by accident. Alford describes how on his travels Munday quickly realised that he was able to tell all that he had seen and heard of the 'wicked conspiracies' of Queen Elizabeth's Catholic enemies. Once back in England he sold his stories in books and pamphlets in London. The priests, who had been Munday's friends in Rome were quickly captured and imprisoned on their return and tried for treason. He confronted his former friends with the evidence of their hatched crimes and helped to see them to the gallows, including Edmund Campion who was hung, drawn and quartered at Tyburn in 1581. 

"The young writer felt a flush of satisfaction at seeing justice done." (p.116)

Edmund Campion's death at Tyburn

 So what began for Munday as an exciting enterprise soon became deadly serious as he reported on the terrible dangers facing Queen Elizabeth from her 'Roman enemies.' Soon his detecting of these conspiracies aroused the bitter animosity of the Jesuits and with his cover blown he turned his attention back to writing prose and verse. By 1589 he was a distinguished enough writer of theatrical productions to appear in a list of playwrights that included the name of William Shakespeare.

Stephen Alford's fascinating details about Munday's early life finish here, although his book continues to take up the exploits of many more Elizabethan watchers. It is a gripping read. 

But now I would like to continue with the later career of Anthony Munday and his famous two plays, 'The Downfall of Robert Earl Of Huntington' and 'The Death of Robert Earl of Huntington.' Both were probably written by Munday in 1598 (seven years after Campion's execution) and evidence shows he was helped by Henry Chettle, who had some part in the writing of the 'Death' and possibly re-worked the 'Downfall.' A court performance in 1598 is recorded as by 'the Earl of Nottingham's men.' This was Charles Howard who had recently been made Lord Admiral and was a patron of the theatre.

In his two plays the Robin Hood of ancient minstrelsy is transformed into an earl. Munday is the first person to name him Earl of Huntington (as he spells it) and the play (within a play) is set as a rehearsal for a revel to be presented inside the court of Henry VIII by the poet John Skelton. The 'good yeoman' had now been gentrified. 

Munday had also softened many of Robin's radical elements for the Elizabethan stage by relocating him in time, class and moral authority, crucially excluding any sense of social challenge through outlawry.

Both of these Huntington plays stress betrayal by family and church. The danger is closer to home, which no doubt resonated with audiences who had witnessed the Reformation.

Earl Robert is told of his outlawry at a feast to celebrate his betrothal to Marian. He has been betrayed by his uncle Gilbert Hood, the Prior of York and Warman his 'treacherous' steward. The wicked prior rewards Warman for his treason by making him Sheriff of Nottingham. Robert's third enemy is Sir Doncaster, who appears as a priest in the 'Downfall' and a knight in the 'Death.'

Earl Robert flees to the forest. Meanwhile Queen Eleanor (who lusts after him) hatches a plot to disguise herself as Marian and elope with the earl instead. Luckily Eleanor's plans are foiled and Marian is reunited with her lover in Sherwood.  They are eventually joined by Much the miller's son, Little John, Scarlet, Scathelock and a girl named Jinny.

Even as late as the seventeenth century Robin Hood and Maid Marian were not strongly linked. In the medieval ballads, Robin has no love interest, only a strong devotion to the Virgin Mary, which of course was idolatry to Protestants. So for his two plays, Munday combined Robin's May Games consort Maid Marian with the historiographical Matilda Fitzwalter who had appeared in Drayton's tragic poem 'Matilda the faire chaste daughter of Lord Robert Fitzwalter' in1594. Munday then created a love triangle between Robin, Marian and Prince John. 

Bizarrely, in the early scenes of 'The Downfall' she is known as Marian daughter of Lord Lacy but later she switches to Matilda daughter of Richard I's faithful baron Fitzwater. This could be an example of some of the fixing and re-working of the material that Henslowe paid Henry Chettle for. Or, an indication of how Munday had only sourced Drayton's poem after starting his play.

Friar Tuck is introduced and 'played' by John Skelton, Henry VIII's teacher and the former poet laureate. So for the first time both Friar Tuck and Maid Marian now have an integral place in Robin's band outside of the May Games.

Using Stow's reference to Robin Hood in his 'Annales of England' (1592), Munday set the time-period during Richard the Lionheart's absence on crusade. Unlike later plays Prince John, although hot tempered, is a more positive character and not quite the evil villain. He does try and seize Richard's throne, but he chooses exile when his brother returns and enters the forest. Disguised as 'Woodnet' he fights with Friar Tuck and is honoured by him as a 'proper man.' This is no doubt due to a favourable Tudor attitude towards King John's battle with the Pope.

Robin dies at the hands of his enemies in Act I of 'The Death.' His uncle, the prior of York plans to poison the king, but Robin, for no clear reason, drinks the poison instead and we witness his slow demise:

And:

The rest of the play follows John's pursuit of Marian, who has been gifted the title of Countess of Huntington by King Richard. 

So Anthony Munday, the former spy, had pulled together the Robin Hood narrative tradition as it was known to the Elizabethans. He processed and censored written sources and popular oral ballads of the time to make them acceptable to his patrons and the Tudor court. In doing so he created a framework in his two plays that clearly influenced later productions. 

Elements like Robin's early betrayal in the action, his escape from powerful enemies to the forest, his defiant speech to his men, the jovial friar and Marian's disguise and torment by a lustful nobleman will be continually replicated in various forms down the centuries. This would subsequently leave an indelible impression on a legend that would outlive Munday's own reputation.

Jason Connery as Robert Earl of Huntingdon

Three hundred and eighty eight years after Anthony Munday penned his pair of plays, Jason Connery performed the part of Robert Earl of Huntingdon in the hugely successful 'Robin of Sherwood' TV series written by Richard Carpenter. Along with Little John, Will Scarlet and Much, he was accompanied (of course) by Lady Marian and Friar Tuck.

The Watchers by Stephen Alford  Penguin Books (2013).
Playing Robin Hood: The Legend as Performance in Five Centuries by Lois Potter
Old English Plays by W. Carew Hazlitt
The Death of Robert Earl of Huntington by J. Payne Collier
Anthony Munday and Civic Culture by Tracey Hill
Anthony Munday and the Catholics 1560-1633 by Donna B. Hamilton